This manuscript, of disputed provenance, possibly dates from the beginning of the eighth century and was for use in Eastern France, probably at Autun. It was written in some important centre where Luxeuil script was used.

This manuscript, of disputed provenance, possibly dates from the beginning of the eighth century and was for use in Eastern France, probably at Autun. It was written in some important centre where Luxeuil script was used.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Tropi Graduales: Tropen Des Missale Im Mittelalter, Volume 2; Analecta Hymnica Medii Aevi; Tropi Graduales: Tropen Des Missale Im Mittelalter; Clemens Blume; Tropi Graduales: Tropen Des Missale Im Mittelalter, Aus Handschriftlichen Quellen; Henry Marriott Bannister Henry Marriott Bannister, Catholic Church Clemens Blume O. R. Reisland, 1905 Church music; Tropers; Tropes (Music)

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.