This book is a systematic attempt to establish Sheridan as a major figure in the history of English comedy. Leading scholars address Sheridan's role not only as an outstanding playwright, but also as the manager of Drury Lane Theatre, and his subsequent career as a Member of Parliament. The essays examine the theatrical world in which Sheridan worked, discuss his major plays, and include a modern director's observations on the production of his work today. This is combined with an important re-evaluation of Sheridan's achievements as a master of rhetoric in the political arena, to provide a much needed contemporary assessment of this multifaceted man and his work.

This is the final in a series of three volumes of a new prose translation of Euripides' most popular plays. In the three great war plays contained in this volume Euripides subjects the sufferings of Troy's survivors to a harrowing examination. The horrific brutality which both women and children undergo evokes a response of unparalleled intensity in the playwright whom Aristotle called the most tragic of the poets.

This book provides separate discussions of each of Sophocles' seven plays: Ajax, Women of Trachis, Antigone, Oedipus the King, Electra, Philoctetes and Oedipus at Colonus. It sets these between an essay that outlines modern approaches to Greek tragedy and a final chapter that spotlights a key moment in the reception of each work. confront an audience, Morwood refuses to confine them within a supposedly Sophoclean template. They are seven unique works, only alike in the fact that they are all major masterpieces. re-interpreted by later generations) deals with Milton's Samson Agonistes, the first Cambridge Greek play (Ajax), the Strauss/Hofmannsthal opera Elektra, Anouilh's Antigone, Pasolini's film Edipo Re, Seamus Heaney's The Cure at Troy (Philoctetes) and Martin Crimp's Cruel and Tender (Women of Trachis). critical survey of modern approaches to Greek tragedy. It focuses on reception of Sophoclean tragedy through the ages - a key concern of modern classical studies courses.

Oxford, the home of lost causes, the epitome of the world of medieval and renaissance learning in Britain, has always fascinated at a variety of levels: social, institutional, cultural. Its rival, Cambridge, was long dominated by mathematics, while Oxford's leading study was Classics. In this pioneering book, 16 leading authorities explore a variety of aspects of Oxford Classics in the last two hundred years: curriculum, teaching and learning, scholarly style, publishing, gender and social exclusion and the impact of German scholarship. Greats (Literae Humaniores) is the most celebrated classical course in the world: here its early days in the mid-19th century and its reform in the late 20th are discussed, in the latter case by those intimately involved with the reforms. An opening chapter sets the scene by comparing Oxford with Cambridge Classics, and several old favourites are revisited, including such familiar Oxford products as Liddell and Scott's "Greek-English Lexicon", the "Oxford Classical Texts", and Zimmern's "Greek Commonwealth". The book as a whole offers a pioneering, wide-ranging survey of Classics in Oxford.

This edition of the Pocket Oxford Latin Dictionary offers essential coverage of Latin words and grammar, as well as extra information on Roman history and culture. It takes account of the latest research into Latin, and is designed specifically to fit the needs of today's student. It covers over 45,000 words and phrases, including additions from the writings of Plautus and Terence, and from the study of Silver Latin. Common irregular verb parts are given as headwords for greater clarity, and boxed notes provide help with language usage, and with difficult words and constructions. There are appendices on historical, mythological, and geographical names; money, dates, times, weights and measures; plus poetic metre and medieval Latin. With a timeline of important dates, and biographies on Roman writers, this edition is packed with interesting and essential information on Roman history and culture. Also with pronunciation help and a guide to Latin grammar, this compact and affordable dictionary is a necessity for all students and adult learners of Latin.

Since its publication in 1990, Athenaze: An Introduction to Ancient Greek has helped tens of thousands of students learn classical Greek. Building on the bestselling tradition of previous editions, the long-awaited third edition combines the best features of traditional and modern teaching methods. It provides a unique course of instruction that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. James Morwood, editor of the Oxford Grammar of Classical Greek and the Pocket Oxford Classical Greek Dictionary, brings his expertise and years of teaching experience to this revision. Carefully designed to hold students' interest, the course begins in Book I with a fictional narrative about an Attic farmer's family placed in a precise historical context (432-431 B.C.). This narrative, interwoven with tales from mythology and the Persian Wars, gradually gives way in Book II to adapted passages from Thucydides, Plato, and Herodotus and ultimately to excerpts of the original Greek of Bacchylides, Thucydides, and Aristophanes' Acharnians. Essays on relevant aspects of ancient Greek culture and history are also woven throughout.

