As you crest the ridge, the green valley below and the ocean beyond come into view. This is Shobac, a seaside village featuring an ensemble of buildings that, at first glance, looks like a monumental work of Land Art. What is this place? A fishing village from the future? A monastery teleported here from another planet? A utopian colony with a message for the world? Shobac is recognised internationally as the masterwork of famed Canadian architect Brian Mackay-Lyons. In partnership with his wife Marilyn Mackay-Lyons and their family, he has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia, an area identified on Champlain's first map of North America from 1604. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling architectural language that fuses contemporary Modernism with Nova Scotia building traditions. It's a sublime accomplishment that feels equally part of the past and the future, a living manifesto that expresses how landscape, climate, culture and architecture can ideally come together in elevating the human experience.

An anarchist online group sets out to assassinate the corporate elites they believe have turned culture into a digital nightmare. Don Barton is the creator of Greenhouse, a popular immersive game where millions play at “saving the environment” in the surreal landscapes of the metaverse. Now retired to his plutocratic wealth, he learns his teen son, a gifted gamer, has suddenly gone missing, having joined a terrorist group led by a mysterious young woman, Eris, a former cryptocurrency trader. She’s on a mission to destroy the world’s entertainment and social media platforms and assassinate the corporate elites who run them. In desperation, Barton roams Greenhouse, the only place his radicalized son will talk to him, learning that the game — his life’s work — is on the digital hit list. And both his life and his son’s are in danger. Gaudet fuses the cyber savvy of Black Mirror with the literary edge of Don DeLillo, delivering a thrilling portrait of a culture gone senseless from digital addiction — and the violence spurred by those fears.