This book compares existing soil erosion models and determines their suitability for predicting the impacts of global change upon soil erosion. The common datasets used for the evaluation are drawn from both temperate and semi-arid areas; they represent 73 site-years of data from seven sites in three countries. Six field-scale erosion models are evaluated; five of these are continuous-simulation types (GLEAMS, EPIC, CSEP, MEDRUSH and WEPP), the other is event-based (EUROSERM). After an introduction, the results of the model evaluation exercise are presented. Subsequent sections deal with weaknesses or omissions in current modelling approaches, descriptions of specific erosion models, and potential or actual model applications.

The essays collected together in this volume were written in honour of Professor Christopher Hawkes, in recognition of his stature as an international scholar and his generosity in encouraging the work of others. The collection consists of a closely-knit group of studies, and includes contributions from continental scholars. The topics covered range from links between the Mycenaean and Greek worlds, European body-armour, firedogs in Iron Age Britain to Bronzes in Hungary. Originally published in 1971.

The essays collected together in this volume were written in honour of Professor Christopher Hawkes, in recognition of his stature as an international scholar and his generosity in encouraging the work of others. The collection consists of a closely-knit group of studies, and includes contributions from continental scholars. The topics covered range from links between the Mycenaean and Greek worlds, European body-armour, firedogs in Iron Age Britain to Bronzes in Hungary. Originally published in 1971.

By examining the links and interactions between elements of a system, systems thinking is becoming increasingly relevant when dealing with global challenges, from terrorism to energy to healthcare. Addressing these seemingly intractable systems problems in our society, Systems Thinking: Coping with 21st Century Problems focuses on the inherent opportunities and difficulties of a systems approach. Taking an engineering systems view toward systems thinking, the authors place a high value on the thinking process and the things applied to this process.

In the hopes of initiating critical thinking and encouraging a systems response to problems, the book provides pragmatic mechanisms to understand and address co-evolving systems problems and solutions. It uses several contemporary and complex societal issues, such as the Iraq war, the Google phenomenon, and the C2 Constellation, to illustrate the concepts, methods, and tools of a system as well as the meaning of "togetherness" in a system. The text also interweaves the meanings of "complexity," "paradox," and "system" to promote the improvement of difficult situations.

Featuring a holistic, nonlinear way of looking at systems, this book helps readers better organize and structure their thinking of systems in order to solve complex, real-world problems.

This book, by Britain's most distinguished historian of ancient Greek art, recounts the influence of Greek communities and their culture through Central Asia, India and Western China, from the Bronze Age through to the rise of Islam. Boardman examines a wealth of art and artifacts as well as literary sources to reveal the remarkable influence of Greek culture upon peoples - Anatolians, Levantines, Persians, Asiatics, Indians, Chinese - whose settled civilizations were far older, with their own strong traditions in life, government and the arts. The Greeks were not empire-builders. They did not seek to conquer or rule. However, they were highly literate and adept at trade; they spread a monetary economy through Eurasia; their religion was easily adapted to that of others; their art developed a form of narrative that was to be dominant for centuries to come; and their poets and philosophers were widely respected outside their homeland. As Boardman notes, `They are an odd phenomenon in world history. Through their travels they came to leave a very distinctive imprint on the lives and arts of many distant peoples, and over centuries, some to the present day'.

From one of the world’s leading authorities on ancient Greek art, a groundbreaking account of how Greek images were understood and used by other ancient peoples, from Britain to China In this book, acclaimed archaeologist and art historian John Boardman explores Greek art as a foreign art transmitted to the non-Greeks of antiquity—peoples who weren’t necessarily able to judge the meaning of Greek art and who may have regarded the Greeks themselves with great hostility. Boardman examines how and why the arts of the classical world traveled and to what effect, from Britain to China, from roughly the eighth century BCE to the early centuries CE. In some places, such as Italy, Greek images were overwhelmingly successful. In Egypt, the Celtic world, the eastern steppes, and other regions with strong local traditions, they were never effectively assimilated. And in cultures where there was a subtler blend of influences, notably in the Buddhist east, classical images served as a catalyst to the generation of new styles. Along the way, Boardman demonstrates that looking at Greek art from the outside provides a wealth of new insights into Greek art itself, and he raises important questions about how images in general are copied and reinterpreted.

