This book, by one of the leading scholars in linguistic anthropology, concerns the verbal art of the Kuna Indians of San Blas, Panama. The author describes a rich and varied array of Kuna verbal practices, ranging from reporting, formal speechmaking and political oratory to chants and magical communication with the spirit world. This is a world in which all knowledge and information, from history and geography to the latest sport news from Panama City, is orally conceived, perceived and transmitted, and Joel Sherzer demonstrates how experience is shaped by these verbal discourses. This book represents the complete range of verbal performances in a single Native American society. These are transcribed in the original native language from tape recordings of actual events and translated into English. It is a significant contribution to theory, practice and method in anthropology, folklore and oral literature.

First published in 1974, this collection of classic case studies in the ethnography of speaking had a formative influence on the field. No other volume has so successfully provided a broad, cross-cultural survey of the use, role and function of language and speech in social life. The essays deal with traditional societies in Native North, Middle, and South America, Africa, and Oceania, as well as English, French, and Yiddish speaking communities in Europe and North America and Afro-American communities in North America and the Caribbean. Now reissued, the collection includes a key introduction by the editors that traces the subsequent development of the ethnography of speaking and indicates directions for future research. The theoretical and methodological concepts and perspectives that illuminated the first edition are recognized anon and valued by many disciplines beyond that of linguistic anthropology. Scholars and students whose backgrounds may be in literature, speech communication, performance studies or ethnomusicology will equally welcome this edition.

Originally published in 1987, the aim of this book is to advance a fresh perspective on the presentation, philology, analysis, and interpretation of oral literature and verbal art. Developed through commentaries and analysis of a range of texts from Native American communities, past and present, this original approach is centered on discourse, which the contributors take as being the richest point of intersection among language, culture, society, and individual expression. In discourse, individuals draw on their own artistry at the same time as they draw on the special and unique resources of the language and culture of their communities.

Mexico is famous for spectacular fiestas that embody its heart and soul. An expression of the cult of the saint, patron saint fiestas are the centerpiece of Mexican popular religion and of great importance to the lives and cultures of people and communities. These fiestas have their own language, objects, belief systems, and practices. They link Mexico's past and present, its indigenous and European populations, and its local and global relations. This work provides a comprehensive study of two intimately linked patron saint fiestas in the state of Guanajuato, near San Miguel de Allende-the fiesta of the village of Cruz del Palmar and that of the town of San Luis de la Paz. These two fiestas are related to one another in very special ways involving both religious practices and their respective pre-Hispanic origins. A mixture of secular and sacred, patron saint fiestas are multi-day affairs that include many events, ritual specialists, and performers, with the participation of the entire community. Fiestas take place in order to honor the saints, and they are the occasion for religious ceremonies, processions, musical performances, dances, and dance dramas. They feature spectacular costumes, enormous puppets, masked and cross-dressed individuals, dazzling fireworks, rodeos, food stands, competitions, and public dances. By encompassing all of these events and performances, this work displays the essence of Mexico, a lens through which this country's complex history, religion, ethnic mix, traditions, and magic can be viewed.

"This book is an ethnographic, folkloric, literary, and scholarly treasure." -- The Journal of Latin American Anthropology

The Kuna Indians of Panama, probably best known for molas, their colorful applique blouses, also have a rich literary tradition of oral stories and performances. One of the largest indigenous groups in the South American tropics, the majority of them (about 70,000) reside in Kuna Yala, a string of island and mainland villages stretching along the Caribbean coast. It is here that Joel Sherzer lived among them, photographing and recording their verbal performances, which he feels are representative of the beauty, complexity, and diversity of the oral literary traditions of the indigenous peoples of Latin America.

This book is organized into three types of texts: humorous and moralistic stories; myths and magical chants; and women's songs. While quite different from one another, they share features characteristic of Kuna literature as a whole, including appreciation of their environment and a remarkable knowledge of their plants and animals; a belief in spirits as an important component of their world in curing, magic, and aesthetics; and, especially, great humor and a sense of play.

Vividly illustrated by a Kuna artist and accompanied by photographs that lend a sense of being present at the performances, the texts provide readers with a unique aesthetic perspective on this rich culture while preserving an endangered and valuable indigenous oral tradition.

"This book is impressive for its erudition and its thoroughness...Sherzer more than succeeds in proving his point that the study of speech play is central to understanding language use." -- Journal of Sociolinguistics [This book offers] the first general, unified, book-length treatment, from a linguistic-anthropological viewpoint, of 'speech play.'... Sherzer brings to bear a wide knowledge of relevant theory, as well as data from many human societies around the world. He succeeds in producing a 'state of the art' study, unique of its type, useful either as a textbook or as a reference volume." -- William Bright, Professor Adjoint of Linguistics, University of Colorado

Puns, jokes, proverbs, riddles, play languages, verbal dueling, parallelism, metaphor, grammatical stretching and manipulation in poetry and song-- people around the world enjoy these forms of speech play and verbal artistry which form an intrinsic part of the fabric of their lives. Verbal playfulness is not a frivolous pursuit. Often indicative of people's deepest values and worldview, speech play is a significant site of intersection among language, culture, society, and individual expression.

In this book, Joel Sherzer examines many kinds of speech play from places as diverse as the United States, France, Italy, Bali, and Latin America to offer the first full-scale study of speech play and verbal art. He brings together various speech-play forms and processes and shows what they have in common and how they overlap. He also demonstrates that speech play explores and indeed flirts with the boundaries of the socially, culturally, and linguistically possible and appropriate, thus making it relevant foranthropological and linguistic theory and practice, as well as for folklore and literary criticism.