Although her reputation now rests on her poems on women's rights, the Glasgow poet Marion Bernstein (1846 - 1906) recognised little distinction between gender equality and social equality. She had no patience for those who claimed privilege over others. She valued her fellow poets, many of whom were from the working classes, and she populated her poems with an array of ordinary citizens: postmen, riveters, fishermen, street musicians, even a victim of intemperance. In her enlightened poem 'Human Rights' she advocated universal equality and gave her vision of a world run by women: 'We'd give fair play, let come what might, / To he or she folk, black or white, / And haste the reign of Human Right.' A Song of Glasgow Town contains all of Bernstein's 198 published poems, along with a detailed introduction to her life and work, and extensive notes explaining the background to each poem. These verses provide a fascinating insight into Glasgow in the late Victorian age, at a time of unprecedented social and economic change.

This book examines the relationships forged between police officers and the diverse urban and rural communities in which they have lived and worked in Scotland across the twentieth century, demonstrating patterns that were diverse and variegated. It considers both the formal rhetoric (and sets of structures) that defined and prescribed the policing ideal as well as the experience of policing from a range of grassroots' perspectives. Drawing on a wealth of archival materials, oral history interviews, and memoirs, as well as previously unused primary sources, the author identifies and explains the factors that led to not only co-operation, consensus and the building of trust, but also points of tension and conflict across a century of social, political and technological change.

Over the twentieth century Scots' lives changed in fast, dramatic and culturally significant ways. By examining their bodies, homes, working lives, rituals, beliefs and consumption, this volume exposes how the very substance of everyday life was composed, tracing both the intimate and the mass changes that the people endured. Using novel perspectives and methods, chapters range across the experiences of work, art and death, the way Scots conceived of themselves and their homes, and the way the 'old Scotland' of oppressive community rules broke down from mid-century as the country reinvented its everyday life and culture. This volume brings together leading cultural historians of twentieth-century Scotland to study the apparently mundane activities of people's lives, traversing the key spaces where daily experience is composed to expose the controversial personal and national politics that ritual and practice can generate. Key features: *Contains an overview of the material changes experienced by Scots in their everyday lives during the course of the century *Focuses on some of the key areas of change in everyday experience, from the way Scots spent their Sundays to the homes in which they lived, from the work they undertook to the culture they consumed and eventually the way they died. *Pays particular attention to identity as well as experience

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