In the early part of the last century, Professor Hermann Beckh began a search to discover the truth about the Mystery wisdom of antiquity. As a recognized authority on Buddhist texts, he knew that complete knowledge of such Mysteries was not to be found within the limitations of waking consciousness, sense perception and logic. Beckh was already aware that Gautama Buddha had indicated the stages of higher knowledge. Furthermore, his studies of Rudolf Steiner's anthroposophical teachings revealed that such knowledge could be experienced directly, given disciplined meditation. Clairvoyant cognition included the conscious penetration of sleep consciousness, the dream state and an experience of pre-natal consciousness. Both the Mysteries and Rudolf Steiner's major books, he concluded, were founded on the same perceptions. Beckh - a worldwide expert on Tibetan, Sanskrit, Pali and Avestan texts - quickly became disenchanted with Madame Blavatsky's Theosophy, as it displayed little precise academic knowledge of primary records. At the same time, university departments showed scant trace of understanding the texts they analysed through philology and sociology. Thus, based on comprehensive studies and personal experience, he resolved to present his own perceptions and vision to the public. The results are to be found in this invaluable book, bringing together for the first time in English three groundbreaking publications: Our Origin in the Light (Genesis 1-9) (1924); Zarathustra (1927) and From the World of the Mysteries

Lost for decades, the manuscript of Hermann Beckh's final lectures on the subject of music present fundamentally new insights into its cosmic origins. Beckh characterises the qualities of musical development, examines select musical works (that represent for him the peak of human ingenuity), and throws new light on the nature and source of human creativity and inspiration. Published here for the first time, the lectures demonstrate a distinctive approach founded on the raw material of musical perception. Beckh discusses the whistling wind, the billowing wave, the song of the birds and particularly the theme of longing. Never losing the ground from under his feet, he penetrates perennial themes: from the yearning for real spontaneity and the 'Mystery background' uniting heaven and earth, to spiritual knowledge that can meet the demands of the twenty-first century. Out of the cosmic context, Beckh writes to the individual situation. From there, he seeks again the re-won cosmic context. He does not write as a musical specialist and then turn to universal human concerns; rather, Beckh writes from universal human concerns and reveals music as of special concern to everyone. In addition to the transcripts of fifteen lectures, this book contains a valuable introduction and editorial footnotes. It also features appendices including Beckh's essay 'The Mystery of the Night in Wagner and Novalis'; reminiscences of Beckh by August Pauli and Harro Ruckner; Donald Francis Tovey's 'Wagnerian harmony and the evolution of the Tristan-chord', and several contemporaneous reviews of Beckh's published works.

Hermann Beckh's lectures on language - published here in English for the first time - offer a unique and penetrating discussion of the origins and evolution of speech. Based on his professional knowledge of Tibetan, Sanskrit and Pali - and complete fluency in at least six other ancient languages, not to count nine modern languages - and accompanied by a heartfelt understanding of anthroposophy, the lectures comprise an unparalleled marriage of academic and meditative insights. Further, they give a valuable introduction to the author's later works on music, the stars and the Gospels of Mark and John. The Source of Speech features Beckh's complete series of articles on the subject that were developed during the early, 'seeding' period of his life and work. These include: 'Rudolf Steiner and the East', an unprecedented study of Steiner's relationship to Sanskrit and Buddhist spirituality; 'Let There be Light', Beckh's exploration of the six Hebrew words forming Genesis 1:3; articles devoted to the origins of language, Indian philosophies and the names of the Divine in sacred texts; and essays published in Das Goetheanum which examine speech sounds, especially those of Sanskrit and Classical Hebrew. Also included are contemporaneous reviews of Beckh's articles by Albert Steffen and Eugen Kolisko and a lecture on academia, materialism and the undisciplined enthusiasm for Indian spirituality, held at the University of Berlin. Nearly one hundred years on, Beckh's perspectives and themes remain as exciting, relevant and fresh as ever.

Hermann Beckh's masterful study of Mark's Gospel offers much more than scholarly argument. It is the work of a true visionary who allows his readers to discover the meaning of the Earth and of humanity for themselves. Beckh was in the forefront of entirely new research and recovery of the Gospel, writing more for the future than for his own time. It is not uncommon for biblical scholars to view St. Mark's Gospel as little more than an assemblage of fragmentary sources and a copy of uncertain, early memories. The Gospel is said to have little historical veracity, harmony or guiding structure. Beckh's contemporary, the German writer Arthur Drews, even argued that the text was nothing more than a simplistic solar myth, wherein another Sun-hero pursued his way around the Greco-Roman constellations. Mark's Gospel: The Cosmic Rhythm is a response to such twentieth-century materialistic thinking. He was asked to write the book in the 1920s by the leaders of The Christian Community, who sought to rescue the desecrated Gospel from its opponents. Inspired by Rudolf Steiner and a vast knowledge of ancient languages - Tibetan, Sanskrit, Pali and Avestan along with Hebrew, Greek and Latin - the Rev. Professor Hermann Beckh perceived how the Gospel reflects God's Everlasting Covenant, and meticulously expressed its aesthetic unity, the consonance of its parts and its consequent radiant clarity. His far-reaching understanding of sacred texts in the original languages, always associated with the disciplined meditation he had attained from anthroposophy, led to unprecedented insight. This new edition of his classic study has been revised and redesigned.

