The critically-acclaimed BBC television series Sherlock (2010 - ) re-envisions Sir Arthur Conan Doyle's detective for the digital age, joining participants in the active traditions of Sherlockians/Holmesians and fans from other communities, including science fiction, media, and anime fandom. This collection explores the cultural intersections and fan traditions that converge in Sherlock and its fandoms. Essays focus on the industrial and cultural contexts of Sherlock's release, on the text of Sherlock as adaptation and transformative work, and on Sherlock's critical and popular reception. The volume's multiple perspectives examine Sherlock Holmes as an international transmedia figure with continued cultural impact, offering insight into not only the BBC series itself, but also into its literary source, and with it, the international resonance of the Victorian detective and his sidekick.

Fans have been responding to literary works since the days of Homer's ""Odyssey"" and Euripedes' ""Medea"". More recently, a number of science fiction and fantasy works have found devoted fan followings. The advent of the internet has brought these groups from relatively limited, face-to-face enterprises to easily accessible global communities, within which fan fiction proliferates and is widely read and even more widely commented upon. New interactions between readers and writers of fan fiction are possible in these new virtual communities. From ""Star Trek"" to ""Harry Potter"", the essays in this volume explore the world of fan fiction - its purposes, how it is created, how the fan experiences it. Grouped by subject matter, twelve essays cover topics such as genre intersection, sexual relationships between characters, character construction through narrative and the role of the beta reader in online communities. The work also discusses the terminology employed by fan fiction writers and comments on the effects of technological advancements on fan communities.