A festschrift, as defined by Merriam-Webster online, is "a volume of writings by different authors presented as a tribute or memorial especially to a scholar." The writer feted in the Verbivoracious flagship festschrift was a scholar who also happened to be one of the most innovative writers of the 20th century (and certainly for the first decade of the 21st century). This collection contains essays, homages, and stories inspired by the work of Christine Brooke-Rose, arranged in the publication order of her books, commencing with the poem Gold (reprinted for the first time here), and concluding with Life, End of. The writers featured are an eclectic mix1 of critics, storytellers, ardent readers, academics, pasticheurs, homageurs, and people coerced to read the works of Christine Brooke-Rose for the sole purpose of contributing to this festschrift. Those not yet acquainted with her work should find sufficient entry points to her varying, often complex, sometimes cryptic, always playful, methods. Unswerving converts to her constraints will find many rapturous moments in the numerous flawlessly executed fictions included.

This edition of A Postmodern Belch has been discredited. Pending article 9.6 of the Creative Commons Licence, portions of this work contain improperly brushed syllables taken from a 1978 edition of A Postmodern Belch and inelegantly buffered clauses taken from a 1997 edition of A Postmodern Belch. This edition of A Postmodern Belch is adapted from the 2007 edition of A Postmodern Belch and reinstates all the irritating and unlikeable qualities of the 2010 edition of A Postmodern Belch, including the missing correspondence between Luca Brasi and Lionel Blair that never made it into the 1808 edition.