"We do not live only with clear-cut forms;rather, we exist in a world of forms that are often indistinct and vague." --Takashi Sugimoto, architect and James Beard Award-winning author Super Potato Design presents the work of internationally-renowned Japanese designer Takashi Sugimoto. After studying metal sculpture at Tokyo University of Fine Arts, Sugimoto began his career designing a series of bars and restaurants including the iconic Radio Bar that became a favorite hangout for designers like Issey Miyake, Ikko Tanaka, Yohji Yamamoto and Tadao Ando. He was soon recruited to design retail spaces including the original Muji "no-brand" shops along with hotels, tea ceremony spaces and wedding chapels. Super Potato's striking interiors have totally revolutionized Japanese design through the use of exposed concrete surfaces, rough-hewn timber and unevenly cut stone juxtaposed with salvaged metal and repurposed objects to create a sense of power and timelessness. The design vocabulary created by Sugimoto is universally imitated today (in Japan and throughout the world). It is what we now think of as "modern Japanese design"--although Sugimoto's own work has never been surpassed. Super Potato Design presents 40 of Sugimoto's most important projects in 320 full-color photographs by Yoshio Shiratori, who has worked with the designer since the beginning. Author and architect Mira Locher introduces Sugimoto's work and provides a thorough description for each project. A foreword by Tadao Ando and discussions with architect Kiyoshi Sey Takeyama and graphic designer Kenya Hara explore the direction of Japanese design today. A list of Super Potato's complete works rounds off this fascinating book.

Thick thatched roofs and rough mud plaster walls. An intricately carved wood transom and a precisely woven tatami mat--each element of traditional Japanese architecture tells a story. In Japanese Architecture, author Mira Locher explores how each of these stories encompasses the particular development, construction, function and symbolism inherent in historic architectural elements. From roofs, walls and floors to door pulls and kettle hangers, Japanese Architecture situates these elements firmly within the natural environment and traditional Japanese culture. Japanese architecture developed with influences from abroad and particular socio-political situations at home. The resulting forms and construction materials--soaring roofs with long eaves, heavy timber structures of stout columns supporting thick beams, mud plaster walls flecked with straw and sand and the refined paper-covered lattice shoji screen--are recognizable as being of distinctly Japanese design. These constructed forms, designed with strong connections to the surrounding environment, utilize natural construction materials in ways that are both practical and inventive. This fascinating architecture book provides a comprehensive perspective of traditional Japanese architecture, relating the historical development and context of buildings and the Japanese garden while examining the stories of the individual architectural elements, from foundation to roof.

Shunmyo Masuno, Japan's leading garden designer, is at once Japan's most highly acclaimed landscape architect and an 18th-generation Zen Buddhist priest, presiding over daily ceremonies at the Kenkoji Temple in Yokohama. He is celebrated for his unique ability to blend strikingly contemporary elements with the traditional design vernacular. He has worked in ultramodern urban hotels and in some of Japan's most famous classic gardens. In each project, his work as a designer is inseparable from his Buddhist practice. Each becomes a Zen garden, "a special spiritual place where the mind dwells."
This beautiful book, illustrated with more than 400 drawings and color photographs, is the first complete retrospective of Masuno's work to be published in English. It presents 37 major gardens around the world in a wide variety of types and settings: traditional and contemporary, urban and rural, public spaces and private residences, and including temple, office, hotel and campus venues. Masuno achieved fame for his work in Japan, but he is becoming increasingly known internationally, and in 2011 completed his first commission in the United States which is shown here.
The book, divided into three chapters, covers: "Traditional Zen Gardens," "Contemporary Zen Gardens" and "Zen Gardens outside Japan." Illustrated with photographs and architectural plans or sketches, each garden is described and analyzed by author Mira Locher, herself an architect and a scholar well versed in Japanese culture.
Celebrating the accomplishments of a major, world-class designer, "Zen Gardens" also serves as something of a master class in Japanese garden design and appreciation: how to perceive a Japanese garden, how to understand one, even how to make one yourself. Like one of Masuno's gardens, the book can be a place for contemplation and mindful repose.