Monsieur L'Abbat was an early 18th century tutor of fencing and sword fighting, who instructed many students in France with the techniques contained in this guidebook. Discussing techniques, tactics, stances, and movements essential for the skilled swordsman, L'Abbat treats the pivotal motions with great attention. With the aid of pictorial examples alongside, we learn how to assume a good battle stance, how to lunge or thrust in attack or defend with a parry or riposte. The finer points of conduct during a sword fight are given much attention, with L'Abbat relating experiences with other masters of the craft. Monsieur L'Abbat lived at the time the culture of the musketeers was at its height. Emblematic of French bonhomie and martial prowess, these soldiers were expected to gain mastery of both the musket firearm and the thin, lengthy sabre. Many would hone their techniques with both weapons for years in special military barracks.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Broad-Sword and Single-Stickby R. G. Allanson-Winn and C. Phillipps-Wolley
The Art of Fencing
by Monsieur L'Abbat
Close combat techniques from a bygone age
For good value this book combines two excellent instructional pieces on the art of close quarter combat with edged weapons and staves. The first book deals comprehensively with the use of the short sword, bayonet, staves and various other clubs and even gives instruction on personal defence using everyday items such as umbrellas. The second book is a classic monograph on fighting-not necessarily according to the rules of modern sport-when both opponents are armed with sharp edged weapons, this provides an interesting insight into a time when combat was invariably fought 'eye to eye.' Re-enactors and all those interested in the history of warfare before the domination of the bullet and explosive shell will find these two books in a single volume to be an invaluable source of information on one-to-one combat techniques. Available in softcover and hardcover with dust jacket.

Broad-Sword and Single-Stickby R. G. Allanson-Winn and C. Phillipps-Wolley
The Art of Fencing
by Monsieur L'Abbat
Close combat techniques from a bygone age
For good value this book combines two excellent instructional pieces on the art of close quarter combat with edged weapons and staves. The first book deals comprehensively with the use of the short sword, bayonet, staves and various other clubs and even gives instruction on personal defence using everyday items such as umbrellas. The second book is a classic monograph on fighting-not necessarily according to the rules of modern sport-when both opponents are armed with sharp edged weapons, this provides an interesting insight into a time when combat was invariably fought 'eye to eye.' Re-enactors and all those interested in the history of warfare before the domination of the bullet and explosive shell will find these two books in a single volume to be an invaluable source of information on one-to-one combat techniques. Available in softcover and hardcover with dust jacket.

Monsieur L'Abbat was an early 18th century tutor of fencing and sword fighting, who instructed many students in France with the techniques contained in this guidebook. Discussing techniques, tactics, stances, and movements essential for the skilled swordsman, L'Abbat treats the pivotal motions with great attention. With the aid of pictorial examples alongside, we learn how to assume a good battle stance, how to lunge or thrust in attack or defend with a parry or riposte. The finer points of conduct during a sword fight are given much attention, with L'Abbat relating experiences with other masters of the craft. Monsieur L'Abbat lived at the time the culture of the musketeers was at its height. Emblematic of French bonhomie and martial prowess, these soldiers were expected to gain mastery of both the musket firearm and the thin, lengthy sabre. Many would hone their techniques with both weapons for years in special military barracks.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

In recovering from this Thrust, the Wrist must be in Tierce, and the Sword without the Enemy's whilst the other Parts take their Situation. The Parade of this Thrust is made by a Half-circle of the Sword within, the Wrist raised in Quart, and the Point low. See the 7th Plate.

Of all Professions, that of Arms has in all Ages, since their Invention, been esteemed the noblest and most necessary; it being by them that the Laws preserve their Force, that our Dominions are defended from the Encroachments of our Enemies, and ill designing People kept in the Subjection due to their Sovereigns; and of all Arms, the Sword is probably the most ancient: It is honourable and useful, and upon Occasion, causes a greater Acquisition of Glory than any other: It is likewise worn by Kings and Princes, as an Ornament to Majesty and Grandeur, and a Mark of their Courage, and distinguishes the Nobility from the lower Rank of Men. The Attitudes which are in the Book, are copied exactly from the Originals; tho' I might perhaps have made some Alterations, in my Opinion, for the better, yet I chose rather to leave them as they are, than to run the Hazard of spoiling any of them.

In recovering from this Thrust, the Wrist must be in Tierce, and the Sword without the Enemy's whilst the other Parts take their Situation. The Parade of this Thrust is made by a Half-circle of the Sword within, the Wrist raised in Quart, and the Point low. See the 7th Plate.

In recovering from this Thrust, the Wrist must be in Tierce, and the Sword without the Enemy's whilst the other Parts take their Situation. The Parade of this Thrust is made by a Half-circle of the Sword within, the Wrist raised in Quart, and the Point low. See the 7th Plate.