Winner of the 2017 EDRA Great Places Award (Research Category) Winner of the 2017 VT ASLA Chapter Award of Excellence (Communications Category) The Renewable Energy Landscape is a definitive guide to understanding, assessing, avoiding, and minimizing scenic impacts as we transition to a more renewable energy future. It focuses attention, for the first time, on the unique challenges solar, wind, and geothermal energy will create for landscape protection, planning, design, and management. Topics addressed include: Policies aimed at managing scenic impacts from renewable energy development and their social acceptance within North America, Europe and Australia Visual characteristics of energy facilities, including the design and planning techniques for avoiding or mitigating impacts or improving visual fit Methods of assessing visual impacts or energy projects and the best practices for creating and using visual simulations Policy recommendations for political and regulatory bodies. A comprehensive and practical book, The Renewable Energy Landscape is an essential resource for those engaged in planning, designing, or regulating the impacts of these new, critical energy sources, as well as a resource for communities that may be facing the prospect of development in their local landscape.

This groundbreaking study reveals the distinctive impact of apocalyptic ideas about time, evil and power on church and society in the Latin West, c.400-c.1050. Drawing on evidence from late antiquity, the Frankish kingdoms, Anglo-Saxon England, Spain and Byzantium and sociological models, James Palmer shows that apocalyptic thought was a more powerful part of mainstream political ideologies and religious reform than many historians believe. Moving beyond the standard 'Terrors of the Year 1000', The Apocalypse in the Early Middle Ages opens up broader perspectives on heresy, the Antichrist and Last World Emperor legends, chronography, and the relationship between eschatology and apocalypticism. In the process, it offers reassessments of the worlds of Augustine, Gregory of Tours, Bede, Charlemagne and the Ottonians, providing a wide-ranging and up-to-date survey of medieval apocalyptic thought. This is the first full-length English-language treatment of a fundamental and controversial part of medieval religion and society.

This groundbreaking study reveals the distinctive impact of apocalyptic ideas about time, evil and power on church and society in the Latin West, c.400-c.1050. Drawing on evidence from late antiquity, the Frankish kingdoms, Anglo-Saxon England, Spain and Byzantium and sociological models, James Palmer shows that apocalyptic thought was a more powerful part of mainstream political ideologies and religious reform than many historians believe. Moving beyond the standard 'Terrors of the Year 1000', The Apocalypse in the Early Middle Ages opens up broader perspectives on heresy, the Antichrist and Last World Emperor legends, chronography, and the relationship between eschatology and apocalypticism. In the process, it offers reassessments of the worlds of Augustine, Gregory of Tours, Bede, Charlemagne and the Ottonians, providing a wide-ranging and up-to-date survey of medieval apocalyptic thought. This is the first full-length English-language treatment of a fundamental and controversial part of medieval religion and society.

Roman Ungern von Sternberg was a Baltic aristocrat, a violent, headstrong youth posted to the wilds of Siberia and Mongolia before the First World War. After the Bolshevik Revolution, the Baron - now in command of a lethally effective rabble of cavalrymen - conquered Mongolia, the last time in history a country was seized by an army mounted on horses. He was a Kurtz-like figure, slaughtering everyone he suspected of irreligion or of being a Jew. And his is a story that rehearses later horrors in Russia and elsewhere. James Palmer's book is an epic recreation of a forgotten episode and will establish him as a brilliant popular historian.

The Films of Joseph Losey examines the career of the expatriate director through a close analysis of five of his most important and challenging films. When his leftist politics made him a target of the House Committee on Unamerican Activities in 1951, the blacklisted Losey left America and continued his film career in England. Concerned mainly with the use and abuse of power inherent in intimate relationships, Losey also examined these issues as manifested in institutions and social classes. His finest films attack the injustices and hypocrisy rooted in the privileges of the English class system and frequently depict the moral failure of characters who betray their best instincts. The Films of Joseph Losey also examines Losey's close working relationships with playwright/screenwriter Harold Pinter and actor Dirk Bogarde, his experimental form of storytelling, the psychological complexity of characters acting as narrator of their own stories, and the intricate handling of time in the structure of his films. Close studies of King and Country, The Servant, Accident, The Go-Between, and The Romantic Englishwoman confirm Losey's stature as a director of powerful and compelling films of both moral importance and great formal complexity.

The Films of Joseph Losey examines the career of the expatriate director through a close analysis of five of his most important and challenging films. When his leftist politics made him a target of the House Committee on Unamerican Activities in 1951, the blacklisted Losey left America and continued his film career in England. Concerned mainly with the use and abuse of power inherent in intimate relationships, Losey also examined these issues as manifested in institutions and social classes. His finest films attack the injustices and hypocrisy rooted in the privileges of the English class system and frequently depict the moral failure of characters who betray their best instincts. The Films of Joseph Losey also examines Losey's close working relationships with playwright/screenwriter Harold Pinter and actor Dirk Bogarde, his experimental form of storytelling, the psychological complexity of characters acting as narrator of their own stories, and the intricate handling of time in the structure of his films. Close studies of King and Country, The Servant, Accident, The Go-Between, and The Romantic Englishwoman confirm Losey's stature as a director of powerful and compelling films of both moral importance and great formal complexity.

Whether driven by developments in plant science, bio-philosophy, or broader societal dynamics, plants have to respond to a litany of environmental, social, and economic challenges. This collection explores the `work' that plants do in contemporary capitalism, examining how vegetal life is enrolled in processes of value creation, social reproduction, and capital accumulation. Bringing together insights from geography, anthropology, and the environmental humanities, the contributors contend that attention to the diverse capacities and agencies of plants can both enrich understandings of capitalist economies, and also catalyze new forms of resistance to their logics.