'A soulful and perfectly unsentimental writer...' MOHSIN HAMID December, 1907: one morning after a night of drunken carousing in the city, Hanna and his friend Zakariya return home to their village near Aleppo-only to discover a scene of tragedy. A devastating flood has levelled their homes, shops and places of worship, and their neighbours, families and children are nearly all dead. Their lives will never be the same. Tracing Hanna's life before and after the flood-when he embarks on a search for the meaning of life-No One Prayed Over Their Graves is a portrait of a wider society on the verge of great change; from the provincial village to the burgeoning modernity of the city, where Christians, Muslims, and Jews live and work together, united in their love for Aleppo and their dreams for the future.

FINALIST FOR THE 2021 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE The new novel Planet Of Clay gives a haunting and unflinching look at the horrors of war - the bombing, the starvation, the fear - all seen through the eyes of Rima, a young girl with a vibrant imagination.--NPR "Planet of Clay is a devastating novel about human resilience and fragility in a time of war."--Foreword Reviews, starred review Rima, a young girl from Damascus, longs to walk, to be free to follow the will of her feet, but instead is perpetually constrained. Rima finds refuge in a fantasy world full of colored crayons, secret planets, and The Little Prince, reciting passages of the Qur'an like a mantra as everything and everyone around her is blown to bits. Since Rima hardly ever speaks, people think she's crazy, but she is no fool--the madness is in the battered city around her. One day while taking a bus through Damascus, a soldier opens fire and her mother is killed. Rima, wounded, is taken to a military hospital before her brother leads her to the besieged area of Ghouta--where, between bombings, she writes her story. In Planet of Clay, Samar Yazbek offers a surreal depiction of the horrors taking place in Syria, in vivid and poetic language and with a sharp eye for detail and beauty.

November 1979. Violence has broken out in the holiest site of Islam after a charismatic rebel and his devoted followers have announced the coming of the Mahdi and seized the Grand Mosque in Mecca. Among the insurgents is a young woman, Sarab, disguised as a man. As the horror and chaos of the siege reach their peak, she escapes and encounters a French officer from the opposing side. They form an unexpected bond, as hostility turns to attraction, but the violence of both of their pasts will return to haunt them. Award-winning writer Raja Alem's extraordinary narrative stretches from Saudi Arabia's Najd desert to the heart of Paris. In her typical bold and captivating style, this most unusual of love stories unpicks faith and fanaticism, alienation and redemption, and ultimately what it means to be human.

1980s Syria, our young narrator is living a secluded life behind the veil in the vast and perfumed house of her grandparents in Aleppo. Her three aunts, Maryam the pious one; Safaa, the liberal; and the free-spirited Marwa, bring her up with the aid of their ever-devoted blind servant. Soon the high walls of the family home are unable to protect her from the social and political changes outside. Witnessing the crackdowns of the ruling dictatorship against Muslims, she is filled with hatred for her oppressors, and becomes increasingly fundamentalist. In the footsteps of her beloved uncle Bakr, she takes on the party, launching herself into a fight for her religion, her country, and ultimately, her own future. On a backdrop of real-life events that occurred during the Syrian regime's ruthless suppression of the Muslim Brotherhood in the 1980s, IN PRAISE OF HATRED is a stirring, sensual story. Its elegant use of traditional, layered storytelling is a powerful echo of the modern-day tragedy that is now taking place in the Middle East.