The Sacred Identity of Ephesos offers a full-length interpretation of one of the largest known bequests in the Classical world, made to the city of Ephesos in AD 104 by a wealthy Roman equestrian, and challenges some of the basic assumptions made about the significance of the Greek cultural renaissance known as the 'Second Sophistic'. Professor Rogers shows how the civic rituals created by the foundation symbolised a contemporary social hierarchy, and how the ruling class used foundation myths - the birth of the goddess Artemis in a grove above the city - as a tangible source of power, to be wielded over new citizens and new gods. Utilising an innovative methodology for analysing large inscriptions, Professor Rogers argues that the Ephesians used their past to define their present during the Roman Empire, shedding new light on how second-century Greeks maintained their identities in relation to Romans, Christians, and Jews.

The Sacred Identity of Ephesos offers a full-length interpretation of one of the largest known bequests in the Classical world, made to the city of Ephesos in AD 104 by a wealthy Roman equestrian, and challenges some of the basic assumptions made about the significance of the Greek cultural renaissance known as the 'Second Sophistic'. Professor Rogers shows how the civic rituals created by the foundation symbolised a contemporary social hierarchy, and how the ruling class used foundation myths - the birth of the goddess Artemis in a grove above the city - as a tangible source of power, to be wielded over new citizens and new gods. Utilising an innovative methodology for analysing large inscriptions, Professor Rogers argues that the Ephesians used their past to define their present during the Roman Empire, shedding new light on how second-century Greeks maintained their identities in relation to Romans, Christians, and Jews.

A definitive account of the great revolt of Jews against Rome and the destruction of the Jerusalem Temple "Deeply impressive. . . . Essential for all future discussions of the subject."-Barry Strauss, New Criterion "A lucid yet terrifying account of the 'Jewish War'-the uprising of the Jews in 66 CE, and the Roman empire's savage response, in a story that stretches from Rome to Jerusalem."-John Ma, Columbia University This deeply researched and insightful book examines the causes, course, and historical significance of the Jews' failed revolt against Rome from 66 to 74 CE, including the destruction of the Jerusalem Temple. Based on a comprehensive study of all the evidence and new statistical data, Guy Rogers argues that the Jewish rebels fought for their religious and political freedom and lost due to military mistakes. Rogers contends that while the Romans won the war, they lost the peace. When the Romans destroyed the Jerusalem Temple, they thought that they had defeated the God of Israel and eliminated Jews as a strategic threat to their rule. Instead, they ensured the Jews' ultimate victory. After their defeat Jews turned to the written words of their God, and following those words led the Jews to recover their freedom in the promised land. The war's tragic outcome still shapes the worldview of billions of people today.

With the ongoing development of algorithmic composition programs and communities of practice expanding, algorithmic music faces a turning point. Joining dozens of emerging and established scholars alongside leading practitioners in the field, chapters in this Handbook both describe the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music. Organized into four sections, chapters explore the music's history, utility, community, politics, and potential for mass consumption. Contributors address such issues as the role of algorithms as co-performers, live coding practices, and discussions of the algorithmic culture as it currently exists and what it can potentially contribute society, education, and ecommerce. Chapters engage particularly with post-human perspectives - what new musics are now being found through algorithmic means which humans could not otherwise have made - and, in reciprocation, how algorithmic music is being assimilated back into human culture and what meanings it subsequently takes. Blending technical, artistic, cultural, and scientific viewpoints, this Handbook positions algorithmic music making as an essentially human activity.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This volume completes the three-volume collection of Fergus Millar's essays, which, together with his books, transformed the study of the Roman Empire by shifting the focus of inquiry onto the broader Mediterranean world and beyond. The eighteen essays presented here include Millar's classic contributions to our understanding of the impact of Rome on the peoples, cultures, and religions of the eastern Mediterranean, and the extent to which Graeco-Roman culture acted as a vehicle for the self-expression of the indigenous cultures. In an epilogue written to conclude the collection, Millar argues for rethinking the focus of ""ancient history"" itself and for considering the Levant and the eastern Mediterranean from the first millennium B.C.E. to the Islamic conquests a valid scholarly framework and an appropriate educational syllabus for the study of antiquity. English translations of extended ancient passages in Greek, Latin, and Semitic languages in all the essays make Millar's most important articles accessible for the first time to specialists and nonspecialists alike.

