Jesus is the way, the truth, and the life. Turn to Jesus when your trials and tribulations seem to wear you down. Turn to Jesus when you feel all hope is gone. Turn to Jesus when you need someone who will never leave nor forsake you. Jesus is your very present help in all you go through in this life.

In "God is Not Looking for a Part-Time Lover but a Committed People," author Belinda Nored encourages all who are looking for strength, comfort, and spiritual guidance to turn to Jesus. Nored, who committed her life to the Lord more than twenty years ago, uses a wide range of Scriptures to show how a renewal of your commitment to the Lord will allow him to restore what is broken and discusses what God expects of you to gain eternal life. She teaches how to let go and let God handle it all.

"God is Not Looking for a Part-Time Lover but a Committed People" invites Christians to explore life to the fullest of their imaginations and to try Jesus. He is the answer.

A biographical dictionary in the field of historiography, this volume consists of brief articles on the life and work of 600 historians from all over the world. The introduction by Boia traces the evolution of the field. Entries are arranged alphabetically by country or geographic area, and include brief bibliographies. "Reference & Research Book NewS"

The result of an extensive international collaboration between scholars and researchers, this volume is the first biographical dictionary in the field of the history of historiography ever published. The work includes brief articles on the life and work of 600 historians from all over the world, from the beginnings of historiography to 1800. The historians covered include both those of international renown and those whose focus and reputation are national. Boia's introductory essay traces the evolution of historiography from its beginnings in antiquity around 3000 B.C. through the end of the eighteenth century when history began to be professionalized.

Entries are arranged alphabetically by country or geographic area. Each entry includes a brief bibliography for the convenience of readers wishing to consult additional sources. An index of historians and a general subject index complete the work. Of particular value to teachers and students of history, this volume will also be of significant interest to the general reader wishing an authoritative and easy-to-use guide to historians and historiography.

In spite of its carefully planned - and fully justified - modesty, the title of this book might very well surprise more than one potential reader. It is not normal to see such controversial concepts as "Renaissance," "Renaissance Thought," "Spanish Renaissance," or even "Spanish Thought" freely linked together in the crowded intimacy of one single printed line. The author of these essays is painfully aware of the com plexity of the ground he has dared to cover. He is also aware that all the assumptions and connotations associated with the title of this book have been the subject of great controversy among scholars of high repute who claimed (and probably had) revealing insight into human affairs and ideas. That these pages have been written at all therefore needs some justification. I am convinced that certain of the disputes among historians of ideas do not touch upon matters of substance, but rather reveal the taste and intellectual idiosyncracies of their authors. Much of the disagreement is, I think, a matter of aesthetics. Those who find special gratification in well-defined labels, clear-cut schemes, and compre hensive generalizations, can hardly bear the company of those who insist upon detail, complexity, and organic growth. The nightmarish dilemma, still unresolved, between Unity and Diversity, between the Universal and the Individual, haunts the History of Ideas."

Humanism has constantly proclaimed the belief that the only way to improve man's life on earth is to make man himself wiser and better. Unfortunately, the voice of the humanists has always been challenged by the loud and cheap promises of scientists, by the inflammatory tirades of politicians, and by the apocalyptic visions of false prophets. Material greed, nonsensical chauvinism, racial prejudice, and religious antagonism have progressively defiled the inner beauty of man. Today's bankruptcy of man's dignity in the midst of an unparalleled material abundance calls for an urgent revival of humanistic ideals and values. This book was planned from its very start as a modest step in that direction. It is not my intention, however, to attempt, once again, a global interpretation of Humanism in general, or of Renaissance Humanism in particular. I have been dissuaded from such a purpose by the failure of contemporary scholars to agree on such basic issues as whether the Renaissance was a total break with or a continuation of medieval culture, whether it was basically a Christian or a pagan movement, whether it was the effect or the cause of the classical revival. Instead, then, of discussing the significance of sixteenth century humanism, this book concentrates upon the life and the thought of a single humanist.

The matriarch of a wealthy Norwegian dynasty commits suicide on the family estate. Her unpublished memoirs about the family's trauma - a wartime ship disaster that killed her husband and hundreds of others - are missing. Her granddaughter embarks on a journey to find the manuscript. Aided by a discredited secret agent with his motives, they wind up the family's labyrinthian past - a dark and dramatic story of secrets, betrayals, and doomed love. The Sea Cemetery is a literary thriller, a sweeping family saga, and a colourful drama about power and inheritance inspired by the great tales from the 19th century as well as modern tv series. Distinctly set in Norway, exploring universally human issues, the novel ends in a fateful final voyage along the stunningly scenic Norwegian coast. The quest to uncover the truth 75 years later converges in the shipwreck on the bottom of the sea 300 meters below the surface - where the shocking truth lies buried ...

The inside story of the drug cartels on our public lands - and the game wardens taking them on Americans may disagree over the legalization of marijuana, but not when it comes to the pot plantations fast turning once-pristine corners of our public lands into environmentally ravageed war zones. Guarded by armed gangs, who are willing to kilL innocent hikers and law enforcement personnel to protect their profits, these illicit wilderness farms pollute and destroy the ecosystems wildlife relies on. Whose jurisdiction is this? Game wardens, the unsung heroes of our national wild lands, are the first line of defense. In "War in the Woods, " California Game Warden John Nores and James Swan recount in riveting detail the perilous job of eradicating pot plantations. It is a chilling read - and one that finally turns our focus to the issue and the law enforcement teams leading the charge.

