Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

This collection of primary sources examines literary and cultural criticism over the long nineteenth century. Volume 3 of 4 explores the subject of Authorship, Journalism and the Nineteenth-Century Press. This volume will be of great interest to students of literary history.

This volume brings together the work of major scholars of the Victorian period who in turn bring to bear a variety of approaches to the study of Dickens and his major contemporaries. Subjects in the first section include the influence of contemporary science on "Little Dorrit", the sources for "A Tale of Two Cities", Dickens' developing radicalism as seen in his letters and the work of his imitators in serial fiction. The second section includes a rereading of the work of Tennyson and Browning in the light of recent critical theory, the Unitarian background of Mrs Gaskell, Peacock as a Victorian novelist, the Victorian ideology of family in Goerge Eliot's work, and the literary and cultural ancestry of Virginia Woolf. Emphasis is on connections between Victorian literature and society and highlights the longevity of the Victorian literary period, which embraced Peacock at one extreme and Virginia Woolf at the other. Joan Shattock is also editor of "The Victoriain Periodical Press - Samplings and Soundings".

The nineteenth century witnessed unprecedented expansion in the reading public and an explosive growth in the number of books and newspapers produced to meet its demands. These specially commissioned essays examine not only the full range and variety of texts that entertained and informed the Victorians, but also the boundaries of Victorian literature: the links and overlap with Romanticism in the 1830s, and the roots of modernism in the years leading up to the First World War. The Companion demonstrates how science, medicine and theology influenced creative writing and emphasizes the importance of the visual in painting, book illustration and in technological innovations from the kaleidoscope to the cinema. Essays also chart the complex and fruitful interchanges with writers in America, Europe and the Empire, highlighting the geographical expansion of literature in English. This Companion brings together the most important aspects of this prolific and popular period of English literature.

This four volume collection of primary sources examines literary and cultural criticism over the long nineteenth century. The volumes explore the subjects of life-writing, including biography, autobiography, diaries, and letters, drama criticism, the periodical and newspaper press, and criticism written by women. This collection will be of great interest to students of literary history.

These new essays by leading scholars explore nineteenth-century women's writing across a spectrum of genres. The book's focus is on women's role in and access to literary culture in the broadest sense, as consumers and interpreters as well as practitioners of that culture. Individual chapters consider women as journalists, editors, translators, scholars, actresses, playwrights, autobiographers, biographers, writers for children and religious writers as well as novelists and poets. A unique chronology offers a woman-centered perspective on literary and historical events and there is a guide to further reading.

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

Part IV offers the first critical edition of the four full length novels and three stories that comprise the Chronicles of Carlingford. Each of the five volumes contains a full scholarly apparatus, including the important variations between the serial versions and the first publication in volume format.

Part IV offers the first critical edition of the four full length novels and three stories that comprise the Chronicles of Carlingford. Each of the five volumes contains a full scholarly apparatus, including the important variations between the serial versions and the first publication in volume format.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

This is the most ambitious scholarly critical edition of Oliphant's work ever undertaken. The sheer scale of her output has meant that selection is essential, but the edition aims to convey the range and variety of her work in both fiction and non-fictional genres. It will bring together for the first time her critical writing and other journalism for Blackwood's Edinburgh Magazine, the Spectator, the St James's Gazette, as well as her articles in the Contemporary Review, the Edinburgh, and Macmillan's Magazine. Much of her fiction, including full length novels, short stories and novellas, was first published in periodicals: in Blackwood's, the Cornhill, Longman's Magazine, Macmillan's, and Good Words. Few of her manuscripts survive, but substantive textual work remains to be done on the editorial changes made between periodical serialization and first appearance in volume form. The edition will place particular emphasis on her shorter fiction, much of which will be reprinted for the first time, and on her work as a biographer, historian, and literary historian.

Margaret Oliphant Wilson Oliphant (1828-97) had a wide-ranging and prolific literary career that spanned almost fifty years. She wrote some 98 novels, over fifty short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. As the self-styled 'general utility woman' for Blackwood's Edinburgh Magazine, often contributing both fiction and literary reviews to the same issue, she became a major critical voice for her generation. Her influence, usually cast on the side of 'the common reader', was such that it provoked fellow novelists such as Anthony Trollope, Henry James and Thomas Hardy to savage fictional portraits by way of retaliation. The scholarly interest that her work now receives is hampered by difficulty in accessing the full range of her oeuvre: whilst her most famous fictional series, 'The Chronicles of Carlingford', together with a handful of her tales of the supernatural, have gone in and out of print in recent years, the bulk of her fiction and critical writing remains uncollected. This is the most ambitious scholarly critical edition of Oliphant's work ever undertaken.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

This is the most ambitious scholarly critical edition of Oliphant's work ever undertaken. The sheer scale of her output has meant that selection is essential, but the edition aims to convey the range and variety of her work in both fiction and non-fictional genres. It will bring together for the first time her critical writing and other journalism for Blackwood's Edinburgh Magazine, the Spectator, the St James's Gazette, as well as her articles in the Contemporary Review, the Edinburgh, and Macmillan's Magazine. Much of her fiction, including full length novels, short stories and novellas, was first published in periodicals: in Blackwood's, the Cornhill, Longman's Magazine, Macmillan's, and Good Words. Few of her manuscripts survive, but substantive textual work remains to be done on the editorial changes made between periodical serialization and first appearance in volume form

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".

Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".