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The author proposes a new structure for the making of Australian art, which he calls 'a regional state of mind'. A cultural pyramid with a broad community base rooted in community culture and tied to its place of origin and its own special quality of life. He points to works like Summer of the Seventeenth Doll and Cloudstreet, that have resonated profoundly within us and describes how his work in northern NSW and Queensland has shown him that every town, city and suburb has a deep understanding of its own culture.
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