This book is a systematic attempt to establish Sheridan as a major figure in the history of English comedy. Leading scholars address Sheridan's role not only as an outstanding playwright, but also as the manager of Drury Lane Theatre, and his subsequent career as a Member of Parliament. The essays examine the theatrical world in which Sheridan worked, discuss his major plays, and include a modern director's observations on the production of his work today. This is combined with an important re-evaluation of Sheridan's achievements as a master of rhetoric in the political arena, to provide a much needed contemporary assessment of this multifaceted man and his work.

A Latin Grammar offers: The most accessible students' guide: clearly written explanations of key Latin grammar points in an easily navigable layout Hundreds of example sentences: illustrating every grammar point Vocabulary list: covering all the Latin words found in the text Glossary of grammatical terms: extra support for beginners, and a handy refresher reference for more advance students Additional information about the Roman world: special appendices on Roman dates, money, weights and measures, and names provide essential information about the Roman world More study help: an explanation of literary terms and a list of helpful study tips give students invaluable advice on learning the language Guide to pronunciation: a guide to how Latin was pronounced helps students bring to life this influential language

Combining the best features of traditional and modern methods, Athenaze: An Introduction to Ancient Greek, Revised Third Edition, provides a unique course of instruction that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. This student workbook includes self-correcting exercises, cumulative vocabulary lists, periodic grammatical reviews, and additional readings for the material covered by Athenaze, Book II, Revised Third Edition.

This is the first dedicated grammar of Classical Greek for students for almost a century. It provides exceptional clarity, helpfulness, and ease of use for GCSE and A level students, as well as anyone with an interest in Ancient Greek. Generous help with grammatical terms, pronunciation, and difficult idioms is provided. Practice exercises, example sentences, and helpful tips throughout make this the perfect study companion.

Iphigenia among the Taurians Bacchae Iphigenia at Aulis Rhesus The four plays newly translated in this volume are among Euripides' most exciting works. Iphigenia among the Taurians is a story of escape and contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, centres on the ultimate dysfunctional family as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Lastly, Rhesus, probably the work of another playwright, is a thrilling, action-packed Iliad in miniature, dealing with a grisly event in the Trojan War. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Combining the best features of traditional and modern methods, Athenaze: An Introduction to Ancient Greek, Revised Third Edition, provides a unique course of instruction that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. This student workbook includes self-correcting exercises, cumulative vocabulary lists, periodic grammatical reviews, and additional readings for the material covered by Athenaze, Book I, Revised Third Edition.

Since its publication in 1990, Athenaze: An Introduction to Ancient Greek has helped tens of thousands of students learn classical Greek. Building on the bestselling tradition of previous editions, the long-awaited third edition combines the best features of traditional and modern teaching methods. It provides a unique course of instruction that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. James Morwood, editor of the Oxford Grammar of Classical Greek and the Pocket Oxford Classical Greek Dictionary, brings his expertise and years of teaching experience to this revision. Carefully designed to hold students' interest, the course begins in Book I with a fictional narrative about an Attic farmer's family placed in a precise historical context (432-431 B.C.). This narrative, interwoven with tales from mythology and the Persian Wars, gradually gives way in Book II to adapted passages from Thucydides, Plato, and Herodotus and ultimately to excerpts of the original Greek of Bacchylides, Thucydides, and Aristophanes' Acharnians. Essays on relevant aspects of ancient Greek culture and history are also woven throughout.