Hermann Beckh (1875-1937) was one of the co-founders of The Christian Community. A remarkable linguist and universal scholar, he mastered six European and six Oriental languages and published more than twenty works on the humanities, dealing with Christology, Cosmology and Musicology. Having first studied Law, he later channeled his extensive research of Hinduism and Buddhism into a renewal of sacramental Christianity. 'Without the Professor', wrote his colleague Rudolf Meyer, the beginnings of the new religious movement were 'unthinkable'. Gundhild Kacer-Bock - daughter of Beckh's priest-colleague and fellow author Emil Bock - creates a lively picture of a unique personality. Beginning with his birth in Nuremberg and education in Munich, she reviews Beckh's manifold studies and writings, his meeting with Rudolf Steiner in 1911, the founding of the Movement for Religious Renewal in Stuttgart in 1922, and the seminal Christmas Conference in Dornach in 1923. Having known Beckh personally, she builds on her own memories as well as Beckh's recorded memoirs, and utilizes newly-discovered letters and documents. This new edition contains Beckh's fairy-tale 'The Story of the Little Squirrel, the Moonlight Princess and the Little Rose' (with colour illustrations by Tatjana Schellhase), with additional appreciations of the author and an illustrative plate section. --- 'A University Professor, who had been a Judge and Orientalist, now became a priest with us. He actively took part in carrying the birth of the new ritual words; he was an expert in the mysteries of language... An abundance of books came into existence whose significance perhaps will only be properly appreciated in the future.' - Emil Bock (1959)

During the brief window between the two World Wars, the Rev. Prof. Hermann Beckh led research at The Christian Community Seminary in Stuttgart. In those precious years he published on music, the gospels and the ancient Mysteries. By 1930, in his Contributions to the Priests' Newsletter, he had produced the most far-reaching account of the cosmic order ever written. The typescript of this great work was destined to gather dust in the Berlin Archiv, however, until it was discovered in recent years. Published here for the first time, it is the crowning masterpiece to Beckh's Collected Works. The translated and annotated text is accompanied by Rudolf Frieling's in-depth application of Beckh's principles of the cosmic starry order to the Creed of The Christian Community, and by a number of appreciations and relevant book reviews. Through ever-deepening meditation guided by Rudolf Steiner, and his vast knowledge of Tibetan, Sanskrit, Pali and Avestan sacred texts - scarcely to be equalled in Europe at the time - Beckh came to the first-hand realization that human and cosmic life was ordered. He perceived directly that this cosmic order was: good, as originating from the World-Will; true, as from World-Thinking; and beautiful, as from World-Feeling. All three could be personally experienced in disciplined consciousness that could enter dream, sleep and pre-natal life. This, then, was Beckh's method and inspiration, as shown in this extraordinary work.

As a practising Christian priest, Hermann Beckh was profoundly aware that the mystery of substance - its transmutation in the cosmos and the human being - was a mystical fact to be approached with the greatest reverence, requiring at once ever-deepening scholarship and meditation. He viewed chemistry as a worthy but materialistic science devoid of spirit, while the fullness of spiritual-physical nature could be approached by what he preferred to call 'chymistry' or 'alchymy', thereby taking in millennia of spiritual tradition. In consequence, Beckh's Alchymy, The Mystery of the Material World is not limited to the conventional workings of Western alchemy, nor to what can be found in the Bible from Genesis to Revelation - although he does unveil hidden riches there. Neither should Beckh be considered only as a learned Professor with impeccable academic qualifications and European-wide recognition. Beckh writes about such topics as 'Isis', 'the Golden Fleece', traditional fairy-stories and Wagner's Parsifal in a way that enables the reader to catch glimpses of the Mystery of Substance; to share the writer's authentic experience of the divine substantia - the living reality - of Christ in the world. Beckh's Alchymy set an entirely new standard, and went on to become his most popular publication. This is the first time that it has been translated into English, along with updated footnotes, making his ideas and insights accessible to a wide readership. In addition, this edition features translations of Beckh's 'The New Jerusalem', where theology could best be expressed in verse; his exemplary essay on 'Snow-white'; observations on 'Allerleirauh', and a substantial excerpt from Gundhild Kacer-Bock's biography of Beckh.