1960s' sci-fi drama following American tourist Simon Wells (Macdonald Carey) and 20-year-old Joan (Shirley Anne Field) as they escape a motorcycle gang. Joan is the sister of gang leader King (Oliver Reed) and she falls for Simon when King and his cronies mug him. The two become an item and set sail in Simon's boat in an attempt to evade King's wrath. Their journey leads them to a military base where scientist Bernard (Alexander Knox) is performing experiments on children in the hope that he can create a generation that will survive a nuclear bomb. When King catches up with the couple, they persuade him to help the children escape but the task is seemingly impossible. While on the base Simon, Joan and King are all exposed to radioactivity. Will they be able to avoid capture and survive its effects?

Roger Moore plays 007 for the first time, bringing a new camp sensibility to the series while presiding over the usual quota of eyebrow-raising action and unusual gadgets. The mission this time is to crack a voodoo-controlled drug smuggling racket in the Caribbean, and Bond sets about the task with his customary verve, finding time for speedboat chases and crocodile encounters along the way. Admirable support is offered by Clifton James, as an irate Southern-States Sheriff, and Jane Seymour, as a Voodoo Queen whose power disappears when she loses her virginity by sleeping with Bond. The theme tune is performed by Paul McCartney and Wings.

This volume collects some of the best recent writings on St. Thomas's philosophy of law and includes a critical examination of Aquinas's theory of the relation between law and morality, his natural law theory, as well as the modern reformulation of his approach to natural rights. The volume shows how Aquinas understood the importance of positive law and demonstrates the modern relevance of his writings by including Thomistic critiques of modern jurisprudence and examples of applications of Thomistic jurisprudence to specific modern legal problems such as federalism, environmental policy, abortion and euthanasia. The volume also features an introduction which places Aquinas's writings in the context of modern jurisprudence as well as an extensive bibliography. The volume is suited to the needs of jurisprudence scholars, teachers and students and is an essential resource for all law libraries.

Horror in which a couple find themselves stranded in a small European village, where they pique the interest of a local aristocrat. When the honeymoon of Gerald Harcourt (Edward De Souza) and his new wife, Marianne (Jennifer Daniel), is interrupted by a car breakdown, they reconcile themselves to staying a couple of days in a remote village. The locals seem friendly enough and the wealthy Dr. Ravna (Noel Willman) even invites the couple for dinner at his chateau. However, once trapped in Ravna's house the newlyweds swiftly find themselves regretting the invitation as they become the subject of increasingly bizarre and threatening behaviour...

Classic Hammer horror starring Christopher Lee and Peter Cushing. Jonathan Harker (John Van Eyssen) journeys to Castle Dracula, where he is turned into one of the undead by the famous vampire (Lee). Professor Van Helsing (Cushing) arrives and drives a stake through Harker's heart, but must then pursue Dracula to London, where the Count intends to make Harker's fiancée Lucy Holmwood his bride. Lee and Cushing went on to make several more 'Dracula' films for Hammer.

The first in Hammer studios' long line of horror films. Awaiting execution in his dingy cell, Baron Victor Frankenstein (Peter Cushing) confides his story to a priest. Orphaned as a child, Frankenstein worked closely with his tutor, Paul Krempe (Robert Urquhart), experimenting on animals until they successfully revived a dead puppy. Much to Paul's unease, Frankenstein then worked obsessively to create a monster (Christopher Lee) out of assorted body parts, but once given life the creature attacked its maker and went on the rampage.

Ken Annakin directs this classic adventure drama starring Belinda Lee and Michael Craig. The film follows brothers Rusty (Craig) and Andrew (Patrick McGoohan) as they compete for the affections of Alice Lang (Lee) while fending off the many threats of the African wilderness.

Classic Hammer horror starring Christopher Lee and Peter Cushing. Jonathan Harker (John Van Eyssen) journeys to Castle Dracula, where he is turned into one of the undead by the famous vampire (Lee). Professor Van Helsing (Cushing) arrives and drives a stake through Harker's heart, but must then pursue Dracula to London, where the Count intends to make Harker's fiancée Lucy Holmwood his bride. Lee and Cushing went on to make several more 'Dracula' films for Hammer.