The Roman emperor Hadrian, who lived from 76 to 138 AD was a hugely influential figure whose architectural legacy is obvious even today. However, he was also contradictory and mysterious: he was a Spaniard who became emperor at Rome; he was a popular, successful soldier who aimed to be a man of peace. He dabbled in black magic, and he courted scandal: as well as his bitterly unhappy marriage, he had a very public love affair with Greek boy, who died in mysterious circumstances surrounded by rumours of human sacrifice.This title explores these contradictions and complexities, and pieces together the picture of a man, his life, times and influence. It presents a rounded picture written in a lively and accessible style. Looking in detail at key themes and topics of Hadrian's life, the title explores his Spanish background, his military service and initiatives of peace, his architectural legacy such as the Pantheon, his villa at Tivoli, his love of Athens and Athenian culture, his relationship with Antinous, and how he dealt with Christians and Jews. In addition to this, the title covers social aspects of life in the Roman empire in the second century: slavery, Roman baths and hygiene, the public spectacles of circus races, gladiatorial fights and animal hunts.

This book is the second of three volumes of a new prose translation of Euripides' most popular plays. It contains four tragedies in which Euripides places his characters under the pressure of intolerable circumstances, revealing them `as they are'. Iphigenia among the Taurians is an exciting escape story, Bacchae deals with wine and unfettered emotion, Iphigenia at Aulis centres on the ultimate dysfunctional family, and Rhesus, which is probably the work of another playwright, is an action-packed theatrical Iliad in miniature.

In this new translation of the most profound tragedies of Euripides, one of the trio of the supreme Greek tragedians of the fifth century BC, James Morwood brings harshly to life the pressure of the intolerable circumstances under which Euripides places his characters. His dark and cheerless world, one where the gods prove malevolent, importent, or simply absent, reveals men, to use his own words, `as they are'. His clear-eyed yet sympathetic analysis of characters such as Medea, Hippolytus and Phaedra, and Electra and Clytemnestra - and the supremacy of women is not accidental - is conducted with extraordinary psychological insight through the fearful symmetry of his plot construction. Medea, Hippolytus, and Electra give dramatic articulacy to their creator's howl of protest against the world in which we still live today. His Helen shows him working in a different vein. The themes remain deeply serious; the analysis is still proving and acute. Yet the happy ending, however equivocal, typifies a humour and warmth of spirit that offer, like Shakespeare's last plays, a fragile but genuine hope of redemption. There is a substantial general introduction and select bibliography by Edith Hall, and full explanatory notes accompany the translation.

This second edition of the "Oxford Latin Course" combines the best features of both modern and traditional methods of Latin teaching from first stages to GCSE. Completely revised and restructured in the light of a nationwide survey of Classics teachers, it provides an approach to Latin based on the reading of original texts. Parts I-III are built around a narrative detailing the life of Horace, based closely on historical sources, which helps students to develop an understanding of the times of Cicero and Augustus. Part III is accompanied by a Reader consisting of extracts from Caesar, Cicero, Catullus, Virgil, Livy and Ovid.

Can you ad lib cum laude? Are you in extremis whenever you hear a Latin tag or phrase in medias res? Or, a contrario, would you like to learn more about how familiar expressions originated ab initio?

Nil desperandum. This authoritative and highly browsable guide to Latin phrases provides a concise and enlightening account of the meaning and history of words and expressions which have entered the English language.

* Over 1000 Latin words and phrases in common use today

* Hundreds of examples of usage, past and present

* Detailed coverage of maxims and proverbs

* The story behind the word

* Thematic index giving instant access to topics such as love, happiness, greed and beauty

