Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

If novelist Paul Mark Scott (1920-1978) has secured a niche in English literature, it is on the merits of his Raj Quartet and its sequel, Staying On, for which he won the Booker Prize in 1977. Yet by the time he had published The Jewel in the Crown in 1966, he had supported his family on his writing for six years, worked as a literary advisor for several publishers, routinely written book reviews for The Times, the Guardian, the Daily Telegraph, and Country Life, and published eight novels. Scott's literary reputation was already considerable when, at the age of 44, he embarked on The Raj Quartet that would take up the last fourteen years of his life-a masterpiece that reinterpreted the major events of his generation and challenged his contemporaries to face the legacy of their past. Beginning in 1964, Scott negotiated with the Harry Ransom Research Center at The University of Texas-Austin for the purchase of his manuscripts. Later, when he was teaching creative writing at the University of Tulsa in 1976, he arranged to sell his letters to the archives at McFarlin Library. Many years after his death, David Higham Associates (the literary agency for which Scott worked from 1950-1960 and which acted as Scott's own agent until his death in 1978) sold archival materials to the Harry Ransom Center, University of Texas-Austin. Only a limited amount of material from McFarlin's Paul Scott Collection has been published to date. The David Higham Collection has not been systematically used until now. Together, the Tulsa and Austin Collections involve many thousands of Scott's professional and personal letters, to a large degree untapped by scholars of literature. In this two-volume collection, Janis Haswell makes available to the reading public for the first time several hundred letters from the Tulsa and Austin archives, as well as dozens of private letters to daughters Carol and Sally Scott. Scott's letters never disappoint. They are intriguing, well-penned and (in most cases) well-preserved in carbon form by Scott himself. They explore in depth and detail available nowhere else his view of the themes and structure of his novels; his experience and views of India; his dealings with publishers, agents, critics, readers, and writer friends (the likes of Muriel Spark, Gabriel Fielding, M. M. Kaye); his role as an agent and influential reviewer of fiction; his trials in supporting himself and family as a freelancer; his experience as a teacher in the United States; and his love and loyalty to family and friends.

If novelist Paul Mark Scott (1920-1978) has secured a niche in English literature, it is on the merits of his Raj Quartet and its sequel, Staying On, for which he won the Booker Prize in 1977. Yet by the time he had published The Jewel in the Crown in 1966, he had supported his family on his writing for six years, worked as a literary advisor for several publishers, routinely written book reviews for The Times, the Guardian, the Daily Telegraph, and Country Life, and published eight novels. Scott's literary reputation was already considerable when, at the age of 44, he embarked on The Raj Quartet that would take up the last fourteen years of his life-a masterpiece that reinterpreted the major events of his generation and challenged his contemporaries to face the legacy of their past. Beginning in 1964, Scott negotiated with the Harry Ransom Research Center at The University of Texas-Austin for the purchase of his manuscripts. Later, when he was teaching creative writing at the University of Tulsa in 1976, he arranged to sell his letters to the archives at McFarlin Library. Many years after his death, David Higham Associates (the literary agency for which Scott worked from 1950-1960 and which acted as Scott's own agent until his death in 1978) sold archival materials to the Harry Ransom Center, University of Texas-Austin. Only a limited amount of material from McFarlin's Paul Scott Collection has been published to date. The David Higham Collection has not been systematically used until now. Together, the Tulsa and Austin Collections involve many thousands of Scott's professional and personal letters, to a large degree untapped by scholars of literature. In this two-volume collection, Janis Haswell makes available to the reading public for the first time several hundred letters from the Tulsa and Austin archives, as well as dozens of private letters to daughters Carol and Sally Scott. Scott's letters never disappoint. They are intriguing, well-penned and (in most cases) well-preserved in carbon form by Scott himself. They explore in depth and detail available nowhere else his view of the themes and structure of his novels; his experience and views of India; his dealings with publishers, agents, critics, readers, and writer friends (the likes of Muriel Spark, Gabriel Fielding, M. M. Kaye); his role as an agent and influential reviewer of fiction; his trials in supporting himself and family as a freelancer; his experience as a teacher in the United States; and his love and loyalty to family and friends.

