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This critical edition and lexicological analysis of the first of the two glossaries of Book 29 of Shem Tov ben Isaac's "Sefer ha-Shimmush" contains more than 700 entries and offfers an extensive overview of the formation of medieval medical terminology in the romance (Old Occitan and in part Old Catalan) and Hebrew languages, as well as within the Arabic and Latin tradition.
This manual provides a detailed presentation of the various Romance languages as they appear in texts written by Jews, mostly using the Hebrew alphabet. It gives a comprehensive overview of the Jews and the Romance languages in the Middle Ages (part I), as well as after the expulsions (part II). These sections are dedicated to Judaeo-Romance texts and linguistic traditions mainly from Italy, northern and southern France (French and Occitan), and the Iberian Peninsula (Catalan, Spanish, Portuguese). The Judaeo-Spanish varieties of the 20th and 21st centuries are discussed in a separate section (part III), due to the fact that Judaeo-Spanish can be considered an independent language. This section includes detailed descriptions of its phonetics/phonology, morphology, lexicon, and syntax.
Most Romance languages permit the overt realization of the grammatical subject in infinitive clauses in a considerable number of configurations. Mensching has the following goals: to describe systematically Romance infinitive constructions with specified subjects, taking into account diachronic and dialectical varieties and then to interpret these facts within a generative framework, examining how overt subjects in infinitive clauses are licensed and what determines their case and position. His findings call for a thorough revision of the principles that have been assumed for analyzing the Romance languages. Mensching uses eight Romance languages in his comparisons, among them Italian, Sardinian, Romanian, Spanish, and Portuguese. This book is intended for linguists.
Overt subjects are usually considered as a property of finite clauses. However, most Romance languages permit specified subjects in a broad range of infinitive constructions. Guido Mensching analyses this phenomenon in stages of French, Italian, Spanish, Portuguese and other Romance varieties.
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