This latest volume in the celebrated Cambridge History of Literary Criticism addresses literary criticism of the Romantic period, chiefly in Europe. Its seventeen chapters are by internationally respected academics and explore a range of key topics and themes. The book is designed to help readers locate essential information and to develop approaches and viewpoints for a deeper understanding of issues discussed by Romantic critics or that were fundamental to their works. Primary and secondary bibliographies provide a guide for further research.

A foundational book by one of the most distinguished German humanists of the last half century, Tempus joins cultural linguistics and literary interpretation at the hip. Developing two controversial theses—that sentences are not truly meaningful in isolation from their contexts and that verb tenses are primarily indicators not of time but of the attitude of the speaker or writer—Tempus surveys a dazzling array of ancient and modern texts from famous authors as well as casual speakers of German, French, Italian, Spanish, Portuguese, Latin, and English, with a final chapter extending the observations to Greek, Russian, and world languages. A classic in German and long available in many other languages, Tempus launched a new discipline, text linguistics, and established a unique career that was marked by precise observation, sensitive cultural outreach, and practical engagement with the situation of migrants. Weinrich’s robust and lucid close readings of famous and little-known authors from all the major languages of western Europe expand our literary horizons and challenge our linguistic understanding.

"Romantic gothic fiction is not exciting. Gothic novels are not ghost stories. Gothic novels are not women's writing."
Opening with these three theses, "The Gothic Text" undertakes a fresh approach to a much-studied mode. Marshall Brown combines the teleological approach to literary history developed in his "Preromanticism" with a European perspective on the one truly international literary form of its era. New insights into literary history and the history of ideas provide a framework for innovative close readings--of Horace Walpole's "The Castle of Otranto," Ann Radcliffe's "The Italian," and Mary Shelley's "Frankenstein," among others--that approach classics of the genre from unusual angles. The book also provides a thoroughly researched account of German romantic psychology as it developed out of Kant's idealist philosophy into a gothic sensibility. Accessibly written and argued in careful, lively detail, "The Gothic Text" gives many new impulses to the study of romanticism, nineteenth-century fiction, and the origins of psychoanalysis.

Romantic gothic fiction is not exciting. Gothic novels are not ghost stories. Gothic novels are not women's writing. Opening with these three theses, The Gothic Text undertakes a fresh approach to a much-studied mode. Marshall Brown combines the teleological approach to literary history developed in his Preromanticism with a European perspective on the one truly international literary form of its era. New insights into literary history and the history of ideas provide a framework for innovative close readings-of Horace Walpole's The Castle of Otranto, Ann Radcliffe's The Italian, and Mary Shelley's Frankenstein, among others-that approach classics of the genre from unusual angles. The book also provides a thoroughly researched account of German romantic psychology as it developed out of Kant's idealist philosophy into a gothic sensibility. Accessibly written and argued in careful, lively detail, The Gothic Text gives many new impulses to the study of romanticism, nineteenth-century fiction, and the origins of psychoanalysis.

Using an outmoded term in an entirely new way, Preromanticism seeks the common ground of British literature from 1740 to 1798 not in foreshadowings of Romanticism but in incomplete discoveries and in impediments to expression that Romanticism was to lift. Featuring readings of masterpieces in all genres that draw widely on recent innovations in literary theory, it highlights the variety of experimentation in a transitional epoch.

This volume of the celebrated Cambridge History of Literary Criticism series, first published in 2000, addresses literary criticism of the Romantic period, chiefly in Europe. Its seventeen chapters are by internationally-respected academics and explore a range of key topics and themes. The book is designed to help readers locate essential information and to develop approaches and viewpoints for a deeper understanding of issues discussed by Romantic critics or those that were fundamental to their works. Primary and secondary bibliographies provide a guide for further research. The coverage of the book, focusing on themes and genres but drawing in discussion of the key authors, makes it the standard reference work on the period c.1780-c.1830. These remain in many ways the formative years for modern Anglo-American as well as European literary history.

