Written in the 1950s and discovered by family members years after her death, Margaret Brown Kilik's shocking coming-of-age novel of the emotional and sexual brutality of young women's lives in wartime San Antonio deserves a place on the shelf alongside classic novels like Sylvia Plath's The Bell Jar and Carson McCullers's The Member of the Wedding. The Duchess of Angus reworks Kilik's unusual personal history (her mother spent the 1930's running flophouse hotels all over the United States, leaving Margaret to be brought up by a host of relatives) into a riveting portrait of a young woman navigating a conflicted and rapidly changing world, one in which sex promises both freedom from convention and violent subjection to men's will. Strikingly modern in its depiction of protagonist Jane Davis and her gorgeous, unreadable friend Wade Howell, The Duchess of Anguscovers some of the same emotional territory as novels like Emma Cline's The Girls and Robyn Wasserman's Girls on Fire. Includes an introduction by Jenny Davidson and contextual essays by Laura Hernandez-Ehrisma and Char Miller.

Fiesta San Antonio began in 1891 and through the twentieth century expanded from a single parade to over two hundred events spanning a ten-day period. Laura Hernandez-Ehrisman examines Fiesta's development as part of San Antonio's culture of power relations between men and women, Anglos and Mexicanos. In some ways Fiesta resembles hundreds of urban celebrations across the country, but San Antonio offers a unique fusion of Southern, Western, and Mexican cultures that articulates a distinct community identity. From its beginning as a celebration of a new social order in San Antonio controlled by a German and Anglo elite to the citywide spectacle of today, Hernandez-Ehrisman traces the connections between Fiesta and the construction of the city's tourist industry and social change in San Antonio. Published in cooperation with the Clements Center for Southwest Studies at Southern Methodist University.