Humanism has constantly proclaimed the belief that the only way to improve man's life on earth is to make man himself wiser and better. Unfortunately, the voice of the humanists has always been challenged by the loud and cheap promises of scientists, by the inflammatory tirades of politicians, and by the apocalyptic visions of false prophets. Material greed, nonsensical chauvinism, racial prejudice, and religious antagonism have progressively defiled the inner beauty of man. Today's bankruptcy of man's dignity in the midst of an unparalleled material abundance calls for an urgent revival of humanistic ideals and values. This book was planned from its very start as a modest step in that direction. It is not my intention, however, to attempt, once again, a global interpretation of Humanism in general, or of Renaissance Humanism in particular. I have been dissuaded from such a purpose by the failure of contemporary scholars to agree on such basic issues as whether the Renaissance was a total break with or a continuation of medieval culture, whether it was basically a Christian or a pagan movement, whether it was the effect or the cause of the classical revival. Instead, then, of discussing the significance of sixteenth century humanism, this book concentrates upon the life and the thought of a single humanist.

In spite of its carefully planned - and fully justified - modesty, the title of this book might very well surprise more than one potential reader. It is not normal to see such controversial concepts as "Renaissance," "Renaissance Thought," "Spanish Renaissance," or even "Spanish Thought" freely linked together in the crowded intimacy of one single printed line. The author of these essays is painfully aware of the com plexity of the ground he has dared to cover. He is also aware that all the assumptions and connotations associated with the title of this book have been the subject of great controversy among scholars of high repute who claimed (and probably had) revealing insight into human affairs and ideas. That these pages have been written at all therefore needs some justification. I am convinced that certain of the disputes among historians of ideas do not touch upon matters of substance, but rather reveal the taste and intellectual idiosyncracies of their authors. Much of the disagreement is, I think, a matter of aesthetics. Those who find special gratification in well-defined labels, clear-cut schemes, and compre hensive generalizations, can hardly bear the company of those who insist upon detail, complexity, and organic growth. The nightmarish dilemma, still unresolved, between Unity and Diversity, between the Universal and the Individual, haunts the History of Ideas."

The most comprehensive textbook and detailed presentation of the lab techniques organic chemistry students need to know. Compatible with any organic chemistry lab manual or set of experiments, it combines specific instructions for three different kinds of laboratory glassware: miniscale, standard taper microscale, and Williamson microscale. This title provides effective support to all those looking for guided-inquiry and design-based experiments and projects, as well as for traditional lab experiments. This title is for organic students of all levels looking to improve and understand their knowledge of lab work. With new authors David Alberg and Gretchen Hofmeister on board for this fourth edition, both bring copious amounts of experience in organic chemistry. They have been able to revive the writing in the book, while also adding new examples and pitfalls for students to avoid.

An Introduction to Criminal Evidence: Cases and Concepts provides comprehensive and applied coverage of the rules of evidence, along with numerous case excerpts that clearly illustrate those rules. Using engaging, straightforward language, authors R. Alan Thompson, Lisa S. Nored, John Worrall, and Craig Hemmens offer an invaluable and innovative resource for both students and instructors.
Concentrating on the Federal Rules of Evidence, this distinctive text presents in-depth yet concise coverage of evidentiary law in thirteen succinct chapters. To draw students into this complex subject, the authors explain criminal evidence through a unique blend of text and case excerpts; throughout, these excerpts illuminate the rules in useful, fascinating, and often humorous examples. Helpful pedagogical resources and study aids--including discussion questions, lists of relevant websites, and a glossary of key terms--further enhance students' engagement with the material.
Ideal for courses in criminal justice and law, An Introduction to Criminal Evidence integrates theory with practice to expand and enliven this significant subject.

There is no love lost between the Oslo and Bergen branches of the powerful Falck family. So when its steely matriarch dies with no will to be found, the seeds of an inheritance dispute are sown.

Yet her legacy could be more damaging still. A manuscript confiscated by the secret police in the seventies holds devastating secrets about the Falcks' activities during the war. Her granddaughter Sasha is set on uncovering the truth, whatever the cost, bringing her into conflict with her father, whose family loyalty is matched only by his patriotic fervour. And in the wings waits Hans Falck, war doctor and philanderer, head of the impoverished Bergen branch, who has a few secrets of his own.

It all leads back to the sinking of the SS Prinsesse Ragnhild, lost to a British mine in 1940. But can the official verdict be trusted? The shocking truth lies 300 metres under the sea.

Part literary thriller, part sweeping family saga, The Sea Cemetery is a dark and dramatic tale of secrets, betrayals and doomed love, drawing on the true story of one of Norway's most devastating maritime disasters.

Honjirou is a chubby actor with newly found confidence! It’s all thanks to the support of his biggest fan, Konnosuke. Konnosuke’s support helped him gain his first big leading role. He’s been scouted to audition for a TV drama! Meanwhile, Konnosuke is in training at a renowned patisserie, but all his clumsy mistakes are getting him down. As he considers quitting and giving up on his dream, who should appear but Honjirou? The two join hands again as they set out to make each other’s dreams a reality.

Intended for an undergraduate criminal law course within a criminal justice program, A Brief Introduction to Criminal Law, Second Edition provides a gentle introduction to the subject ideal for students that do not intend to pursue law school. The principles of criminal law are explained step-by-step with a focus on the professional applications of legal principles within the criminal justice system. The second edition contains more and updated case studies, additional coverage of consitutional law and terrorism, and enhanced figures and tables. Written in a conversational tone, A Brief Introduction to Criminal Law, Second Edition is the ideal resource for undergraduate students taking a criminal law course.

Honjiro is a rookie actor trying his best to land a breakout role, but he fears that his weight stands in the way of his dreams. One day, he's surprised by fan mail full of sweets. The package came from Konnosuke, a local pastry chef - Honjiro's first major fan! As Konnosuke supports Honjiro's work and gives him new confidence to face the stage, will their relationship grow beyond just aspiring star and fanboy?