From Shakespeare to Obama discusses language, slavery, and place from the Portuguese enslavement of African people, through the public and private in Shakespeare's poems and plays, to President Obama's 2012 speech on "modern slavery." Balancing close reading with context, Jonathan Hart offers new insight into questions of otherness, rhetoric, and stereotyping. Ultimately, this expansive book contributes to the ongoing study of the relation between history and literature.

Using the concept of otherness as an entry point into a discussion of poetry, Jonathan Hart's study explores the role of history and theory in relation to literature and culture. Chapters range from trauma in Shakespeare to Bartolome de Las Casas' representation of the Americas to the trench poets to voices from the Holocaust.

Examines possible and fictional worlds, author and authority, otherness and recognition, translation, alternative critique, empire, education, imagination, comedy, history, poetry, and culture. The analyzed works include classical and modern texts and theorists of the past sixty years ranging from Jerome Bruner to Stephen Greenblatt.

In this stunning reinterpretation of Shakespeare's works, Jonathan Hart explores key topics such as love, lust, time, culture, and history to unlock the Bard's brilliant fictional worlds. From an in-depth look at the private and public myths of love in the narrative poems, through an examination of time in the sonnets, to a discussion of gender in the major history plays, this book offers close readings and new perspectives. Delving into the text and context of a wide range of poems and plays, Hart brings his wealth of experience to bear on Shakespeare's representation of history.

The armaments of chemical and biological warfare (CBW), as Eric Coddy shows in this introduction for the concerned layman, are now widely held not just by nation-states, but by terrorist and criminal enterprises. The weapons themselves are relatively inexpensive and very easy to hide, and organizations of just a few dozen people are capable of deploying potentially devastating attacks with them. While in the twentieth century most of our arms-control effort focused, rightly, on nuclear arsenals, in the twenty-first century CBW will almost certainly require just as much attention. This book defines the basics of CBW for the concerned citizen, including non-alarmist scientific descriptions of the weapons and their antidotes, methods of deployment and defensive response, and the likelihood in the current global political climate of additional proliferation.

Computer wizard Jake Stafford builds the very first computer that can think. When he shows it to his new acquaintance, Amy Watson, she realizes its potential and together Jake and Amy set off on a path of building the largest company in the world. Not everyone is happy about the endeavor, they acquire enemies at every turn, as the old establishments will not idly sit by and let it happen. Meanwhile, more and more disasters occur due to the accelerated pace of global warming. The computer, programmed to hold human life in high regard, enlists help and creates a plan for a safe-haven to house the humans, TowerLand. Inside the complex, more than enough room for everyone on the planet. Shortly after work commences, people start emigrating to the first tower. However, The United States of America begins to see TowerLand as a threat and war ensues. Can they survive the might of the world's strongest military?

This book discusses literature, theory and history in close relation. Its main focus is on comparative literature and history, culture, poetics, rhetoric, theatricality, genre and gender, and balances close reading with theory and historical context.

Based on extensive archival research, this book looks at the earlier contest of empires in the New World, especially among Spain, France and England, and then examines the opposition to empire, the promotion of empire and the question of slavery. Hart's discussion on slavery has even larger scope ranging from early Arab, African and Portuguese practices in Africa and beyond to the legal abolition of slavery in the British empire, the United States and elsewhere in the Nineteenth-century.

Textual Imitation offers a new critique of the space between fiction and truth, poetry and philosophy. In a nimble, yet startlingly wide-ranging argument, esteemed scholar Jonathan Hart argues that recognition and misrecognition are the keys to understanding texts and contexts from the Old World to the New World.

This book focuses on how we perceive, know and interpret culture across disciplinary boundaries. The study combines theoretical and critical contexts for close readings in culture through discussions of literature, philosophy, history, psychology and visual arts by and about men and women in Europe, the Americas and beyond.

This open access book argues, from a detailed consideration of the Christian Scriptures, that God intends that sin occur. It swims against the tide of current thinking in philosophy of religion, arguing for an unfashionable conclusion. The book begins by considering the history of views on the question, paying particular attention to the Reformed or Calvinistic tradition. The heart of the book is a detailed examination of key passages from the Christian Scriptures that, it is argued, show that God does intend that sin occur. It also discusses in detail two alternative views that could be used to reinterpret these texts, one view that God intends only that the substratum of the sinful action occur, not the sin itself, and the other that God acts because a sin will occur but not intending that that sin occur. The book argues that these interpretative strategies, even when combined together, do not produce a plausible interpretation of the texts adduced.

