'A huge book, an immense book. Such adventure and variety, such industry, such subjugation of self.' Michael Hofmann, TLS Heaney not only translated classic works of Latin and Old English but also poems from a great number of ancient and modern European languages, not least translations from the Old, Middle and Modern Irish of his homeland. The breadth and depth in evidence here is extraordinary - from monastic hymns and prayers, to the civic and familial tragedies of Sophocles and Kochanowski; from Virgil and Dante's living underworld to the stark landscapes of Sweeney's Ireland. As editor, Marco Songzogni frames the translations with the poet's own writings on his works. Collectively these bring us closer to an understanding of the genius for interpretation and transformation that distinguished Heaney as one of the great poet-translators of all time. 'The Translations . . . is a landmark volume, a striking testament to the particular and generous genius of Seamus Heaney. . . The crucial part played by translation in the formation and development of his extraordinary talent is under the spotlight as readers are further gifted with Marco Sonzogni's meticulously detailed notes. . ..' Martina Evans, Irish Times '.this volume is handsome testimony to Heaney's lifelong service to a noble art.' David Wheatley, Guardian 'This magnificent book. . . is without a doubt a compendium to be cherished, and to be celebrated.' Paul Perry, Sunday Independent

Seamus Heaney's translation of Beowulf (1999) was hailed as a masterpiece, alerting readers to his extraordinary ability to tune into other poets and languages and render their work fresh and alive in his own voice. In fact, as this volume attests, from the very beginning translation informed over fifty years of Heaney's critical and creative output, to which the posthumous publication of his translation of Virgil's Aeneid Book VI (2016) - also widely acclaimed - made a fitting epilogue. Heaney not only translated classic works of Latin and Old English but also a great number of poems from Spanish, Romanian, Dutch, Russian, German, Scottish Gaelic, Czech, classical and modern Greek, modern and Middle French, medieval and modern Italian, and more. He was drawn in particular to the language of his homeland, a preoccupation that runs through this volume in those translations from Old, Middle and modern Irish. As he said: 'If you lived in the Irish countryside as I did in my childhood, you lived in a primal Gaeltacht.' The breadth and depth in evidence here is extraordinary: from the stark landscapes of Sweeney's Ireland to Virgil and Dante's living underworlds, from monastic hymns and prayers to the civic and familial tragedies of Sophocles and Kochanowski. As editor, Marco Sonzogni frames the translations with the poet's own writings on his works, drawing from various introductions, interviews and commentaries. Collectively we are brought closer to an understanding of the remarkable extent of Heaney's talent, a genius for interpretation and transformation that distinguish him as one of the great poet-translators of all time.

'Salvatore Quasimodo was born-and lived-through historical tragedies which impressed his mind for ever. What one hears in his lines are the tears of mankind and its wail. Sonzogni and Dawe have captured the singular strength of Quasimodo and heard the penetrating voices of humanity. Their translations of this particular poet are a beautiful work of rendering history in rhyme and do more than justice to the art and the feelings of Salvatore Quasimodo. "The Night Fountain" should be read and re-read, learned and re-learned, and must be at hand to every reader who can only gain from its penetrating elegy' - Allen Mandelbaum, Kenan Professor of Humanities, Wake Forest University, USA.'"The Night Fountain" discloses a great poet in the making, now veering into Expressionism, now surreal, but always with an imaginative prosody and a voice that admits us into its intimacy. There is at once abundance and refinement here, and many of the elements that go into his great work. The translations are resourceful and inventive, keeping faith with the movement of the originals' - Michael Schmidt, Professor of Poetry, University of Glasgow.