For nearly two and a half millennia, Alexander the Great has loomed over history as a legend-and an enigma. Wounded repeatedly but always triumphant in battle, he conquered most of the known world, only to die mysteriously at the age of thirty-two. In his day he was revered as a god; in our day he has been reviled as a mass murderer, a tyrant as brutal as Stalin or Hitler.
Who was the man behind the mask of power? Why did Alexander embark on an unprecedented program of global domination? What accounted for his astonishing success on the battlefield? In this luminous new biography, the esteemed classical scholar and historian Guy MacLean Rogers sifts through thousands of years of history and myth to uncover the truth about this complex, ambiguous genius.
Ascending to the throne of Macedonia after the assassination of his father, King Philip II, Alexander discovered while barely out of his teens that he had an extraordinary talent and a boundless appetite for military conquest. A virtuoso of violence, he was gifted with an uncanny ability to visualize how a battle would unfold, coupled with devastating decisiveness in the field. Granicus, Issos, Gaugamela, Hydaspes-as the victories mounted, Alexander's passion for conquest expanded from cities to countries to continents. When Persia, the greatest empire of his day, fell before him, he marched at once on India, intending to add it to his holdings.
As Rogers shows, Alexander's military prowess only heightened his exuberant sexuality. Though his taste for multiple partners, both male and female, was tolerated, Alexander's relatively enlightened treatment of women was nothing short of revolutionary. He outlawed rape, he placed intelligent women in positions of authority, and he chose his wives from among the peoples he conquered. Indeed, as Rogers argues, Alexander's fascination with Persian culture, customs, and sexual practices may have led to his downfall, perhaps even to his death.
Alexander emerges as a charismatic and surprisingly modern figure-neither a messiah nor a genocidal butcher but one of the most imaginative and daring military tacticians of all time. Balanced and authoritative, this brilliant portrait brings Alexander to life as a man, without diminishing the power of the legend.

"From the Hardcover edition."

Fergus Millar is one of the most influential contemporary historians of the ancient world. His essays and books, above all "The Emperor in the Roman World" and "The Roman Near East," have transformed our understanding of the communal culture and civil government of the Greco-Roman world. This second volume of the three-volume collection of Millar's published essays draws together twenty of his classic pieces on the government, society, and culture of the Roman Empire (some of them published in inaccessible journals). Every article in Volume 2 addresses the themes of how the Roman Empire worked in practice and what it was like to live under Roman rule. As in the first volume of the collection, English translations of the extended Greek and Latin passages in the original articles make Millar's essays accessible to readers who do not read these languages.

Fergus Millar is one of the most influential contemporary historians of the ancient world. His essays and books, including "The Emperor in the Roman World and "The Roman Near East, have enriched our understanding of the Greco-Roman world in fundamental ways. In his writings Millar has made the inhabitants of the Roman Empire central to our conception of how the empire functioned. He also has shown how and why Rabbinic Judaism, Christianity, and Islam evolved from within the wider cultural context of the Greco-Roman world.

Opening this collection of sixteen essays is a new contribution by Millar in which he defends the continuing significance of the study of Classics and argues for expanding the definition of what constitutes that field. In this volume he also questions the dominant scholarly interpretation of politics in the Roman Republic, arguing that the Roman people, not the Senate, were the sovereign power in Republican Rome. In so doing he sheds new light on the establishment of a new regime by the first Roman emperor, Caesar Augustus.

Was Western civilization founded by ancient Egyptians and Phoenicians?
Can the ancient Egyptians usefully be called black?
Did the ancient Greeks borrow religion, science, and philosophy from the Egyptians and Phoenicians?
Have scholars ignored the Afroasiatic roots of Western civilization as a result of racism and anti-Semitism?

In this collection of twenty essays, leading scholars in a broad range of disciplines confront the claims made by Martin Bernal in "Black Athena: The Afroasiatic Roots of Classical Civilization," In that work, Bernal proposed a radical reinterpretation of the roots of classical civilization, contending that ancient Greek culture derived from Egypt and Phoenicia and that European scholars have been biased against the notion of Egyptian and Phoenician influence on Western civilization. The contributors to this volume argue that Bernal's claims are exaggerated and in many cases unjustified.

Topics covered include race and physical anthropology; the question of an Egyptian invasion of Greece; the origins of Greek language, philosophy, and science; and racism and anti-Semitism in classical scholarship. In the conclusion to the volume, the editors propose an entirely new scholarly framework for understanding the relationship between the cultures of the ancient Near East and Greece and the origins of Western civilization.