Columbus, Shakespeare, and the Interpretation of the New World explores a range of images and texts that shed light on the complexity of the European reception and interpretation of the New World. Jonathan Hart examines Columbus's first representation of the natives and the New World, the representation of him in subsequent ages, the portrayal of America in sexual terms, the cultural intricacies brought into play by a variety of translators and mediators, the tensions between the aesthetic and colonial in Shakespeare's The Tempest, and a discussion of cultural and voice appropriation that examines the colonial in the postcolonial. This book brings the comparative study of the cultural past of the Americas and the Atlantic world into focus as it relates to the present.

"Shakespeare and His Contemporaries" begins with Shakespeare's England and expands to a world before, after, and beyond. With an eye to language, genre, drama, and literary and historical narrative, this book examines the comedy of Shakespeare in the context of comedies from Italy, Spain, and France in the sixteenth and seventeenth centuries.

Offering practical, real-life applications, coverage of basic concepts, and an engaging visual style, this proven book offers a writing style, approach, and selection of topics ideal for non-chemistry science majors. This edition offers an updated, dynamic art program (online, on CD, and in the text), new content to keep you current with developments in the organic chemistry field, and a revised lab manual.

This collection of poetry is a simple bio of my life through different stages of growth. Each poem is designed as a passage to maturity, and how issues in life can mold you or destroy you.I am not a scholar, but just a lover of the use of words, and how they relate to each of us through time and space.It is my hope that you will find yourself as you read through my escapades of life.

Published in 1985: The main plot portrays the bachelor Octavio, Marquis of Siena, and his establishment of his "Bower of Fancies," something like a Platonic academy for those he calls the "fancies" - Clarella, Silvia, and Floria, three young women who are, or are said to be,"young, wise, noble, fair, and chaste.

Recent graduates from the University at Albany Mike Reed and Frank Williams are now ready to take life head on. Mike Reed works at the Northeast division of Jumbo Oil Corporation one of the world's largest oil refining companies. Frank Williams on the other hand is headed back home to Texas where he has been accepted to the Police Academy there. Both best of friends but with two completely different career paths that separate them a thousand plus miles from each other. Now alone Mike ponders many questions as to his future here in the Northeast. A short vacation with Frank to Texas gives Mike a first hand glance of what he would be missing if he returned back to New York. As Mike and Frank experience some of life's highs and low's their friendship continues to strengthen. Experience how the live and play with family, old friends and some new friends they meet along the way. Experience the struggle for Power, Greed for money through stolen oil, and Murder associated with that greed in a place half a world away. Follow Mike as he gets caught up in the middle of it all, and find out what happens when the wrong people target you to be exterminated. Who will become the next victim to fall as a - Target of Greed? I sincerely hope you enjoy this journey with Mike and his friends. Let you're emotions join in with theirs as you let yourself get caught up in each and every one of their experiences. William J. Hart

Published in 1985: The main plot portrays the bachelor Octavio, Marquis of Siena, and his establishment of his "Bower of Fancies," something like a Platonic academy for those he calls the "fancies" - Clarella, Silvia, and Floria, three young women who are, or are said to be,"young, wise, noble, fair, and chaste.

Barefoot is Kevin Hart's eighth collection of poems; it is rich in elegies, meditations on lost love, and celebrations of new love. The title speaks of mourning, pilgrimage, and the direct sensuous contact of flesh with earth. Harold Bloom has long extolled Hart as a "visionary of desire," and in this collection we find that vision deepened and that desire extended. Never before has Hart stretched his range of inspiration quite so far; while continuing to draw from Christianity, he also responds to the rich heritage of American Blues, and reveals a wit as sharp as a razor's edge. The poetry is at once religious poetry and love poetry; indeed, the "religious poetry" is itself love poetry. Always, Hart speaks to us in words that seem inevitable in their simplicity. As he himself has written, "The best conductor of mystery is clarity. The true bearer of complexity is simplicity." Barefoot will delight poetry lovers everywhere.

In this book, workers displaced by plant closings in Louisville, Kentucky tell their stories, emphasizing their agency, demanding respect for their skill, casting judgment on business and government for not showing that respect, and revealing a sense of alienation resulting from violation of their values and trust.

Originally published in 1919, this book was written in an attempt to summarise some of the most important discoveries in inorganic chemistry during the previous fifteen years and to relate them to the teaching of the subject in schools. This book will be of value to anyone with an interest in inorganic chemistry, the history of education and the history of science.

Columbus, Shakespeare, and the Interpretation of the New World explores a range of images and texts that shed light on the complexity of the European reception and interpretation of the New World. Jonathan Hart examines Columbus's first representation of the natives and the New World, the representation of him in subsequent ages, the portrayal of America in sexual terms, the cultural intricacies brought into play by a variety of translators and mediators, the tensions between the aesthetic and colonial in Shakespeare's The Tempest , and a discussion of cultural and voice appropriation that examines the colonial in the postcolonial. This book brings the comparative study of the cultural past of the Americas and the Atlantic world into focus as it relates to the present.