Mrs. Gareth, widowed chatelaine of Poynton, is fighting to keep her house with its priceless objets d'art from her son Owen and his lovely, utterly philistine fiancee. When she discovers that her young friend and sympathizer Fleda Vetch is secretly in love with Owen, she thrusts her into the battle-line.
The power struggle that ensues between the three women leaves Owen vacillating. What is at stake is not the mere possession of tables and chairs; it is, for Fleda, a conflict between aesthetic ideals, ethical imperatives, and her innermost feelings, in which she risks betraying, and being betrayed by, all that she holds most dear.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more."

St. Augustine and Roman law are the two bridges from Athens and Jerusalem to the world of modern law. Augustine's almost eerily modern political realism was based upon his deep appreciation of human evil, arising from his insights into the human personality, the product of his reflections on his own life and the history of his times. These insights have traveled well through the ages and are mirrored in the pages of Aquinas, Luther and Calvin, Reinhold Niebuhr, and Hannah Arendt. The articles in this volume describe the life and world of Augustine and the ways in which he conceived both justice and law. They also discuss the little recognized Augustinian contributions to the field of modern hermeneutics - the discipline which informs the art of legal interpretation. Finally, they include Augustine's valuable discussion of church/state relations, the law of just wars, and proper role and limits of coercion, and the procreative dimensions of marriage. The volume also includes an extremely useful, definitive bibliography of Augustine and the law, and will leave readers with an increased appreciation of the contributions which Augustine has made to the history of jurisprudence. No one can read Augustine and these articles on his view of the law without taking away a new view of the law itself.

Everyone's favourite blood-sucker is back in this sequel to 'Taste the Blood of Dracula' (1969). After a philandering young artist goes missing, his brother Simon (Dennis Waterman) and girlfriend Sarah (Jenny Hanley) discover that he was last seen heading for Castle Dracula. When they investigate they are greeted by the Count (Christopher Lee) and made welcome for the night. However, Dracula's manservant, Klove (Patrick Troughton), warns Peter to get Sarah away from his master before something terrible happens to her.

Horror in which a couple find themselves stranded in a small European village, where they pique the interest of a local aristocrat. When the honeymoon of Gerald Harcourt (Edward De Souza) and his new wife, Marianne (Jennifer Daniel), is interrupted by a car breakdown, they reconcile themselves to staying a couple of days in a remote village. The locals seem friendly enough and the wealthy Dr. Ravna (Noel Willman) even invites the couple for dinner at his chateau. However, once trapped in Ravna's house the newlyweds swiftly find themselves regretting the invitation as they become the subject of increasingly bizarre and threatening behaviour...

The first in Hammer studios' long line of horror films. Awaiting execution in his dingy cell, Baron Victor Frankenstein (Peter Cushing) confides his story to a priest. Orphaned as a child, Frankenstein worked closely with his tutor, Paul Krempe (Robert Urquhart), experimenting on animals until they successfully revived a dead puppy. Much to Paul's unease, Frankenstein then worked obsessively to create a monster (Christopher Lee) out of assorted body parts, but once given life the creature attacked its maker and went on the rampage.

In this sequel to 'Dracula' (1958), four English tourists are holidaying in the Carpathians when they meet the unconventional Father Sandor (Andrew Keir) at an inn. He warns them to avoid the local castle if they value their lives, but the next day the quartet find themselves stranded in the mountains after their driver abandons them. When a driverless carriage arrives they board it, intending to travel to the nearest village. However, the carriage instead takes them to the very castle which Sandor warned them against, where they are welcomed by Klove (Philip Latham), sinister manservant of Count Dracula (Christopher Lee)...

