Shortlisted for Canada's prestigious Giller Prize, this "profoundly humane novel" (Vancouver Sun), wrings suspense and humor out of the everyday choices we make, revealing the delicate balance between sacrifice and self-interest, doing good and being good.

Clara Purdy is at a crossroads. At forty-three, she is divorced, living in her late parents' house, and near-ing her twentieth year as a claims adjuster at a local insurance firm. Driving to the bank during her lunch hour, she crashes into a sharp left turn, taking the Gage family in the other car with her. When bruises on the mother, Lorraine, prove to be late-stage cancer, Clara decides to do the right thing. She moves Lorraine's three children and their terrible grandmother into her own house--and then has to cope with the consequences of practical goodness: exhaustion, fury, hilarity, and unexpected love.

What, exactly, does it mean to be good? What do we owe each other in this life, and what do we deserve? Good to a Fault is an ultimately joyful book that digs deep, with leavening humor, into questions of morality, class, and social responsibility. Marina Endicott looks at life and death through the compassionate, humane lens of a born novelist: being good, being at fault, and finding some balance in between.

Home, for me, was not a birthright, but an invention. It seems to me when we speak of home we are speaking of several things, often at once, muddled together into an uneasy stew. We say home and mean origins, we say home and mean belonging. These are two different things: where we come from, and where we are. Writing about belonging is not a simple task. Esi Edugyan chooses to intertwine fact and fiction, objective and subjective in an effort to find out if one can belong to more than one place, if home is just a place or if it can be an idea, a person, a memory, or a dream. How "home" changes, how it changes us, and how every farewell carries the promise of a return. Readers of Canadian literature, armchair travellers, and all citizens of the global village will enjoy her explorations and reflections, as we follow her from Ghana to Germany, from Toronto to Budapest, from Paris to New York.

Ten years, ten authors, ten critics. The Canadian Literature Centre/Centre de litterature canadienne reaches into its ten-year archive of Brown Bag Lunch readings to sample some of the most diverse and powerful voices in contemporary Canadian literature. This anthology offers readers samples from some of Canada's most exciting writers of fiction, nonfiction, and poetry. Each selection is introduced by a brief essay, serving as a point of entry into the writer's work. From the east coast of Newfoundland to Kitamaat territory on British Columbia's central coast, there is a story for everyone, from everywhere. True to Canada's multilingual and multicultural heritage, these ten writers come from diverse ethnicities and backgrounds, and work in multiple languages, including English, French, and Cree. Ying Chen | essay by Julie Rodgers Lynn Coady | essay by Maite Snauwaert Michael Crummey | essay by Jennifer Bowering Delisle Caterina Edwards | essay by Joseph Pivato Marina Endicott | essay by Daniel Laforest Lawrence Hill | essay by Winfried Siemerling Alice Major | essay by Don Perkins Eden Robinson | essay by Kit Dobson Gregory Scofield | essay by Angela Van Essen Kim Thuy | essay by Pamela V. Sing

Winner, Atlantic Independent Booksellers Choice Award, Canadian Authors Association Air Canada Award, Dartmouth Book Award, and Thomas Head Raddall AwardShortlisted, Governor General's Award for FictionShe's depressed, they say. Apathetic. Bridget Murphy, almost eighteen, has had it with her zany family. When she is transferred to the psych ward after giving birth and putting her baby up for adoption, it is a welcome relief -- even with the manic ranting of a teen stripper and come-ons of another delusional inmate. But this oasis of relative calm is short-lived. Christmas is coming, and Uncle Albert arrives to whisk her back to the bedlam of home and the booze-soaked social life that got her into trouble in the first place. Her grandmother raves from her bed, banging the wall with a bedpan through a litany of profanities. Her father curses while her mother tries to keep the lid on developmentally delayed Uncle Rollie. The baby's father wants to sue her, and her friends don't get that she's changed.