A book that verifies the existence of secret underground chambers beneath the Sphinx and demonstrates its origins as the Egyptian god of the dead, Anubis
- Includes an anthology of eyewitness accounts from early travelers who explored the secret chambers before they were sealed in 1926
- Reveals that the Sphinx was originally carved as a monumental crouching Anubis, the Egyptian jackal god of the necropolis
Shrouded in mystery for centuries, the Sphinx of Giza has frustrated many who have attempted to discover its original purpose. Accounts exist of the Sphinx as an oracle, as a king's burial chamber, and as a temple for initiation into the Hermetic Mysteries. Egyptologists have argued for decades about whether there are secret chambers underneath the Sphinx, why the head-to-body ratio is out of proportion, and whose face adorns it.
In "The Sphinx Mystery," Robert Temple addresses the many mysteries of the Sphinx. He presents eyewitness accounts, published over a period of 281 years, of people who saw the secret chambers and even went inside them before they were sealed in 1926--accounts that had been forgotten until the author rediscovered them. He also describes his own exploration of a tunnel at the rear of the Sphinx, perhaps used for obtaining sacred divinatory dreams.
Robert Temple reveals that the Sphinx was originally a monumental Anubis, the Egyptian jackal god, and that its face is that of a Middle Kingdom Pharaoh, Amenemhet II, which was a later re-carving. In addition, he provides photographic evidence of ancient sluice gate traces to demonstrate that, during the Old Kingdom, the Sphinx as Anubis sat surrounded by a moat filled with water--called Jackal Lake in the ancient Pyramid Texts--where religious ceremonies were held. He also provides evidence that the exact size and position of the Sphinx were geometrically determined in relation to the pyramids of Cheops and Chephren and that it was part of a pharaonic resurrection cult.

'Many people are not in the least disturbed at the harm that befalls them, provided they can see their enemies’ downfall first’

In a series of pithy, amusing vignettes, Aesop created a vivid cast of characters to demonstrate different aspects of human nature. Here we see a wily fox outwitted by a quick-thinking cicada, a tortoise triumphing over a self-confident hare and a fable-teller named Aesop silencing those who mock him. Each jewel-like fable provides a warning about the consequences of wrong-doing, as well as offering a glimpse into the everyday lives of Ancient Greeks.

This definitive edition is the first translation into English of the entire corpus of 358 unbowdlerized fables. It is fully annotated, with an introduction that rescues the fables from a tradition of moralistic interpretation.