An illustrious scholar presents an elegant, concise, and generously illustrated exploration of Alexander the Great's representations in art and literature through the ages John Boardman is one of the world's leading authorities on ancient Greece, and his acclaimed books command a broad readership. In this book, he looks beyond the life of Alexander the Great in order to examine the astonishing range of Alexanders created by generations of authors, historians, and artists throughout the world-from Scotland to China. Alexander's defeat of the Persian Empire in 331 BC captured the popular imagination, inspiring an endless series of stories and representations that emerged shortly after his death and continues today. An art historian and archaeologist, Boardman draws on his deep knowledge of Alexander and the ancient world to reflect on the most interesting and emblematic depictions of this towering historical figure. Some of the stories in this book relate to historical events associated with Alexander's military career and some to the fantasy that has been woven around him, and Boardman relates each with his customary verve and erudition. From Alexander's biographers in ancient Greece to the illustrated Alexander "Romances" of the Middle Ages to operas, films, and even modern cartoons, this generously illustrated volume takes readers on a fascinating cultural journey as it delivers a perfect pairing of subject and author.

An elegant, concise, and generously illustrated exploration of Alexander the Great's representations in art and literature through the ages In this book, John Boardman, one of the world's leading authorities on ancient Greece, looks beyond the life of Alexander the Great in order to examine the astonishing range of Alexanders created by generations of authors, historians, and artists throughout the world-from Scotland to China. John Boardman draws on his deep knowledge of Alexander and the ancient world to reflect on the most interesting and emblematic depictions of this towering historical figure. From Alexander's biographers in ancient Greece to the illustrated Alexander "Romances" of the Middle Ages to operas, films, and even modern cartoons, this generously illustrated volume takes readers on a fascinating journey.

TO THE MODEL EVALUATION 1. MODELLING SOIL EROSION BY WATER l 2 John Boardman and David Favis-Mortlock 1 School of Geography and Environmental Change Unit Mansfield Road University of Oxford Oxford OX1 3TB UK 2 Environmental Change Unit University of Oxford 5 South Parks Road Oxford OX1 3UB UK Introduction This volume is the Proceedings of the NATO Advanced Research Workshop 'Global Change: Modelling Soil Erosion by Water', which was held on II-14th September 1995, at the University of Oxford, UK. The meeting was also one of a series organised by the IGBP 1 GCTE Soil Erosion Network, which is a component of GCTE's Land Degradation Task (3.3.2) (Ingram et aI., 1996; Valentin, this volume). One aim of the GCTE Soil Erosion Network is to evaluate the suitability of existing soil erosion models for predicting the possible impacts of global change upon soil erosion. Due to the wide range of erosion models currently, in use or under development, it was decided to evaluate models in the following sequence Favis-Mortlock et al., 1996): * field-scale water erosion models * catchmenr-scale water erosion models * wind erosion models * models with a landscape-scale and larger focus. As part of this strategy, the first stage of the GCTE validation of field-scale erosion models was carried out at the Oxford NATO-ARW. I A list of Acronyms fonns Appendix A.

This volume provides a textbook and reference work on the physical and biotic landscapes of Southern Africa. It examines the links between these environments and the ways in which they have been, are and will likely be subject to change. It covers the geomorphology, soils, vegetation and land use across a range of landscapes, including mountains, coasts, savannah, drylands and wetlands, and identifies the impacts of current and potential climate change and other factors on these environments. The geographical focus is on the region defined by Namibia, South Africa, Botswana, Mozambique, Zimbabwe, Lesotho and Swaziland. Illustrated throughout in full colour, the book will serve as a reference volume for researchers and environmental professionals internationally, as well as a textbook for senior undergraduate and graduate-level students of geography, ecology and environmental studies in Southern Africa.

