Building on the critical foundations established by Edward Said in Orientalism, Foreign Bodies examines the relationship between the Orientalist tradition in French art and literature and France's colonial history. It focuses on a central dimension of this exchange: the prevalent figure of the "oriental woman," and the interplay of race and gender in both domestic and colonial history. It also offers a genealogy of contemporary French attitudes to Islamic culture, in which beliefs about sexuality and gender relations continue to occupy a privileged place. The author examines the extent to which the rhetorical status and political implications of Orientalism register the changing circumstances of French colonial activity, tracing the convergence, or divergence, of colonial practice and the literary record. She also argues against the tendency, in both historical and theoretical writing on colonialism, to divide center from margins, metropolitan from colonial. Instead, she shows how colonial products and ideas permeated the domestic culture and shaped its evolution. Finally, the book proposes that the feminine figures of Orientalist texts are often interwoven with representations of language, and more specifically with representations of language as an alien and resistant code-something other than the transparent medium of ideas. It suggests that in promoting awareness that language is not simply the neutral medium of thought and experience, these veiled figures of language function as "foreign bodies," creating disruptive effects within an economy orchestrated toward the production of knowledge of the other. However, the book also argues against the view, espoused by certain critics, that the self-reflexivity of Orientalist writing fully counteracts its polarizing political effects, arguing instead for a process of "double reading" that acknowledges both the geopolitical power encoded within Orientalist representation and the ways in which specific texts resist this power.

In Trading Places, Madeleine Dobie explores the place of the colonial world in the culture of the French Enlightenment. She shows that until a turning point in the late 1760s questions of colonization and slavery occupied a very marginal position in literature, philosophy, and material and visual culture. In an exploration of the causes and modalities of this silence, Dobie traces the displacement of colonial questions onto two more familiar and less ethically challenging aspects of Enlightenment thought: exoticization of the Orient and fascination with indigenous Amerindian cultures.

Expanding the critical analysis of the cultural imprint of colonization to encompass commodities as well as texts, Dobie considers how tropical raw materials were integrated into French material culture. In an original exploration of the textile and furniture industries Dobie considers consumer goods both as sites of representation and as vestiges of the labor of the enslaved. Turning to the closing decades of the eighteenth century, Dobie considers how silence evolved into discourse. She argues that sustained examination of the colonial order was made possible by the rise of economic liberalism, which attacked the prevailing mercantilist doctrine and formulated new perspectives on agriculture, labor (including slavery), commerce, and global markets. Questioning recent accounts of late Enlightenment "anticolonialism," she shows that late eighteenth-century French philosophers opposed slavery while advocating the expansion of a "liberalized" colonial order. Innovative and interdisciplinary, Trading Places combines literary and historical analysis with new research into political economy and material culture."

In Trading Places, Madeleine Dobie explores the place of the colonial world in the culture of the French Enlightenment. She shows that until a turning point in the late 1760s questions of colonization and slavery occupied a very marginal position in literature, philosophy, and material and visual culture. In an exploration of the causes and modalities of this silence, Dobie traces the displacement of colonial questions onto two more familiar and less ethically challenging aspects of Enlightenment thought: exoticization of the Orient and fascination with indigenous Amerindian cultures.

Expanding the critical analysis of the cultural imprint of colonization to encompass commodities as well as texts, Dobie considers how tropical raw materials were integrated into French material culture. In an original exploration of the textile and furniture industries Dobie considers consumer goods both as sites of representation and as vestiges of the labor of the enslaved. Turning to the closing decades of the eighteenth century, Dobie considers how silence evolved into discourse. She argues that sustained examination of the colonial order was made possible by the rise of economic liberalism, which attacked the prevailing mercantilist doctrine and formulated new perspectives on agriculture, labor (including slavery), commerce, and global markets. Questioning recent accounts of late Enlightenment "anticolonialism," she shows that late eighteenth-century French philosophers opposed slavery while advocating the expansion of a "liberalized" colonial order. Innovative and interdisciplinary, Trading Places combines literary and historical analysis with new research into political economy and material culture."

A diverse, interdisciplinary collection of essays exploring what makes Maryse Conde a writer for our times In 2018, the New Academy selected Guadeloupean writer, scholar, and teacher of literature Maryse Conde as the recipient of the 2018 Alternative Nobel Prize in Literature. This volume of Yale French Studies examines Conde's work and legacy, exploring why a diverse group of journalists, critics, and lay readers selected her as the writer most deserving of the prize. Varied in their themes, forms, and disciplinary groundings, the essays consider how Conde's novels, plays, essays, and memoirs have engaged with many of the urgent social, economic, and political issues of the late-twentieth and twenty-first centuries, often anticipating and catalyzing public debates. Written by scholars from Africa, the Antilles, South America, France, and the United States, the essays consider Conde's unique voice and the ways in which her writing speaks to readers all over the world, making her "a writer for our times."