Tabloid headlines such as 'Anti-social Feral Youth,' 'Vile Products of Welfare in the UK' and 'One in Four Adolescents is a Criminal' have in recent years obscured understanding of what social justice means for young people and how they experience it. Youth marginality in Britain offers a new perspective by promoting young people's voices and understanding the agency behind their actions. It explores different forms of social marginalisation within media, culture and society, focusing on how young people experience social discrimination at a personal and collective level. This collection from a wide range of expert contributors showcases contemporary research on multiple youth deprivation of personal isolation, social hardship, gender and ethnic discrimination and social stigma. With a foreword from Robert MacDonald, it explores the intersection of race, gender, class, asylum seeker status and care leavers in Britain, placing them in the broader context of austerity, poverty and inequality to highlight both change and continuity within young people's social and cultural identities. This timely contribution to debates concerning youth austerity in Britain is suitable for students across youth studies, sociology, education, criminology, youth work and social policy.

Tabloid headlines such as 'Anti-social Feral Youth,' 'Vile Products of Welfare in the UK' and 'One in Four Adolescents is a Criminal' have in recent years obscured understanding of what social justice means for young people and how they experience it. Youth marginality in Britain offers a new perspective by promoting young people's voices and understanding the agency behind their actions. It explores different forms of social marginalisation within media, culture and society, focusing on how young people experience social discrimination at a personal and collective level. This collection from a wide range of expert contributors showcases contemporary research on multiple youth deprivation of personal isolation, social hardship, gender and ethnic discrimination and social stigma. With a foreword from Robert MacDonald, it explores the intersection of race, gender, class, asylum seeker status and care leavers in Britain, placing them in the broader context of austerity, poverty and inequality to highlight both change and continuity within young people's social and cultural identities. This timely contribution to debates concerning youth austerity in Britain is suitable for students across youth studies, sociology, education, criminology, youth work and social policy.

Of their adaptation of Henry James' allusive short story, librettist Myfanwy Piper wrote that she and Britten intended to 'recreate it for a different medium.' This concept is developed further in Jane Mackay's 33 paintings: a visual reaction to the music rather than illustrations to particular scenes, occupying a unique position between abstract and figurative art. Musicologist Andrew Plant, formerly of the Britten-Pears Library, provides an introduction and commentary and there is a preface by the distinguished countertenor James Bowman. Bringing together the entire series exhibited during the 2004 Aldeburgh Festival, these paintings are occasionally John Piper-esque in their figurative elements and hints of an unseen world. Now available from Boydell & Brewer, this imaginative interpretation of Britten's The Turn of the Screw will be an essential addition to the library of all opera lovers. Limited to 300 signed and numbered copies. JANE MACKAY has broadcast widely on radio and television and has held numerous solo exhibitions, including shows at the Florence Biennale and London's Wigmore Hall. She is also a choral singer and oboist. ANDREW PLANT has contributed to a number of scholarly publications and was formerly Curator of Exhibitions at the Britten-Pears Library. He now teaches in Windsor and appears regularly as a recital accompanist.