* A-Z listing of all Latin authors cited, from Augustine to Virgil

Ion Orestes The Phoenician Women The Suppliant Women In these four plays Euripides explores ethical and political themes,contrasting the claims of patriotism with family loyalty, pragmatism and expediency with justice, and the idea that 'might is right' with the ideal of clemency. Ion is a vivid portrait of the role of chance in human life and an exploration of family relationships, which combines a sympathetic portrait of a rape victim with remarks on Athenian xenophobia. In Orestes, the most popular of the tragedian's plays in the ancient world, Euripides explores the emotional consequences of Orestes' murder of his mother on the individuals concerned, and makes the tale resonate with advice to Athens about the threat to democracy posed by political pressure groups. The Suppliant Women is a commentary on the politics of empire, as the Athenian king Theseus decides to use force of arms rather than persuasion against Thebes. The Phoenician Women transforms the terrible conflict between Oedipus' sons into one of the most savage indictments of civil war in Western literature by highlighting the personal tragedy it brings. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Alcestis * Heracles * Children of Heracles * Cyclops Euripides wrote about timeless themes, of friendship and enmity, hope and despair, duty and betrayal. The first three plays in this volume are filled with violence or its threat, while the fourth, Cyclops, is our only surviving example of a genuine satyr play, with all the crude and slapstick humour that characterized the genre. There is death in Alcestis, which explores the marital relationship of Alcestis and Admetus with pathos and grim humour, but whose status as tragedy is subverted by a happy ending. The blood-soaked Heracles portrays deep emotional pain and undeserved suffering; its demand for a more humanistic ethics in the face of divine indifference and callousness makes it one of Euripides' more popular and profound plays. Children of Heracles is a rich and complex work, famous for its dialogues and monologues, in which the effects of war on refugees and the consequences of sheltering them are movingly explored. In Cyclops Euripides takes the familiar story of Odysseus' escape from the Cyclops Polyphemus and turns it to hilarious comic effect. Euripides' other plays are all available in Oxford World's Classics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This volume of Euripides' plays offers new translations of the three great war plays Trojan Women, Hecuba, and Andromache, in which the sufferings of Troy's survivors are harrowingly depicted. With unparalleled intensity, Euripides--whom Aristotle called the most tragic of poets--describes the horrific brutality that both women and children undergo during war. Yet, in the war's aftermath, this brutality is challenged and a new battleground is revealed where the women of Troy evince an overwhelming greatness of spirit.
We weep for the aged Hecuba in her name play and in Trojan Women, while at the same time we admire her resilience amid unrelieved suffering. Andromache, the slave-concubine of her husband's killer, endures her existence in the victor's country with a stoic nobility. Of their time yet timeless, these plays insist on the victory of the female spirit amid the horrors visited on them by the gods and men during war.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This second edition of the Oxford Latin Course combines features of both modern and traditional methods of Latin teaching from first stages to GCSE. Completely revised and restructured in the light of a nationwide survey of Classics teachers, it provides an approach to Latin based on the reading of original texts. Parts I-III are built around a narrative detailing the life of Horace, based closely on historical sources, which helps students to develop an understanding of the times of Cicero and Augustus. Part III is accompanied by a Reader consisting of extracts from Caesar, Cicero, Catullus, Virgil, Livy and Ovid.

The Oxford Grammar of Classical Greek gives clear, concise, and easily understood explanations of all the key points of Classical Greek grammar. With additional features such as a glossary of grammatical terms, a vocabulary list covering all the Greek words found in the main text, study tips, and practice exercises to help develop knowledge and gain confidence, this invaluable resource ensures that students have all the support they need to complement their language learning. The Oxford Grammar of Classical Greek also offers hundreds of example sentences illustrating grammatical points, an explanation of literary terms, and a guide to how Classical Greek was pronounced. The first book of grammar dedicated to Classical Greek for students in almost a century, this handy reference will replace existing Greek grammars and help students bring this ancient language to life.

This teacher's book is part of the the "Oxford Latin Course" which combines features of both modern and traditional methods of Latin teaching, from first stages to GCSE. Completely revised and restructured in the light of a nationwide survey of Classics teachers, it seeks to provide a stimulating approach to Latin based on the reading of original texts. Parts I-III are built around a narrative detailing the life of Horace, based closely on historical sources, which helps students to develop an understanding of the times of Cicero and Augustus. Part III is accompanied by a Reader consisting of extracts from Caesar, Cicero, Catullus, Virgil, Livy and Ovid. This text accompanies the student's book.

`the most tragic of the poets' Aristotle Euripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. In the ethically shocking Medea, the first known child-killing mother in Greek myth to perform the deed in cold blood manipulates her world in order to wreak vengeance on her treacherous husband. Hippolytus sees Phaedra's confession of her passion for her stepson herald disaster, while Electra's heroine helps her brother murder their mother in an act that mingles justice and sin. Lastly, lighter in tone, the satyr drama, Helen, is an exploration of the impossibility of certitude as brilliantly paradoxical as the three famous tragedies. This new translation does full justice to Euripides's range of tone and gift for narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.