A sumptuous French cookbook that immerses readers in the incomparable cuisine of the Périgord region, by the bestselling author of the beloved Dordogne Mysteries series, co-authored with his wife, food writer and novelist, Julia Watson. Bruno Courrèges, the protagonist of Martin Walker's internationally acclaimed mystery series, is not only the local police chief of the idyllic village of St Denis. Bruno also happens to be an impressive amateur chef, and in this delightful new cookbook, the culinary and cultural inspiration behind Bruno's fiction world comes to life. Featuring local recipes, charming anecdotes, and a history of its French setting, Bruno's Cookbook invites readers into the bucolic life of Walker and his wife, Julia, and showcases their passion for the region's rich cuisine. Brimming with truffles, pate, top quality fruit and vegetables, famed regional cheeses and wines, the Périgord is a gourmet's paradise. Bruno's Cookbook includes over 90 recipes, steeped in local flavours and prepared in Walker's large country kitchen, from Duck Breast Fillets with Honey and Mustard, Red Onion Tarte Tatin, and a classic Beef Pot Roast, to Chard Gratin (Bruno's comfort meal), Hazelnut Meringue Cake, and Homemade Blackcurrant Liqueur. Centred on the splendid institution of the village market, the recipes are organised around the people who provide the food: the fisherman, the hunter, the cheesemaker, the forager, the baker, and the winemaker. A feast for the senses, Bruno's Cookbook transports readers to France's gastronomic heartland.

From resumes to personal ads, from talk shows to self-help groups, autobiographical storytelling has become a central theme of American culture. Visual media offer possible lives through soap operas, talk shows, and "lifestyle programming", and newspapers and magazines frame their stories as "personality profiles". This text explores a variety of occasions during which people consume personal narratives. This collection aims to expand our understanding of how we negotiate and commodify identity.

Words of joy, love, devotion and celebration Deciding how to express your feelings on one of the most important days of your or your loved one's life can be overwhelming. Poems and Readings for Weddings collects the very best readings by world-renowned poets, bards, playwrights and novelists who have written passionately, thoughtfully and deeply over hundreds of years about love, marriage and commitment. This beautiful collection contains an astonishing range of poems, prose extracts, prayers and songs, all chosen to enhance the occasion, whether they be moving, witty, irreverent, thoughtful or heartfelt. Above all, these words will be recognized as timeless and true.

Words of sadness and loss, comfort and consolation Summoning the words to express our feelings of loss for a loved one in the days following a death can feel almost impossible. And often the choice of readings available can seem daunting. Poems and Readings for Funerals is a carefully curated collection of the very wisest words about death by some of the world's greatest poets, thinkers, playwrights and novelists. Featuring beautifully and thoughtfully written poems, prose extracts and prayers, these readings have been chosen to move and console, sympathize and relieve - to bring everyone attending a funeral or memorial closer together.

With the memoir boom, life storytelling has become ubiquitous and emerged as a distinct field of study. "Reading Autobiography," originally published in 2001, was the first comprehensive critical introduction to life writing in all its forms. Widely adopted for undergraduate and graduate-level courses, it is an essential guide for students and scholars reading and interpreting autobiographical texts and methods across the humanities, social sciences, and visual and performing arts.aThoroughly updated, the second edition of "Reading Autobiography" is the most complete assessment of life narrative in its myriad forms. It lays out a sophisticated, theoretical approach to life writing and the components of autobiographical acts, including memory, experience, identity, embodiment, space, and agency. Sidonie Smith and Julia Watson explore these components, review the history of life writing and the foundations of autobiographical subjectivity, and provide a toolkit for working with twenty-three key concepts. Their survey of innovative forms of life writing, such as autographics and installation self-portraiture, charts recent shifts in autobiographical practice. Especially useful for courses are the appendices: a glossary covering dozens of distinct genres of life writing, proposals for group and classroom projects, and an extensive bibliography.

Modern and contemporary women's artistic production of autobiography frequently occurs at the interfaces of image and text. The many permutations of words and images in all their modes of production--photograph, pose, invocation, written narrative, sculpture, dance, diatribe--create countless possibilities of expression, and this volume charts some of the ways in which women artists are seizing these possibilities.
Editors Sidonie Smith and Julia Watson have been at the vanguard of the study of women's self-representation, and here have collected leading critics' and scholars' thoughts on artistic fusions of the visual and autobiographical. Marianne Hirsch, Linda Hutcheon, Linda Kauffman, Nellie McKay, Marjorie Perloff, Lee Quinby, and the other contributors offer new insights into the work of such artists as Laurie Anderson, Judy Chicago, Frida Kahlo, Orlan, and Cindy Sherman. From a painter's diary to a performance artist's ritualized enactments of kitchen domesticity, the many narratives of the self arising from these artists' negotiations of the visual and textual prove to be goldmines for analysis.
Art historians, artists, critics, literary scholars in women's studies, and anyone interested in the forms and implications of depicting the self will enjoy this richly illustrated collection.
Sidonie Smith is Professor of English, University of Michigan. Julia Watson is Associate Professor of Comparative Studies, The Ohio State University. They also edited "Reading Autobiography: A Guide for Interpreting Life Narratives" and "Women, Autobiography, Theory: A Reader,"