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Art and Social Justice Education - Culture as Commons (Hardcover): Therese M. Quinn, John Ploof, Lisa J. Hochtritt Art and Social Justice Education - Culture as Commons (Hardcover)
Therese M. Quinn, John Ploof, Lisa J. Hochtritt
R4,276 Discovery Miles 42 760 Ships in 12 - 17 working days

Art and Social Justice Education offers inspiration and tools for educators to craft critical, meaningful, and transformative arts education curriculum and arts integration projects. The images, descriptive texts, essays, and resources are grounded within a clear social justice framework and linked to ideas about culture as commons. Essays and a section written by and for teachers who have already incorporated contemporary artists and ideas into their curriculums help readers to imagine ways to use the content in their own settings. This book is enhanced by a Companion Website (www.routledge.com/cw/quinn) featuring artists and artworks, project examples, and dialogue threads for educators. Proposing that art can contribute in a wide range of ways to the work of envisioning and making a more just world, this imaginative, practical, and engaging sourcebook of contemporary artists' works and education resources advances the field of arts education, locally, nationally, and internationally, by moving beyond models of discipline-based or expressive art education. It will be welcomed by all educators seeking to include the arts and social justice in their curricula.

Art and Social Justice Education - Culture as Commons (Paperback, New): Therese M. Quinn, John Ploof, Lisa J. Hochtritt Art and Social Justice Education - Culture as Commons (Paperback, New)
Therese M. Quinn, John Ploof, Lisa J. Hochtritt
R1,619 Discovery Miles 16 190 Ships in 12 - 17 working days

Art and Social Justice Education offers inspiration and tools for educators to craft critical, meaningful, and transformative arts education curriculum and arts integration projects. The images, descriptive texts, essays, and resources are grounded within a clear social justice framework and linked to ideas about culture as commons. Essays and a section written by and for teachers who have already incorporated contemporary artists and ideas into their curriculums help readers to imagine ways to use the content in their own settings. This book is enhanced by a Companion Website (www.routledge.com/cw/quinn) featuring artists and artworks, project examples, and dialogue threads for educators. Proposing that art can contribute in a wide range of ways to the work of envisioning and making a more just world, this imaginative, practical, and engaging sourcebook of contemporary artists' works and education resources advances the field of arts education, locally, nationally, and internationally, by moving beyond models of discipline-based or expressive art education. It will be welcomed by all educators seeking to include the arts and social justice in their curricula.

The Object of Labor - Art, Cloth, and Cultural Production (Hardcover): Joan Livingstone, John Ploof The Object of Labor - Art, Cloth, and Cultural Production (Hardcover)
Joan Livingstone, John Ploof
R1,165 R939 Discovery Miles 9 390 Save R226 (19%) Ships in 9 - 15 working days

"The Object of Labor" explores the personal, political, social, and economic meaning of work in the context of art and textile production. The ubiquity of cloth in everyday life, the historically resonant relationship of textile and cloth to labor, and the tumultuous drive of globalization make the issues raised by this publication of special interest today. The seventeen essays cover topics ranging from art-making practices to labor history and the effects of globalization as seen through art and labor. The artists' projects--twelve striking and beautiful eight-page, full color spreads--conduct parallel investigations into art, cloth, and work. The contributors explore, from historical and personal perspectives, such subjects as the charged history of offshore garment workers; the different systems of production and consumption in factories, homes, studios, and exhibitions; the revelation of class, gender, and sexuality through cloth, costume, and textile images; textile production as commemorative acts in South Africa, the United States, and India; transnationalism, cultural hybridity, and race in the work of individual artists; lost histories of garment production and embroidery; the physical act of art-making as labor; and the value of handmade and "technologically improved" objects. Essays by: Ingrid Bachmann, Carol Becker, Andries Botha, Lou Cabeen, Helen Cho, Alison Ferris, Nancy Gildart, bell hooks, Alan Howard, Mary Jane Jacob, Janis Jeffries, Neil MacInnis, Margo Mensing, Kevin Murray, Sadie Plant, Maureen Sherlock, and collectively by Viji Srinivasan, Skye Morrison, Laila Tyabji, and Dorothy Caldwell. Artist projects and portfolios by: Susie Brandt, Nick Cave, Park Chambers, Lisa Clark, Lia Cook, Ann Hamilton, Kimsooja, Barbara Layne and Sue Rowley, Lara Lepionka, Merrill Mason, Darrel Morris, Pepon Osorio, J. Morgan Puett and Iain Kerr, Karen Reimer, Yinka Shonibare, SubRosa, Christine Tarkowski, and Anne Wilson.

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