This work relates the policy of appeasement to the personal beliefs and decisions of those responsible for foreign policy. Using Robert Hadow, First Secretary in the Foreign Office, as an example of an appeaser, this approach aims to demonstrate how intelligent and capable men in Britain fell victim to a policy which, to many still, in retrospect, appears blind and irrational. An examination of Hadow's fear of war, his reaction to communism, his sympathy for the German minority in Czechoslovakia, and his actions inside and outside the Foreign Office in pursuit of appeasement is made in this book through detailed research of Hadow's public and private papers. By following the course of Hadow's career and the working of his mind in the 1930s, this study explains the thinking behind a policy associated with Britain on the eve of World War II.

The complex history and politics of South Africa form the backdrop of this insightful study of the factors that contributed to both the end of apartheid and the movement from government by racial division toward government through national unity. This study and resource examines the history, people, and politics of South Africa in the age of apartheid. Topical essays examine the divisions within South African society that led to the historic apartheid legislation initiated in 1948; each group that was defined and separated by apartheid--whites, coloreds, Indians, and Africans; how this separation put increasing pressure on the system that gave rise to organized domestic resistance that eventually led to the collapse of apartheid; the economic sanctions imposed by other nations on South Africa in retaliation for apartheid; and the new government and the challenges of a new democracy.

The analysis of how all these factors culminated in the collapse of apartheid is enhanced by lengthy biographical profiles of sixteen key personalities, including Stephen Biko, Willem deKlerk, Nelson Mandela, and Desmond Tutu. A selection of thirteen primary documents, including a letter from Nelson Mandela in exile and his speech after being released from prison, illustrates the rise and fall of apartheid and will be valuable for student research. A glossary of key terms and a timeline of important events add reference value.

From an array of prominent activists including Nelson Mandela and Steve Biko to renowned performers and oral poets such as Johnny Dyani and Samuel Mqhayi, the Eastern Cape region plays a unique role in the history of South African protest politics and creativity. The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape concentrates on the Eastern Cape's contribution to the larger narrative of the connection between creativity, mass movements, and the forging of a modern African identity and focuses largely on the amaXhosa population. Lindsay Michie explores Eastern Cape performance artists, activists, organizations, and movements that used inventive and historical means to raise awareness of their plight and brought pressure to bear on the authorities and systems that caused it, all the while exhibiting the depth, originality, and inspiration of their culture.

From the gospel music of slavery in the antebellum South to anti-apartheid freedom songs in South Africa, this two-volume work documents how music has fueled resistance and revolutionary movements in the United States and worldwide. Political resistance movements and the creation of music-two seemingly unrelated phenomenon-often result from the seed of powerful emotions, opinions, or experiences. This two-volume set presents essays that explore the connections between diverse musical forms and political activism across the globe, revealing fascinating similarities regarding the interrelationship between music and political resistance in widely different geographic or cultural circumstances. The breadth of specific examples covered in Sounds of Resistance: The Role of Music in Multicultural Activism highlights strong similarities between diverse situations-for example, protest against the Communist government in Poland and drug discourse in hip hop music in the United States-and demonstrates how music has repeatedly played a vital role in energizing or expanding various political movements. By exploring activism and how music relates to specific movements through an interdisciplinary lens, the authors document how music often enables powerless members of oppressed groups to communicate or voice their concerns.