Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1911 edition. Excerpt: ... ment of the exhibition nor the closing of the theatre will delay your visit to Lucerne; on the contrary, I shall hope that your stay here may be prolonged. "Please send me a line, telling me the day of your arrival, and accept again the assurance of my sincere regard. "Richard Wagner." By an exchange of telegrams I was assured that the Master would also welcome my companions, like myself his ardent disciples--and off we started. The last night we slept at Basle, where we had an adventure which made a vivid impression upon us all. We arrived at night, and after dining, we attempted to see what we could of the city, in spite of the darkness. We found ourselves in a maze of narrow streets, dimly lighted at long intervals. Rather bewildered, we went on across thoroughfares and squares where large fountains could be seen, only to find ourselves again in narrow lanes. At last we emerged into a wide, open place, which the sky helped to make a little lighter; a deep and continuous roaring pervaded it, which quite appalled us, and made us advance with great precaution. This tremendous volume of sound was produced by the Rhine. It is very wide at this point and rushes through Basle with the violence of a torrent. Stopping in the middle of the bridge, we leaned over the parapet, and watched the ink-black river hurling itself on into the night, bearing with it the shattered reflections of the stars, and seeming to long to carry away the bridge also, and even the city. A large moon, red as glowing embers, rose above the gables and irregular outlines of the houses along the river-bank. It cast across the river a crimson trail, which was wildly tossed and scattered by the waves. We lingered there, spell-bound by this sight, when, suddenly, we heard a...