Originally published in 1981, The Later Middle Ages bridges the gap between modern and medieval language and literature, by introducing the social and intellectual milieu in which writers like Chaucer, Malory and Margery Kempe lived. It provides a unified and coherent account of the culture of late medieval England, and of the problems involved in viewing it, in relation to English literature. The book covers the history of ideas and education, art and architecture, and changes in the social, economic and political structure.

Originally published in 1981, The Later Middle Ages bridges the gap between modern and medieval language and literature, by introducing the social and intellectual milieu in which writers like Chaucer, Malory and Margery Kempe lived. It provides a unified and coherent account of the culture of late medieval England, and of the problems involved in viewing it, in relation to English literature. The book covers the history of ideas and education, art and architecture, and changes in the social, economic and political structure.

Since the original publication of this title, the twelfth-century Calabrian Abbot Joachim of Fiore has been accorded an increasingly central position in the history of medieval thought and culture. In this classic work Marjorie Reeves shows the wide extent of Joachimist influence from the thirteenth to the sixteenth centuries and demonstrates the continuity between medieval and Renaissance thought in the field of prophecy. Reeves pinpoints some of the most original aspects of Joachim's theology of history and traces his reputation and influence through succeeding centuries. She also explains how his vision of a final age of the spirit in history became a powerful force in shaping expectations of the future in Western Europe. The book traces in detail the development of the three great images in which these expectations came to be focused: New Spiritual Men, Angelic Pope, and Last World Emperor. In addition, Reeves illuminates how the pervading influence of Joachim's concepts of a future golden age forms the basis for an understanding of prophetic visions in later centuries.

This renowned study provides a `map' of the influence of the powerful, original theology of Joachim of Fiore (c.1132-1202). Radically revised since its first publication in 1987, and augmented with further prophetic voices and symbols from the past, it confirms the deep structures of visions of the future while demonstrating and questioning the persistence of Joachimist themes in the twentieth-century fin de siecle.

Since the original publication of this title, the twelfth-century Calabrian Abbot Joachim of Fiore has been accorded an increasingly central position in the history of medieval thought and culture. In this classic work Marjorie Reeves shows the wide extent of Joachimist influence from the thirteenth to the sixteenth centuries and demonstrates the continuity between medieval and Renaissance thought in the field of prophecy. Reeves pinpoints some of the most original aspects of Joachim's theology of history and traces his reputation and influence through succeeding centuries. She also explains how his vision of a final age of the Spirit in history became a powerful force in shaping expectations of the future in Western Europe. The book traces in detail the development of the three great images in which these expectations came to be focused: New Spiritual Men, Angelic Pope, and Last World Emperor. In addition, Reeves illuminates how the pervading influence of Joachim's concepts of a future golden age forms the basis for an understanding of prophetic visions in later centuries. In light of the current expansion of Joachimist and millenarian studies, medieval scholars and students will appreciate the renewed availability of this volume and the addition of a new annotated bibliography of material published on Joachimism between 1969 and 1992.