By exploring the material-discursive production of gender norms in Australian secondary schools, this book offers a novel feminist posthuman new materialist perspective on how schoolgirls are pre-determined within educational space and place. The text ultimately illustrates how gender and race inequity is reproduced through presumptive thinking and a failure to recognize student potential. Affect and the Making of the Schoolgirl maps affective accounts of students' everyday experiences in school spaces. Student negotiations with prescriptive processes of subject participation and subject selection are explored to illustrate how inequities are systematically reproduced. Chapters also offer an examination of STEM subject fields as entitled male space. Engaging theoretically with concepts from performative feminist new materialism and affect theory, the text highlights filmic semblances created as part of an onto-epistemological project, and calls for alternative educational encounters which affirmatively acknowledge difference and promote non-binary thinking. This text will benefit postgraduate researchers, academics, and scholars with an interest in gender and sexuality education, teacher education, STEM education, gender inequality, intersectionality, and the sociology of education. Those interested in gender studies, affect theory and feminist theory, as well as educational policy and politics more broadly will also benefit from this book.

Did you know, every woman has a tipped uterus, and ovarian cysts are usually normal (even when they burst)? Have you ever wondered how to balance your hormones, why you have to repeat yourself at the doctor's office or why your yeast infection keeps coming back? Have you agonized about your pap smear results or worried that you may have cancer? What exactly is a pap smear anyway? In "Do You Have a Tipped Uterus: 69 Things Your Gynecologist Wishes You Knew," board-certified obstetrics and gynecology physician, Dr. Melissa Wolf, addresses the questions most commonly asked in her gynecology office with both humor and medical expertise. She also details practical strategies for weight management, enhanced mood, improved libido, and most importantly, what to do when you encounter your gynecologist in public (hint: don't worry, she won't remember your vagina)

Did you know, every woman has a tipped uterus, and ovarian cysts are usually normal (even when they burst)? Have you ever wondered how to balance your hormones, why you have to repeat yourself at the doctor's office or why your yeast infection keeps coming back? Have you agonized about your pap smear results or worried that you may have cancer? What exactly is a pap smear anyway? In "Do You Have a Tipped Uterus: 69 Things Your Gynecologist Wishes You Knew," board-certified obstetrics and gynecology physician, Dr. Melissa Wolf, addresses the questions most commonly asked in her gynecology office with both humor and medical expertise. She also details practical strategies for weight management, enhanced mood, improved libido, and most importantly, what to do when you encounter your gynecologist in public (hint: don't worry, she won't remember your vagina)!

Simple Pleasures presents the first major critical assessment of works by the artist Doris Lee (1904-1983). Lee was one of the most recognized artists in America during the 1930s and 40s, and was a leading figure in the Woodstock Artist's Colony. Her oeuvre reveals a remarkable ability to merge the reduction of abstraction with the appeal of the everyday. In so doing, she offers one of the very rare examples of a coherent visual identity that successfully bridged the various artistic "camps" that formed with the shift in the art world in the post-World War II era.Doris Lee exploded onto the national scene in 1935 when her painting Thanksgiving was awarded the Art Institute of Chicago's Logan Prize and instigated the Sanity in Art movement in protest. Two years later, her painting Catastrophe was purchased by the Metropolitan Museum of Art. Simple Pleasures explores this initial national recognition in the 1930s within the context of American Scene painting, and traces the artist's thematic interest in the simple objects and scenes of the everyday through her career. It also examines the influence of the rise in abstraction during the late 1940s and 1950s, and the particular way in which this abstraction found resonance with Lee's long-held interest in, and collections of, folk and non-western art. During this post-war period, Lee, like many of her American Scene colleagues, found lucrative work in the heyday of commercial advertising. Lee's commercial commissions for patrons such as American Tobacco Company, Life magazine, Abbott Laboratories, and Associated American Artists are especially compelling in both their populist accessibility and in their deceptively sophisticated abstraction. Sixty-five works by the artist span the 1930s through the 1960s and are comprised of paintings, drawings, prints, and commissioned commercial designs in fabric and pottery. Included are advertisements by companies that commissioned images from Lee, and photographs that contextualize the artist's work within the Woodstock artist's community.

Art Along the Rivers: A Bicentennial Celebration coincides with the Missouri state bicentennial. The catalogue brings together the region's paintings, sculptures, works on paper, furniture, ceramics, metals, textiles, and more to reveal and celebrate their shared artistic history. Beginning with the ancient Mississippian culture followed by the Osage, French, African American, German, British, and artists today, these communities developed rich artistic traditions that have vibrant legacies. Art Along the Rivers: A Bicentennial Celebration marks the 200th anniversary of Missouri's statehood. This exhibition catalogue presents extraordinary objects produced or collected within a 150-mile region around St. Louis. As a celebration of the cultural and artistic traditions of this region, the catalogue looks within- and beyond- the years of statehood to reveal how the region's geography, raw materials, and pressing social issues shaped over 1,000 years of rich artistic production. Though these objects have rarely been considered in connection with one another, the catalogue brings them into dialogue to establish and celebrate their shared artistic history and serves as the first significant publication to introduce this primary artistic material to a global audience.

Reflections: The American Collection of the Columbus Museum of Art adds a novel and provocative element to the library of art museum collection catalogs. In the traditional manner, Reflections features selected works-more than 125-from the museum's collection, accompanied by concise essays by scholars of art who reflect on and respond to the distinctive aspects of each work. To this customary approach, the editors have added what they term intersections essays: an examination of a well-known work of art from the differing perspectives of two authors-most of whom are not art historians. For instance, acclaimed writer Joyce Carol Oates provides her perspective on George Bellows and is joined by Laurie Bellows Booth, an objects conservator and the painter's granddaughter. The book includes ten of these compelling essays, including contributions by such authors as Adam Gopnik and Alan Trachtenberg.

Honore Sharrer (1920-2009) was a major art world figure in 1940s America, celebrated for exquisitely detailed paintings conveying subtly subversive critiques of the political and artistic climate of her time. This book offers the first critical reassessment of the artist: a leftist, female painter committed to figuration in an era when anti-Communist sentiment and masculine Abstract Expressionism dominated American culture. Her brightly colored, humorous, and distinctly feminine paintings combine elements of social realism and surrealism to seductive and disquieting effect. This publication is a timely reevaluation of an artist who pushed the boundaries of figurative painting with playfulness and biting wit. Distributed for the Columbus Museum of Art Exhibition Schedule: Columbus Museum of Art (02/10/17-05/21/17) Pennsylvania Academy of the Fine Arts, Philadelphia (06/30/17-09/03/17) Smith College Museum of Art, Northamton, MA (09/21/17-01/07/18)