Artist and architect, Marshall Brown reimagines the future by revisiting the legacy of modern architecture in this selection of four visionary architecture and urban designs that span over a decade of his practice. The four projects presented in this publication (UNITY Plan for the Brooklyn Vanderbilt Rail Yards; Smooth Growth Urbanism, Chicago; Detroit's Dequindre Civic Academy; Center of the World, Chicago) represent the diverse perspectives and conceptual frameworks that comprise Brown's expanded view of architecture. To introduce the book, curator Karen Kice discusses three formal categories: Recurrent Form reconfigures formal categories, Visionary Strategy challenges architectural mindsets, and Emergent Order considers complex phenomena. Four key architectural critics/scholars (Monica Ponce de Leon, Adreinne Brown, Joseph Becker, and Allison Glenn) discuss Brown's work in the broader context of urbanism. Throughout the book, Brown's artistic work in the form of collages illustrate each project.

A foundational book by one of the most distinguished German humanists of the last half century, Tempus joins cultural linguistics and literary interpretation at the hip. Developing two controversial theses—that sentences are not truly meaningful in isolation from their contexts and that verb tenses are primarily indicators not of time but of the attitude of the speaker or writer—Tempus surveys a dazzling array of ancient and modern texts from famous authors as well as casual speakers of German, French, Italian, Spanish, Portuguese, Latin, and English, with a final chapter extending the observations to Greek, Russian, and world languages. A classic in German and long available in many other languages, Tempus launched a new discipline, text linguistics, and established a unique career that was marked by precise observation, sensitive cultural outreach, and practical engagement with the situation of migrants. Weinrich’s robust and lucid close readings of famous and little-known authors from all the major languages of western Europe expand our literary horizons and challenge our linguistic understanding.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Through a combination of general reflections, studies of important critics, and both comprehensive and specific analyses of cultural change in literature, music, art, and philosophy, "Turning Points "demonstrates the role of style and form in promoting and shaping cultural development.
The book proposes that works do not timelessly abstract, retrospectively reflect, or passively express; instead, they promote and shape historical change. Moving rather than consolidating, cultural expressions advance cultures not through what they say (musical works, in particular, say nothing) but through inventing new ways of communicating. Styles and forms are the vessels imagined by cultural works to convey ideas, ideologies, and structures of feeling and society. Hence, in contrast to much recent work in cultural studies, "Turning Points "argues that works of the imagination anticipate and produce the intellectual contexts adduced to explain them.
The book offers new insights into both the theory and the practice of cultural history by combining general meditations with studies of representative theorists and of works and periods in movement. Two framing chapters reflect on the constant flow of history as guided by the energy of form. Of the remaining nine chapters (two of which are previously unpublished), three chapters analyze important theorists: the concept of style in the work of Hippolyte Taine, expressive flux in the formalism of the art historian Heinrich Wolfflin, and stylistic energy in the work of the Marxist literary critic Jerome J. McGann.
Six critical studies sample works and periods ranging in time from the Renaissance through modernism, with close readings of passages and works by Coleridge, the neo-Latin poet Casimir Sarbiewski, Kant, Descartes, Thomas Parnell, and Mozart, and general considerations of style change in the eighteenth and nineteenth centuries. In sum, "Turning Points" presents an interdisciplinary perspective on the achievements of modern European culture that blends fine-grained examples with broad considerations of both intellectual history and trends in literary criticism.

Using an outmoded term in an entirely new way, Preromanticism seeks the common ground of British literature from 1740 to 1798 not in foreshadowings of Romanticism but in incomplete discoveries and in impediments to expression that Romanticism was to lift. Featuring readings of masterpieces in all genres that draw widely on recent innovations in literary theory, it highlights the variety of experimentation in a transitional epoch.

