Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker's work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynch's films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynch's penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynch's work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.

Heidegger's Moral Ontology offers the first comprehensive account of the ethical issues that underwrite Heidegger's efforts to develop a novel account of human existence. Drawing from a wide array of source materials from the period leading up to the publication of Being and Time (1919-1927), and in conversation with ancient, modern, and contemporary contributions to moral philosophy, James D. Reid brings Heidegger's early philosophy into fruitful dialogue with the history of ethics, and sheds fresh light on such familiar topics as Heidegger's critique of Husserl, his engagement with Aristotle, his account of mortality, the role played by Kant in the genesis of Being and Time, and Heidegger's early reflections on philosophical language and concepts. This lively book will appeal to all who are interested in Heidegger's early phenomenology and in his thought more generally, as well as to those interested in the nature, scope, and foundations of ethical life.

The Question Concerning the Thing presents a full English translation of a lecture course first delivered by Heidegger at Freiburg University during the Winter Semester of 1935-36 (originally published in German as volume 41 of the Gesamtausgabe). The text presents with particular clarity Heidegger's distinctive approach to issues of general philosophical interest. Heidegger shows how a litany of classical metaphysical problems flow from the basic question 'what is a thing?', revealing the historicity of these problems and, thus, the ways in which they implicate further issues of cultural significance. He examines issues regarding the history and philosophy of science, philosophy of language, and logic that are still debated today. Moreover, the lecture course as a whole is framed by questions regarding the nature of philosophy itself. Along the way, Heidegger provides sensitive and often provocative discussions of historically significant figures, in particular Kant.

Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker's work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynch's films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynch's penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynch's work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.

The Question Concerning the Thing presents a full English translation of a lecture course first delivered by Heidegger at Freiburg University during the Winter Semester of 1935-36 (originally published in German as volume 41 of the Gesamtausgabe). The text presents with particular clarity Heidegger's distinctive approach to issues of general philosophical interest. Heidegger shows how a litany of classical metaphysical problems flow from the basic question 'what is a thing?', revealing the historicity of these problems and, thus, the ways in which they implicate further issues of cultural significance. He examines issues regarding the history and philosophy of science, philosophy of language, and logic that are still debated today. Moreover, the lecture course as a whole is framed by questions regarding the nature of philosophy itself. Along the way, Heidegger provides sensitive and often provocative discussions of historically significant figures, in particular Kant.

The philosophical significance of Henry David Thoreau's life and writings is far from settled. Although his best-known book, Walden, is admired as a classic work of American literature, it has not yet been widely recognized as an important philosophical text. In fact, many members of the academic philosophical community in America would be reluctant to classify Thoreau as a philosopher at all. The purpose of this volume is to remedy this neglect, to explain Thoreau's philosophical significance, and to argue that we can still learn from his polemical conception of philosophy. Thoreau sought to establish philosophy as a way of life, and to root our philosophical, conceptual affairs in more practical or existential concerns. His work provides us with a sustained meditation on the appropriate conduct of life and the importance of leading our lives with integrity, avoiding what he calls "quiet desperation." The contributors to this volume approach Thoreau's writings from different angles, collectively bringing to light what, in his own distinctive and idiosyncratic way, this major American thinker has meant to multiple areas of philosophical inquiry, and why he is still relevant. They show how the imagination, according to Thoreau, might be related to the disclosure of truth; they illuminate the nuances of embodied consciousness and explore the links between moral character and scientific knowledge. They clarify Thoreau's project by locating it in relation to earlier philosophical authors and traditions, noting the ways in which he either anticipated or influenced a host of later thinkers. They explore his aesthetic views, his naturalism, his theory of self, his ethical principles, and his political stances. Most importantly, they show how Thoreau returns philosophy to its roots as the love of wisdom.

Heidegger's Moral Ontology offers the first comprehensive account of the ethical issues that underwrite Heidegger's efforts to develop a novel account of human existence. Drawing from a wide array of source materials from the period leading up to the publication of Being and Time (1919-1927), and in conversation with ancient, modern, and contemporary contributions to moral philosophy, James D. Reid brings Heidegger's early philosophy into fruitful dialogue with the history of ethics, and sheds fresh light on such familiar topics as Heidegger's critique of Husserl, his engagement with Aristotle, his account of mortality, the role played by Kant in the genesis of Being and Time, and Heidegger's early reflections on philosophical language and concepts. This lively book will appeal to all who are interested in Heidegger's early phenomenology and in his thought more generally, as well as to those interested in the nature, scope, and foundations of ethical life.