Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The full text of Landor's classic, relating his adventures and misadventures in Tibet. This edition contains all the over 250 original black and white photographs. Complete--includes Volumes I and II and Appendices.

Born and educated in Florence, Arnold Henry Savage Landor (1867-1925) abandoned his art studies in Paris in favour of adventurous expeditions across Asia, Africa, the Middle East and South America. A fellow of the Royal Geographical Society from 1892, Landor was also made a member of the Royal Institution in 1897. Dismissive of specialist equipment, he embarked on extraordinary trips that often required considerable courage and endurance. Another of his publications, Alone with the Hairy Ainu (1893), is also reissued in the Cambridge Library Collection. The present work, first published in 1895, is an absorbing account of the geography, people and culture of Korea. While Landor's grasp of the forces of change at work in the country may be partial, the work nevertheless demonstrates a valuable understanding of Korean culture and customs not found in earlier accounts. Many fine illustrations by Landor himself increase the book's appeal.