Examines the social and historical significance of women's contributions to American silent Film comedy. For many people the term ""silent comedy"" conjures up images of Charlie Chaplin's Little Tramp, Buster Keaton's Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Colleen Moore, Constance Talmadge-these and numerous others were wildly popular during the silent fi lm era, appearing in countless motion pictures and earning top salaries, and yet their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Carol Burnett to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women's social and political history. Their talent and brave spirit continues to be felt today, and Comic Venus: Women and Comedy in American Silent Film seeks to provide a better understanding of women's experiences in the early twentieth century and to better understand and appreciate the unruly and boundary-breaking women who have followed. The diversity and breadth of archival materials explored in Comic Venus illuminate the social and historical period of comediennes and silent film. It is the first book to explore the overlooked contributions made by comediennes in American silent fi lm. Those with an interest in fi lm and representations of femininity in comedy will be fascinated by the analytical connections and thoroughly researched histories of these women and their groundbreaking movements in comedy and stage.

1. Innovative wellness group model for veterans and older adults 2. Offer two formats provided: process-focused and activity-based (for persons with disabilities or needs additional guidance) 3. Includes group activities for practitioners 4. Evidenced-based group intervention

1. Innovative wellness group model for veterans and older adults 2. Offer two formats provided: process-focused and activity-based (for persons with disabilities or needs additional guidance) 3. Includes group activities for practitioners 4. Evidenced-based group intervention

(Piano Solo Songbook). Disney's Frozen and its catchy music has been a smashing success in the movie theaters and beyond. This collection features 10 songs from the soundtrack arranged for intermediate/advanced piano solo: Do You Want to Build a Snowman? * Fixer Upper * For the First Time in Forever * Frozen Heart * Heimr Arnadalr * In Summer * Let It Go * Love Is an Open Door * Reindeer(s) Are Better Than People * Vuelie.

(Violin Play-Along). The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the demonstration tracks to hear how the violin should sound, and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming. This volume features seven songs from the Disney blockbuster film: Do You Want to Build a Snowman? * Fixer Upper * For the First Time in Forever * In Summer * Let It Go * Love Is an Open Door * Reindeer(s) Are Better Than People. Online audio is accessed at (a href="http: //www.halleonard.com/mylibrary" target="_blank")halleonard.com/mylibrary(/a)

Examines the social and historical significance of women's contributions to American silent film comedy. For many people the term "silent comedy" conjures up images of Charlie Chaplin's Little Tramp, Buster Keaton's Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Constance Talmadge-these and numerous others were wildly popular during the silent film era, appearing in countless motion pictures and earning top salaries, and yet, their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women's social and political history. Their talent and brave spirit continues to be felt today, and Comic Venus: Women and Comedy in American Silent Film seeks to provide a better understanding of women's experiences in the early twentieth century, and an appreciation of the unruly and boundary-breaking women who have followed. Kristen Anderson Wagner begins with the question of why historically women weren't seen as funny in the public and male eye, a question that persists even today. Wagner delves into the idea of women's "delicate sensibilities," which presumably prevented them from being funny, and traces ideas about feminine beauty and what a woman should express versus what these comedic women did express. Comic Venus brings readers to understand comediennes and their impact on silent-era cinema, as well as their lasting influence on later generations of funny women.

Labor studies scholars and working-class historians have long worked at the crossroads of academia and activism. The essays in this collection examine the challenges and opportunities for engaged scholarship in the United States and abroad. A diverse roster of contributors discuss how participation in current labor and social struggles guides their campus and community organizing, public history initiatives, teaching, mentoring, and other activities. They also explore the role of research and scholarship in social change, while acknowledging that intellectual labor complements but never replaces collective action and movement building. Contributors: Kristen Anderson, Daniel E. Atkinson, James R. Barrett, Susan Roth Breitzer, Susan Chandler, Sam Davies, Dennis Deslippe, Eric Fure-Slocum, Colin Gordon, Michael Innis-Jimenez, Stephanie Luce, Joseph A. McCartin, John W. McKerley, Matthew M. Mettler, Stephen Meyer, David Montgomery, Kim E. Nielsen, Peter Rachleff, Ralph Scharnau, Jennifer Sherer, Shelton Stromquist, Emily E. LB. Twarog, and John Williams-Searle.