Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

Mikhoel Burshtin's novel paints an unforgettable portrait of a community—delicate, tenacious, and vulnerable. Poland, 1935. Under the shadow of the Nazis' rise to the west, the Jews of Smolin continue to eke out their existence, marked by poverty, family tragedies, class conflict, and anti-Semitism. Their story unrolls from twin spools: Hersh Lustig, the orchard keeper who with Tevye-like vim acts as the beating heart and conscience of the town; and Gabriel Priver, the newly minted doctor who offers an outsider's critical view of his family's hometown. Entropy and modernity vie to erode Smolin's way of life, propelling it toward the inevitable cataclysm. By the Rivers of Mazovia is the third in a loose trilogy of novels exploring the decline of the Polish shtetl.

First published in 1936, The People of Godlbozhits depicts the ordinary yet deeply complex life of a Jewish community, following the fortunes of one family and its many descendants. Set in a shtetl in Poland between the world wars, Rashkin's satiric novel offers a vivid cross-section not only of the residents' triumphs and struggles but also of their dense and complicated web of humanity. With biting humor and acerbic wit, Rashkin portrays the stratified society- the petty bourgeoisie, artisans, and proletariat-observing the crookedness at every level. The novel's brisk and oftentimes lively Yiddish prose and its colorful and irascible cast of characters give readers a Yiddish Yoknapatawpha in all its tragic absurdity.

Focusing on Eastern and Central Europe before WWII, this collection explores various genres of "ethnoliterature" across temporal, geographical, and ideological borders as sites of Jewish identity formation and dissemination. Challenging the assumption of cultural uniformity among Ashkenazi Jews, the contributors consider how ethnographic literature defines Jews and Jewishness, the political context of Jewish ethnography, and the question of audience, readers, and listeners. With contributions from leading scholars and an appendix of translated historical ethnographies, this volume presents vivid case studies across linguistic and disciplinary divides, revealing a rich textual history that throws the complexity and diversity of a people into sharp relief.

Focusing on Eastern and Central Europe before WWII, this collection explores various genres of "ethnoliterature" across temporal, geographical, and ideological borders as sites of Jewish identity formation and dissemination. Challenging the assumption of cultural uniformity among Ashkenazi Jews, the contributors consider how ethnographic literature defines Jews and Jewishness, the political context of Jewish ethnography, and the question of audience, readers, and listeners. With contributions from leading scholars and an appendix of translated historical ethnographies, this volume presents vivid case studies across linguistic and disciplinary divides, revealing a rich textual history that throws the complexity and diversity of a people into sharp relief.

First published in 1936, The People of Godlbozhits depicts the ordinary yet deeply complex life of a Jewish community, following the fortunes of one family and its many descendants. Set in a shtetl in Poland between the world wars, Rashkin's satiric novel offers a vivid cross-section not only of the residents' triumphs and struggles but also of their dense and complicated web of humanity. With biting humor and acerbic wit, Rashkin portrays the stratified society- the petty bourgeoisie, artisans, and proletariat-observing the crookedness at every level. The novel's brisk and oftentimes lively Yiddish prose and its colorful and irascible cast of characters give readers a Yiddish Yoknapatawpha in all its tragic absurdity.