A collection of five Hammer horror films from the 1960s. In 'The Nanny' (1965), a nanny (Bette Davis) is hired to look after a ten-year-old who has just returned from a mental institution. The boy's mother has just been poisoned and he believes the nanny is to blame. When his aunt arrives and hears the boy's accusations she sides with the nanny, claiming the boy is making it all up. 'Dracula: Prince of Darkness' (1965) is the sequel to the 1958 film 'Dracula'. Four English tourists are holidaying in the Carpathians when they meet the unconventional Father Sandor (Andrew Keir) at an inn. He warns them to avoid the local castle if they value their lives, but the next day the quartet find themselves stranded in the mountains after their driver abandons them. When a driverless carriage arrives they board it, intending to travel to the nearest village. However, the carriage instead takes them to the very castle which Sandor warned them against, where they are welcomed by Klove (Philip Latham), sinister manservant of Count Dracula (Christopher Lee). 'Quatermass and the Pit' (1967) is the Hammer version of the popular TV series. When prehistoric skulls and the remains of an alien spaceship are discovered in the bowels of London's Underground during an excavation, a weird and powerful force is unleashed, and Professor Quatermass (Keir) is called in to investigate. 'Frankenstein Created Woman' is the sequel to the 1964 film 'Evil of Frankenstein'. The Baron (Peter Cushing) has taken up residence with well-meaning inebriate Doctor Hertz (Thorley Walters). When Hertz successfully revives Frankenstein after freezing his body, the latter deduces that the human spirit does not leave the body after death, and can therefore be transmuted into another form. He gets the chance to prove his theory when his young assistant, Hans, is hanged for a murder he did not commit, and Hans' disfigured lover, Christina, commits suicide in despair. After performing cosmetic surgery on Christina, the two scientists successfully transfer Hans's spirit into her body. However, Hans now sets out to take revenge on those responsible for his death. Finally, in 'The Devil Rides Out' (1967), the Duc de Richleau (Lee) is concerned by the disappearance of his young friend Simon (Patrick Mower) from the social scene. Accompanied by former army colleague Rex (Leon Greene), de Richleau discovers that Simon has joined a group of Devil worshippers, led by the evil Mocata (Charles Gray). Through de Richleau's attempts to wrest Simon from Mocata's influence, Rex becomes romantically involved with Tanith, another member of the cult.

Roger Moore makes his 007 debut, replacing Sean Connery as Britain's most celebrated secret agent. In the eighth instalment of the franchise, Bond is tasked with cracking a voodoo-controlled drug smuggling racket in the Caribbean, and sets about the task with his customary verve, finding time for speedboat chases and crocodile encounters along the way. Admirable support is offered by Clifton James, as an irate Southern Sheriff, and Jane Seymour, as tarot expert Solitaire but they face a formidable foe in drugs baron Kananga (Yaphet Kotto).

One of several adaptations of Conan Doyle's classic tale, this one is considered to have the best portrayal of Sherlock Holmes, by Peter Cushing. Holmes is called in when Sir Charles Baskerville seemingly falls prey to the family curse: a hell-hound which is said to haunt the moors of Devon. However, rather than investigate personally, Holmes opts to send his trusted colleague Doctor Watson (André Morell) to take up residence at Baskerville Hall to protect Sir Charles' heir, Sir Henry Baskerville (Christopher Lee) and attempt to get to the bottom of the mystery. But Holmes is not far away and on-hand to unravel the mystery.

The first in Hammer studios' long line of horror films. Awaiting execution in his dingy cell, Baron Victor Frankenstein (Peter Cushing) confides his story to a priest. Orphaned as a child, Frankenstein worked closely with his tutor, Paul Krempe (Robert Urquhart), experimenting on animals until they successfully revived a dead puppy. Much to Paul's unease, Frankenstein then worked obsessively to create a monster (Christopher Lee) out of assorted body parts, but once given life the creature attacked its maker and went on the rampage.

The Duc de Richleau (Christopher Lee) is concerned by the disappearance of his young friend Simon (Patrick Mower) from the social scene. Accompanied by former army colleague Rex (Leon Greene), de Richleau discovers that Simon has joined a group of Devil worshippers, led by the evil Mocata (Charles Gray). Through de Richleau's attempts to wrest Simon from Mocata's influence, Rex becomes romantically involved with Tanith, another member of the cult.

