In this innovative new text, Mark Mattern offers a unique alternative to the traditional approaches to the study and teaching of political philosophy. Rather than approaching it solely as a world of abstractions, Putting Ideas to Work emphasizes its practical task. Political ideas drawn from historical and analytical political philosophy are used to help rethink current public problems and imagine potential solutions to them. Putting Ideas to Work is organized around five central tensions in political theory and practice: individual and community, freedom and equality, justice and political order, democracy and capitalism, and power and citizenship. Each section begins with a description and analysis of several contemporary public problems arising from these tensions. Key political thinkers are then drawn upon to help understand the genesis of the public problems, and to offer alternative ways of thinking about them. The text is anchored throughout to an idea of strong democracy that functions as a standard against which theory and practice are measured.

In this innovative new text, Mark Mattern offers a unique alternative to the traditional approaches to the study and teaching of political philosophy. Rather than approaching it solely as a world of abstractions, Putting Ideas to Work emphasizes its practical task. Political ideas drawn from historical and analytical political philosophy are used to help rethink current public problems and imagine potential solutions to them. Putting Ideas to Work is organized around five central tensions in political theory and practice: individual and community, freedom and equality, justice and political order, democracy and capitalism, and power and citizenship. Each section begins with a description and analysis of several contemporary public problems arising from these tensions. Key political thinkers are then drawn upon to help understand the genesis of the public problems, and to offer alternative ways of thinking about them. The text is anchored throughout to an idea of strong democracy that functions as a standard against which theory and practice are measured.

This book examines what political scientists are studying - and how they are doing it - in ways that could improve our world. It features scholars in political science and related fields, who are engaged in research that is more politically relevant than the work that continues to dominate the larger discipline. Their shared commitment "to make the study of politics relevant to the struggle for a better world" represents the continuing legacy of the Caucus for a New Political Science, founded in 1967, and the perestroika movement that began in 2000. Both have challenged the defining commitments of political science as a discipline to narrow, parochial, and apolitical approaches to the study of politics. Although the balance of disciplinary critique and alternative approach varies from chapter to chapter, all of the authors included here offer innovative and progressive perspectives on the study of politics today. Topics include: critiques of mainstream political science methods and models; redefinitions of key concepts and major institutions; reconstructions of the borders, subjects, and spaces of politics; and reflections on the ethical commitments of scholars and scholarly journals. This book was published as a special issue of New Political Science: A Journal of Politics and Culture.

This book examines what political scientists are studying - and how they are doing it - in ways that could improve our world. It features scholars in political science and related fields, who are engaged in research that is more politically relevant than the work that continues to dominate the larger discipline. Their shared commitment "to make the study of politics relevant to the struggle for a better world" represents the continuing legacy of the Caucus for a New Political Science, founded in 1967, and the perestroika movement that began in 2000. Both have challenged the defining commitments of political science as a discipline to narrow, parochial, and apolitical approaches to the study of politics. Although the balance of disciplinary critique and alternative approach varies from chapter to chapter, all of the authors included here offer innovative and progressive perspectives on the study of politics today. Topics include: critiques of mainstream political science methods and models; redefinitions of key concepts and major institutions; reconstructions of the borders, subjects, and spaces of politics; and reflections on the ethical commitments of scholars and scholarly journals. This book was published as a special issue of New Political Science: A Journal of Politics and Culture.

"A highly readable, innovative investigation of the potential political implications of popular music." --Edwar Bryan Portis, Texas A&M University "Political science has too often ignored the critical political dimensions of music in social life. Now Mark Mattern has given us a groundbreaking examination of the varied political functions of populist musics--from social glue to social dynamite--as reflected in three fascinating, diverse, and disenfranchised case-study communities. Acting in Concert is, truly, music to intellectual ears." --George H. Lewis, author of Side Saddle on the Golden Calf: Social Structure and Popular Culture in America "Acting in Concert is a pioneering work that opens up new ways of thinking about the public dimensions of music. In an era when music is all too often packaged, standardized, and drained of energy and political passion, Mattern shows through vivid case studies and probing discussion of large ideas like politics and community that people's participation in the creation and experience of music can be a vital resource for democracy." --Harry C. Boyte, coauthor of Building America In this lively account of politics and popular music, Mark Mattern develops the concept of "acting in concert," a metaphor for community-based political action through music. Through three detailed case studies of Chilean, Cajun, and American Indian popular music, Mattern explores the way popular muisicians forge community and lead members of their communities in several distinct kinds of political action that would be difficult or impossible among individuals who are not linked by communal ties. More than just entertainment, Mattern argues that popular music can serve as a social glue for bringing together a multitude of voices that might otherwise remain silent, and that political action through music can increase the potential for relatively marginalized people to choose and determine their own fate. Mark Mattern is an assistant professor of political science at Chapman University, Orange, California.