The role of continuing professional development (CPD) is increasingly crucial for regulators, educationalists and the healthcare profession. In terms of continued fitness to practise and patient safety, as well as maintaining professional standards, a more thoughtful, evidence-based and transparent approach should be considered. This book provides a concise overview of the literature whilst drawing on doctors' experiences, offering a practical approach to managing CPD. The systematic method ensures the interests of the service and regulators are met whilst enhancing the importance of high quality patient care and the needs of doctors as individuals. It focuses on the following key aspects: Relating CPD to the needs of the changing and developing health care service

The second in a four volume Ordinary covering the period before the beginning of the heraldic visitations in 1530 and is designed to enable those with a working knowledge of heraldry to identify medieval British coats of arms. Listed in this volume are entries from Bend to Chevrons. This book is the second in a series of volumes designed to enable those with a working knowledge of heraldry to identify medieval British coats of arms. Listed in this volume are entries from Bend to Chevrons. The project isthe result of a bequest to the Society of Antiquaries in 1926 for the production of a new edition of Papworth's Ordinary which has remained, since its publication in 1874, the principal tool for the identification of British coats of arms. An Ordinary, in this context, is a collection of arms arranged alphabetically according to their designs, as opposed to an armory which is arranged alphabetically by surname. The present work is the secondin a four volume Ordinary covering the period before the beginning of the heraldic visitations in 1530. Its publication will mean that the wide range of people interested in medieval arms - historians, antiquaries, archaeologists,genealogist and those dealing in and collecting medieval objects - will be able to identify accurately the arms that occur in a medieval context. Even those without a knowledge of the subject will be able, by means of the index,to discover the blazon of arms recorded under particular surnames in the Middle Ages.

One of the world's leading children's dramatists provides a practical handbook of the skills involved in entertaining and involving audiences of children. A marvelous contribution to the world of Youth Theater...a must. Robyn Flatt, Dallas Children's Theater. He has often been called the National Playwright for Children and he deserves it. Cameron Mackintosh

Described by The Times as 'the national children's dramatist', David Wood has been writing, adapting, directing and acting in plays for children for more than twenty-five years. His best known work, from his play The Gingerbread Man to his adaptations of Roald Dahl's The BFG and The Witches have enjoyed national and international professional success and entered the repertory of amateur companies and school dramatic societies. Now David has written the definitive book on theatre for children. He analyses the skills involved in entertaining audiences of children everywhere and reveals his special techniques for catching and holding a child's attention. This practical, step-by-step comprehensive guide is essential reading for professionals and amateurs alike, and anyone wanting to be involved in theatre for children.

David Wood has been called by the London Times "the national children's dramatist." Presenting theatre for children as a separate art form, Mr. Wood here draws upon his experience as a magician, actor, director, producer, composer, and playwright, and analyzes the skills involved in entertaining and involving audiences of children everywhere. He reveals his special techniques for catching and holding a child's attention, provides a practical handbook illustrated with excerpts from his plays, and offers a behind-the-scenes look at the work that goes into them. He also examines the business side of children's theatre, showing exactly how a good synopsis will help to sell an idea. "The challenge," he writes, "is to give a unique theatrical experience to an audience, many of whom will be first-time theatergoers, to involve them emotionally, to sustain their interest in a story, to inspire and excite them using theatricality, to make them laugh, to make them think, to move them, to entertain and educate them by triggering their imaginations." This comprehensive guide written with Janet Grant is essential reading for professionals and amateurs alike and for anyone wishing to be involved in the theatre for children.