When Gillian Allnutt was awarded the Queen's Gold Medal for Poetry, Carol Ann Duffy wrote that her work `has always been in conversation with the natural world and the spiritual life'. Her latest collection, wake, shows the two beginning to meld into one: to speak for, even as, one another. As her title signals, these are poems about looking back, keeping watch over the dying and death of an old world and the ways of being human in that world; but also forward, waiting for the new world and being ready to awaken to it when it comes. There are, as always in her work, many displaced people. No one here is fully at home in the world. These are turbulent times - individually and collectively - and the poems here reflect that. And yet the poems are more `among' than `about' people: speaking out of the horde, and the hoard, of humanity as a whole.

Denise Levertov described Gillian Allnutt's poems as 'at once hard and delicate, like wrought iron'. Both serious and light in touch, humane and profound, this new collection explores the manifestations of the Spirit, tracing it back through the familiar world of Christianity to its roots in the shamanic. This journey goes 'about and roundabout': living in past and present simultaneously; seeking to marry masculine and feminine - in the figure of Mary Magdalene, say, or those of the almost ghostly mother and son in 'Steppe' or 'In Armenia'. The language of these poems inhabits the state, the indwelling, of meditation - that nest of thin air - berthing what, a moment ago, was neither here nor there. indwelling is Gillian Allnutt's first new collection since Wolflight (2007), included in her Bloodaxe retrospective How the Bicycle Shone: New & Selected Poems.

Denise Levertov described Allnutt's poems as 'at once hard and delicate, like wrought iron'. They are both serious and light in touch, deeply humane and spiritually profound, showing the spirit surviving amongst the tatters of Christianity in a modern wilderness. "How the Bicycle Shone" includes selections from her books "Spitting the Pips Out" (1981), "Beginning the Avocado" (1987), "Blackthorn" (1994) and "Nantucket and the Angel" (1997), as well as the whole of "Lintel" (2001), "Sojourner" (2004) and a collection of new poems, "Wolflight" (2007).

"The Best British Poetry 2011" presents the finest and most engaging poems found in British-based literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry, including lyric, formal and experimental poetry. Each poem is accompanied by a note by the poet themselves, explaining the inspiration for the poem and why they decided to write the poem in that form. The format of the book will be familiar to those who have seen similar annual selections made in other countries such as Ireland, Australia and especially the US, where the equivalent annual book is a popular yet controversial landmark in each year's literary calendar. At a time when print journals still retain their significance and popularity and when new sites are flourishing on the web, this book offers a snapshot of current poetry practices in the country by offering a diverse selection of excellent poems.