A Cornish squire invokes ancient voodoo rituals to raise zombies from the dead, intending to use them to work his tin mines. However, when the cult which builds up around the zombies is threatened with exposure, it responds by attempting to sacrifice the suspicious parties...

F.W. Murnau's silent vampire classic. Count Orlok (Max Schreck) decides to move from his ruined castle to the city of Bremen and hires real estate agent Thomas Hutter (Gustav von Wangenheim) to make the arrangements for him. But Orlok is also the vampire Nosferatu, and when he takes a shine to Hutter's young wife Ellen (Greta Schroder), it seems that the worst is indeed possible. Adapted from Bram Stoker's 'Dracula' (though with character names changed for legal reasons), Murnau's film also features some of the most famous sequences in cinema, including the Count's climb up the stairs to Ellen's room, his claw-hand outstretched and his crooked shadow on the wall. This is the version restored by the Münchner Filmmuseum and the Cineteca del Comune di Bologna, featuring a new score by James Bernard.

In this sequel to 'Evil of Frankenstein' (1964), the Baron (Peter Cushing) has taken up residence with well-meaning inebriate Doctor Hertz (Thorley Walters). When Hertz successfully revives Frankenstein after freezing his body, the latter deduces that the human spirit does not leave the body after death, and can therefore be transmuted into another form. He gets the chance to prove his theory when his young assistant, Hans, is hanged for a murder he did not commit, and Hans' disfigured lover, Christina, commits suicide in despair. After performing cosmetic surgery on Christina, the two scientists successfully transfer Hans' spirit into her body. However, Hans now sets out to take revenge on those responsible for his death.

A holistic view of human development that rejects the conventional stages of childhood, adulthood, and old age When we talk about human development, we tend to characterize it as proceeding through a series of stages in which we are first children, then adolescents, and finally, adults. But as James Bernard Murphy observes, growth is not limited to the young nor is decline limited to the aged. We are never trapped within the horizon of a particular life stage: children anticipate adulthood and adults recapture childhood. According to Murphy, the very idea of stages of life undermines our ability to see our lives as a whole. In Your Whole Life, Murphy asks: what accounts for the unity of a human life over time? He advocates for an unconventional, developmental story of human nature based on a nested hierarchy of three powers-first, each person's unique human genome insures biological identity over time; second, each person's powers of imagination and memory insure psychological identity over time; and, third, each person's ability to tell his or her own life story insures narrative identity over time. Just as imagination and memory rely upon our biological identity, so our autobiographical stories rest upon our psychological identity. Narrative is not the foundation of personal identity, as many argue, but its capstone. Engaging with the work of Aristotle, Augustine, Jesus, and Rousseau, as well as with the contributions of contemporary evolutionary biologists and psychologists, Murphy challenges the widely shared assumptions in Western thinking about personhood and its development through discrete stages of childhood, adulthood, and old age. He offers, instead, a holistic view in which we are always growing and declining, always learning and forgetting, and always living and dying, and finds that only in relation to one's whole life does the passing of time obtain meaning.

'A wonderful introduction to history's most influential scribblers' - Steven Pinker

What is truly at stake in politics? Nothing less than how we should live, as individuals and as communities. This book goes beyond the surface headlines, the fake news and the hysteria to explore the timeless questions posed and answers offered by a diverse group of the 30 greatest political thinkers who have ever lived.

Are we political, economic, or religious animals? Should we live in small city-states, nations, or multinational empires? What values should politics promote? Should wealth be owned privately or in common? Do animals also have rights? There is no idea too radical for this global assortment of thinkers, which includes: Confucius; Plato; Augustine; Machiavelli; Burke; Wollstonecraft; Marx; Nietzsche; Gandhi; Qutb; Arendt; Nussbaum, Naess and Rawls.

In each brief chapter, the authors paint a vivid portrait of these often prescient, always compelling political thinkers, showing how their ideas grew out of their own dramatic lives and times and evolved beyond them. Now more than ever we need to be reminded that politics can be a noble, inspiring and civilising art. And if we want to understand today's political world, we need to understand the foundations of politics and its architects. This is the perfect guide to both.