This volume provides a textbook and reference work on the physical and biotic landscapes of Southern Africa. It examines the links between these environments and the ways in which they have been, are and will likely be subject to change. It covers the geomorphology, soils, vegetation and land use across a range of landscapes, including mountains, coasts, savannah, drylands and wetlands, and identifies the impacts of current and potential climate change and other factors on these environments. The geographical focus is on the region defined by Namibia, South Africa, Botswana, Mozambique, Zimbabwe, Lesotho and Swaziland. Illustrated throughout in full colour, the book will serve as a reference volume for researchers and environmental professionals internationally, as well as a textbook for senior undergraduate and graduate-level students of geography, ecology and environmental studies in Southern Africa.

John Boardman has updated his classic account of one of the most popular historic artistic traditions among Western audiences. In the twenty years since the last edition was released, valuable evidence has come to light which has dramatically enhanced our understanding of the art of this ancient civilization. We now know conclusively that Greeks in fact lavished their sculptures with realistic colour paint, and also worked with a wealth of other materials on a major scale, including wood and precious metals, proving that our view of `classic' pure white marble of the age is a Renaissance construction. We can identify the work of individual artists, and schools of artists, and have a clearer picture than ever of how art and artistic ideas travelled throughout the Greek world. Boardman encourages the reader to consider the beautiful pieces that have been preserved in their original context, rather than as the isolated installations of our modern galleries, weaving into the discussion of the art objects insights into the society that produced them. Illustrated in full colour throughout for the first time, this fifth edition showcases more vividly than ever the artistic endeavours of the ancient Greeks.

For many people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from 'conceptual' conventions for representing men and animals, and to explore consciously how art might imitate nature or even improve upon it. The first stages of this discovery, from the semi-abstract beginnings in the eighth century BC to the more representational art of the early fifth century, are explored and copiously illustrated in this handbook.

The Collection was begun by the First Duchess of Northumberland in the early eighteenth century; but the greater part of it was made later in the century by Algernon Percy, First Earl of Beverley, during a tour of Europe while in the company of his mentor, Louis Dutens. Their success in France and Italy was such that it incited the jealousy of the Empress Catherine of Russia, herself a passionate collector. The range of objects - cameos, intaglios and finger rings of the highest quality - is considerable: Greek, Roman and Etruscan, as well as a notable assemblage of neoclassical signed gems by British artists. One jewel clearly provided inspiration for Michelangelo's painting of Adam on the Sistine Chapel ceiling. The Collection is little known, except by connoisseurs, but this volume brings to the attention of a broader audience many of the finest products of one of the oldest arts of the western world.

This book, newly available in paperback, is the definitive survey of Greek vases by the outstanding world authority on classical archaeology and art. In it, John Boardman sketches the stylistic history of Greek vases and goes on to explore the many other matters that make the subject so fruitful: the process of identifying artists; the methods of making and decorating the vases and the problems in doing so; the life of the potter; the pots' dissemination beyond Greece; and their functions in life, cult and as messengers of style and subject. Boardman demonstrates how Greek artists exercised a style of narrative in art that was long influential in the West, and how their pictures reflected not simply on story-telling, but on the politics and social order of the day.

Title: Report on the Geology of the Coast Mountains and part of the Sierra Nevada: embracing their industrial resources in agriculture and mining.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Trask, John; 1854] 95 p.; 8 . 7107.d.41.

Alexander the Great's campaigns in the East brought the Greek and Eastern worlds in closer contact than was possible in previous centuries. While Greeks and non-Greeks had lived alongside each other for centuries before Alexander's conquest of the East, it was during the Hellenistic period that a more direct interaction of cultures occurred. The material evidence from the lands that formed part of Alexander's empire, in combination with contemporary theoretical approaches, can hopefully lead to attempts to answer why specific borrowings occurred as well as how such borrowings are interpreted by contemporary scholars. This volume is a direct result of the broader cross-cultural research interests of the editors.

Renowned Classical archaeologist John Boardman here turns his attention to a rather different class of artefact - the Ordos Bronzes, a group of objects found in the borderlands of north China. Boardman deals in particular with what have traditionally been identified as belt-plaques, analysing them stylistically and iconographically to create groups with a possible historical association in terms of studios, place and date of manufacture.

Title: Report on the Geology of Northern and Southern California, embracing the mineral and agricultural resources of those sections: with statistics of the northern, southern and middle mines.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Trask, John; 1856. 66 p.; 8 . 7108.d.36.