The Tooth that Nibbles at the Soul brings together Marshall Brown's new and previously published writings on literature and music. These essays engage questions that are central to the development of literature, music, and the arts in the period from Romanticism at the end of the eighteenth century to the avant-garde movements of the early twentieth, a period in which the modern evolution of the arts is coupled with a rise in the significance of music as artistic form.--With a special focus on lyric poetry and canonical composers including Mozart, Bach, Beethoven, Brahms, and Schubert, Brown ties the growing prominence of music in this period to the modernist principle of abstraction. Music, as Brown provocatively notes, conveys meaning without explicitly saying anything. This principle of abstraction could be taken as the overriding formula for modernist art in general; and it explains why in this period music becomes the model to which all the other arts, in particular painting and literature, aspire.--Brown's title, taken from a poem by Emily Dickinson, reminds us that abstraction -- musical and artistic - is anything but toothless; indeed, it "nibbles at the soul" in subtle and enduring ways. Throughout his wide-ranging and erudite analysis, Brown's goal is to pinpoint the nature of music's bite and to illuminate the shared elements of literature and music.--While there are many previous comparisons of music and poetry, few are systematic or based on a solid knowledge of both literary criticism and musicology. Brown's essays can be enjoyed by a general, well-read public not trained in either music or eighteenth-century literature, as well as by an audience steeped in sophisticated (if not technical) musical analysis.--Marshall Brown is professor of comparative literature at the University of Washington. He is the editor of Modern Language Quarterly and coeditor, with Susan Wolfson, of Reading for Form. He is a translator, with Jane K. Brown, of Harald Weinrich's The Linguistics of Lying and Other Essays.--"Marshall Brown is simply one of the finest literary critics we have and one of the very few who are equally at home with literature and music. He is a classic example of the erudite scholar who wears his learning lightly; he writes with wit and verve; no one does close reading better; and he has the gift of constantly being able to surprise as well as to inform and stimulate. All serious students of literature and the arts will want to read this book, which they will find themselves not simply absorbing, but using." -Lawrence Kramer, author of Why Classical Music Still Matters

Can language hide thoughts? This question, posed by the German Academy for Language and Literature in 1965 as the topic of its first essay competition, was taken up by the philologist Harald Weinrich, with far-ranging results. The most immediate was his claiming first prize with this volume's title essay, published the following year as Linguistik der Luge. Weinrich's influential essay, now in its sixth printing in Germany, is presented here for the first time in English, with an updated preface by the author and additional essays selected by him. With wit and clarity, Weinrich brings sophisticated thinking about semantics to bear on the question of how, and how much, language corresponds to thought. He argues that lying is a function not of words but of sentences; it belongs to the semantic aspect of language. His survey of the different ways in which language is untrue forges striking links between linguistic and literary categories on the one hand and ethics and even good manners on the other. In contrast with scholars of an earlier generation, for whom literary and cultural theory circumscribed the issue of style within a fixed aesthetic framework, Weinrich demonstrates that stylistic analysis is closely linked with analysis in the domains of sociology and anthropology. The essays "Jonah's Sign: On the Very Large and the Very Small in Literature," "Politeness, an Affair of Honor," "Politeness and Sincerity," and "The Style Is the Man Is the Devil" complement "The Linguistics of Lying" in their focus on real and false representations in literature and in life, and notably on the immensely destructive lies, Adolf Hitler's in particular, that marked the politics of the twentieth century.

The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.+++++++++++++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++Yale Law LibraryLP3Y006710019170101The Making of Modern Law: Foreign, Comparative, and International Law, 1600-1926Reprinted in part from the North American review.New York: Charles Scribner's Sons, 1917xvi, 233 p.; 19 cmUnited States

A collection of poetry written between the years 1998-2010.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Foreigners In Turkey; Their Juridical Status Philip Marshall Brown Princeton university press, 1914

This book, from the series Primary Sources: Historical Books of the World (Asia and Far East Collection), represents an important historical artifact on Asian history and culture. Its contents come from the legions of academic literature and research on the subject produced over the last several hundred years. Covered within is a discussion drawn from many areas of study and research on the subject. From analyses of the varied geography that encompasses the Asian continent to significant time periods spanning centuries, the book was made in an effort to preserve the work of previous generations.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Wit And Humor: A Choice Collection 15 Marshall Brown, John Wesley Beatty S.C. Griggs, 1882 Humor; General; Humor / General; Wit and humor

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm13337281Includes index.Chicago: T.H. Flood, 1899. xv, 578 p.; 24 cm.