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Laurie Brands Gagne believes the image of God as stern Father or
Judge has done much damage over the centuries and has engendered a
sense of shame and guilt, especially in women. She sees our own
civilization as one that is cut off from the natural world and from
the precious part of ourselves that is earthy and sensual. In The
Uses of Darkness: Women's Underworld Journeys, Ancient and Modern,
Gagne explores women's journeys through the underworld to reclaim
the wisdom and sensuality contained in these stories for heirs of
the God the Father tradition. She looks at the ancient stories of
Inanna, Demeter, and Psyche and the reflections of these archetypal
figures in the work of women such as Sylvia Plath, Joan Didion,
Mary Gordon, Virginia Woolf, and Etty Hillesum to illustrate that
the alternative tradition these journey stories represent has much
to offer modern Christians. Gagne successfully demonstrates that
only by turning to confront the mystery that has been obscured by
the image of God as stern Father or Judge can a woman raised in the
Christian tradition acquire a sense of self strong enough to
integrate experiences of profound loss. Most importantly, by
drawing on the wisdom of the goddess tradition, both men and women
are able to effect a more meaningful reappropriation of
Christianity. Gagne's examination of the dark experience of the
underworld in the goddess tradition discovers the elements of all
spiritual journeys: self-transcendence followed by
self-transformation. Anyone who has struggled with love and loss
and whose spirit has been suppressed by the image of God as Judge,
yet who will not reject Christianity, will benefit from this work.
Laurie Brands Gagne believes the image of God as stern Father or
Judge has done much damage over the centuries and has engendered a
sense of shame and guilt, especially in women. She sees our own
civilization as one that is cut off from the natural world and from
the precious part of ourselves that is earthy and sensual. In The
Uses of Darkness: Women's Underworld Journeys, Ancient and Modern,
Gagne explores women's journeys through the underworld to reclaim
the wisdom and sensuality contained in these stories for heirs of
the God the Father tradition. She looks at the ancient stories of
Inanna, Demeter, and Psyche and the reflections of these archetypal
figures in the work of women such as Sylvia Plath, Joan Didion,
Mary Gordon, Virginia Woolf, and Etty Hillesum to illustrate that
the alternative tradition these journey stories represent has much
to offer modern Christians. Gagne successfully demonstrates that
only by turning to confront the mystery that has been obscured by
the image of God as stern Father or Judge can a woman raised in the
Christian tradition acquire a sense of self strong enough to
integrate experiences of profound loss. Most importantly, by
drawing on the wisdom of the goddess tradition, both men and women
are able to effect a more meaningful reappropriation of
Christianity. Gagne's examination of the dark experience of the
underworld in the goddess tradition discovers the elements of all
spiritual journeys: self-transcendence followed by
self-transformation. Anyone who has struggled with love and loss
and whose spirit has been suppressed by the image of God as Judge,
yet who will not reject Christianity, will benefit from this work.
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