When Miranda moves with her family to a new house in a small Massachusetts town, she discovers a mysterious antique--a dollhouse. Through the windows, she is shocked to find what seem to be living people in the tiny rooms, and gradually she realizes that scenes from the lives of the big house's past inhabitants are being replayed there.

With her parents on a trial separation, the last thing fifteen-year-old Juliana wants is to be dragged by her mother to an artists' colony in England. Halfway across the world, Juliana misses her father terribly. But soon she has bigger worries when the sleepy town of Blackthorn is set on its heels by the murder of one of its own. Juliana feels compelled to solve the crime, but she is shocked and frightened when she uncovers clues that have chilling parallels to her own mysterious past. Can she figure out who the murderer is before anyone else--herself included--gets hurt?

Seventeen-year-old Molly's recurrent nightmares become waking visions after she nearly drowns at a party. Soon she's witnessing events through the eyes of a girl who lived in her father's house nearly a century before.

Something is terribly wrong with Connor's mom--she keeps slipping into bizarre trances. Connor suspects that the key to his mom's strange behavior is an old art book filled with paintings of a woman who looks "exactly" like her. But the artist who created those paintings died before his mom was even""born.
Connor gets his chance to break the evil link between the past and the present when he is mysteriously whisked back in time to the 1920s. But can he save his mom--and himself--before it's too late?

Violet's paralyzing fear of the San Francisco earthquakes changes when her family renovates an old building. An aftershock dislodges a letter addressed in 1906 to Baby V--and Violet is certain the disturbing letter is intended for her.