Drawing upon the most current methodologies, the essays in this book pursue the multifarious functions of end-times in medieval German texts. The contemporary fascination with the end of the world and of life as we know it would not have surprised our counterparts a millennium ago; only the fact that such an end has not yet occurred. Current visions of the apocalypse encompass climate change, terrorism, antibiotic-resistant bacteria, and war. Popular culture expresses the fear associated with these global crises, obsessively portraying zombies, alien attacks, pandemics, and self-destructive technology. This book explores how end-times were envisioned in medieval Germany. The essays, written by well-established scholars, examine the period's fascination with the apocalypse by applying the most current methodological approaches to a wide range of literary genres. Drawing upon methodologies such as adaptation theory, gender analysis, space and place studies, reception studies, and memory studies, this book uncovers the rhetorical, didactic, narratological, mnemonic, thematic, cultural, and political functions of end-times in medieval German texts. Contributors: Tina Boyer, Albrecht Classen, Winfried Frey, Will Hasty, Ernst Ralf Hintz, Winder McConnell, Evelyn Meyer, Scott E. Pincikowski, Marian E. Polhill, Alexander Sager, Alexandra Sterling-Hellenbrand, Joseph M. Sullivan. Ernst Ralf Hintz is Professor of German and Medieval Studies at Truman State University. Scott E. Pincikowski is Professor of German at Hood College.

First ever English translation, with facing edition, of an important medieval German Arthurian romance. Composed in the 1480s by the Munich painter and writer Ulrich Fuetrer, Iban is the story of a young knight at King Arthur's court, who pursues adventure abroad, wins a land and its lady as his wife, loses both through his immaturity and negligence, and eventually regains his country and his spouse in a series of adventures that teach him to place the welfare of others above his own desires. A retelling of Hartmann von Aue's Middle High German classic Iwein from circa 1200, itself an adaptation of the Old French writer Chretien de Troyes' earlier Yvain, the Knight with the Lion, Fuetrer's Iban is one of fifteen narratives making up his massive Arthurian anthology, The Book of Adventures, which the author compiled for Duke Albrecht IV of Bavaria-Munich. Among the last premodern retellings of the story of the knight Ywain, Ibanoffers modern readers an invaluable window onto how the most beloved Arthurian tales were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes.

Essays demonstrating that Arthur belonged to the whole of Europe - not just England. The European dimensions of Arthurian literature form the focus of this special issue of Arthurian Literature, derived from sessions held at the International Conference in Utrecht (2005). It brings out in particular the supranational coherence of the Arthurian genre, and the ways in which its motifs appear throughout European literature. Questions discussed here include the function of Perceval in a variety of Arthurian romances, the character of Gauvain in the French, Dutch and English traditions, the narrator in different versions of the Prose Lancelot, and the concept of 'youth' in Scandinavian and Old French romances. BART BESAMUSCA and FRANK BRANDSMA lecture at Utrecht University. Contributors: BART BESAMUSCA, FRANK BRANDSMA, CORA DIETL, SARAH GORDON, LINDA GOWANS, MARJOLEIN HOGENBIRK, SUSANNE KRAMARZ-BEIN, NORRIS J. LACY, MARTINE MEUWESE, STEFANO MULA, JOSEPH M. SULLIVAN,LORI J. WALTERS.

First ever English translation of an important medieval German Arthurian romance, with facing original text. Wigamur is an anonymously-authored, thirteenth-century Middle High German romance about a king's son who is lost to his parents in infancy. The eponymous hero, after being carried off in childhood by a mermaid, rescues an eagle which becomes his constant companion; in subsequent adventures he also rescues a maiden, becomes a Knight of the Round Table, and finally confronts a knight who of course proves to be his father, from whom he inherits a kingdom. The romance is perhaps the most most fully realized example of the Fair Unknown, or Bel Inconnu, motif in both the German and larger European Arthurian traditions. Owng in part to the lack of an English translation, unlike other contemporary German romances, Wigamur has been comparatively little studied. This volume aims to fill this need. It presents an edition of the text ( based on the only complete manuscript, Wolffenbuttel, Herzog August Bibliothek, Cod. Guelf. 51.2. Aug. 4 Degrees (W), dating from the last half of the fifteenth century), accompanied by facing translation, notes, and introduction. Joseph M. Sullivan is an Associate Professor of German at the University of Oklahoma.