Women across the globe are being dramatically affected by war as currently waged by the USA. But there has been little public space for dialogue about the complex relationship between feminism, women, and war. The editors of Feminism and War have brought together a diverse set of leading theorists and activists who examine the questions raised by ongoing American military initiatives, such as: What are the implications of an imperial nation/state laying claim to women's liberation? What is the relation between this claim and resulting American foreign policy and military action? Did American intervention and invasion in fact result in liberation for women in Afghanistan and Iraq? What multiple concepts are embedded in the phrase "women's liberation"? How are these connected to the specifics of religion, culture, history, economics, and nation within current conflicts? What is the relation between the lives of Afghan and Iraqi women before and after invasion, and that of women living in the US? How do women who define themselves as feminists resist or acquiesce to this nation/state claim in current theory and organizing? Feminism and War reveals and critically analyzes the complicated ways in which America uses gender, race, class, nationalism, imperialism to justify, legitimate, and continue war. Each chapter builds on the next to develop an anti-racist, feminist politics that places imperialist power, and forms of resistance to it, central to its comprehensive analysis.

Inside the Money Machine is poetry for the immense majority for those who work for a living, out of the house or at home, from the laundromat to the classroom, from blue-collar construction sites to white-collar desk jobs. These fresh, gritty and passionate poems are about the people who survive and resist inside the money machine of 21st-century capitalism: those who've looked for work and not found it, who've held a job but wanted more out of life, who believe a better world is still possible. Inspired by the poetic prose of The Communist Manifesto, Inside the Money Machine draws its power from Pratt s own working life and grass-roots organizing, and the struggles of neighbors, co-workers, political activists and loved ones. Pratt writes from inside the failing money machine: The problem is, the plan is not ours. In the tradition of the socially engaged poetry of Muriel Rukeyser and Langston Hughes, Nazim Hikmet of Turkey and Pablo Neruda of Chile, these poems speak to the unfinished work of this moment in history, in a way that poetry seldom does. Inside the Money Machine urges: Let us follow ourselves into a present not ruled by the past.

Suffused with pain and power, Minnie Bruce Pratt's poetry is as evocative of the swamps and streets of the American south as it is of the emotional lives of those too often forced into the margins of society. Vivid, lush, and intensely honest, these poems capture the rough edges of the world and force us to pay attention. The Dirt She Ate features thirteen new poems as well as selections from Minnie Bruce Pratt's previous collections of poetry - The Sound of One Fork (1981); We Say We Love Each Other (1985); Crime Against Nature (1990), winner of the Lamont Poetry Award and a New York Times Notable Book of the Year; and Walking Back Up Depot Street (1999), ForeWord Magazine's Gay/Lesbian Book of the Year and a finalist for the Lambda Literary Award.

Women across the globe are being dramatically affected by war as currently waged by the USA. But there has been little public space for dialogue about the complex relationship between feminism, women, and war. The editors of Feminism and War have brought together a diverse set of leading theorists and activists who examine the questions raised by ongoing American military initiatives, such as: What are the implications of an imperial nation/state laying claim to women's liberation? What is the relation between this claim and resulting American foreign policy and military action? Did American intervention and invasion in fact result in liberation for women in Afghanistan and Iraq? What multiple concepts are embedded in the phrase "women's liberation"? How are these connected to the specifics of religion, culture, history, economics, and nation within current conflicts? What is the relation between the lives of Afghan and Iraqi women before and after invasion, and that of women living in the US? How do women who define themselves as feminists resist or acquiesce to this nation/state claim in current theory and organizing? Feminism and War reveals and critically analyzes the complicated ways in which America uses gender, race, class, nationalism, imperialism to justify, legitimate, and continue war. Each chapter builds on the next to develop an anti-racist, feminist politics that places imperialist power, and forms of resistance to it, central to its comprehensive analysis.