Taking a unique and critical approach to the study of Public Law, this book explores the main topics in UK Public Law from a range of underexplored perspectives and amplifies the voices of scholars who are underrepresented in the field. As such, it represents a much-needed complement to traditional textbooks in Public Law. Including insights from a diverse list of contributors, the book: * Enriches students' understanding of the dynamics that emerge within public law; * Highlights the impact of historical and societal inequities on public law norms; * Demonstrates the ways in which those norms may impact minorities and perpetuate inequalities. With most chapters written by underrepresented or minoritised persons in the field, this text offers students a critical, rich, and insightful approach to public law.

This book explores a number of closely related logical and metaphysical questions relating to the identity of Jesus Christ. In particular it considers: ‘What does ‘Jesus Christ’ name?’ and ‘How may Jesus Christ be the subject of both divine and human attributes, given their apparent incompatibility?’. The author draws on analytic and scholastic influences and integrates them into a rehabilitation of the neglected habitus theory of the hypostatic union. The theory maintains a real identity between Christ and the Word and emphasises the instrumental or possessory dimension of Christ’s relationship to his human nature. This approach allows for an account of the hypostatic union that is true to the indispensable articles of classical Christology and which satisfies the demands of logical coherence. Yet, at no point is the mystery of the Incarnational event reduced to the strictures of creaturely comprehension. The book will be of particular interest to scholars of Christology, analytic theology and the philosophy of religion.

Taking a unique and critical approach to the study of Public Law, this book explores the main topics in UK Public Law from a range of underexplored perspectives and amplifies the voices of scholars who are underrepresented in the field. As such, it represents a much-needed complement to traditional textbooks in Public Law. Including insights from a diverse list of contributors, the book: • Enriches students’ understanding of the dynamics that emerge within public law; • Highlights the impact of historical and societal inequities on public law norms; • Demonstrates the ways in which those norms may impact minorities and perpetuate inequalities. With most chapters written by underrepresented or minoritised persons in the field, this text offers students a critical, rich, and insightful approach to public law.

Impelled by runaway spending and rampant corruption, America's much-beloved games of college basketball and football are being threatened. The specter of billion-dollar sums being showered on coaches, voracious athletic directors, hordes of support staff and lavish comforts for fans has led to a near-deafening roar to pay the players. The injustice of such sums being amassed, in the main, from the labor of young men of color many of whom come from disadvantaged backgrounds cannot be justified; and yet, American society has allowed this intractable problem to fester for more than half a century. Lured by the glitter of untold riches, naive young players enroll year after year in colleges and universities expecting the ultimate reward of a highly paid career as a pro. Only a minuscule few will advance that far; even fewer will reap significant financial rewards. Instead of educating them, colleges and universities force them into full-time athletic jobs in which their labor is shamelessly exploited. Small wonder that outraged critics demand compensation for the players, but these same critics only present vague answers when asked how such a radical change would work. College Sports on the Brink of Disaster, first published as Marching Toward Madness and now newly updated, cites twenty-one reasons why the pro-pay position is wrong, among them the prospect that the player talent pool will be concentrated to even fewer rich schools; recruiting wars will lead to more frequent scandals; and the regulatory powers of the NCAA will exponentially increase. Worst of all, pay-for-play will encourage schools to shirk even further the imperative to educate the young athletes. College Sports on the Brink of Disaster presents comprehensive reforms to end cheating and corruption in college sports, to put academics first, and to end the peonage of non-white athletes once and for all.

Enric Valor is one of the most important Valencian authors of the 20th century. This selection of his highly popular rondalles (folk tales) will for the first time introduce his work to an English-speaking audience. At a time when Catalan was under threat from the cultural bulldozer of the Franco regime, which condemned the use of anything but Castilian Spanish in public communication, Valor went to great lengths to disseminate knowledge of the language, through writing grammars and linguistic studies, as well as teaching it to fellow inmates when he was imprisoned by the regime for his cultural activities. These tales, collected over a number of years in small villages in the province of Alacant, were a significant part of his ongoing efforts to safeguard the Valencian language and the culture and history of the region. The Rondalles Valencianes have been compared to Italo Calvino's Italian Folk Tales and Henri Pourrat's Treasury of French Folk Tales. Like them, Valor aimed in rewriting the oral material to establish a common national body of folk narratives and to make the stories more appealing to Valencian readers, young and old alike. The critical Introduction provides an outline of the author's life and an overview of his work as novelist, grammarian and folklorist, as well as an assessment of the tales which identifies their place within the broader European folklore tradition.

Ana Blandiana is one of Romania's foremost poets, a leading dissident before the fall of Communism, and now her country's strongest candidate for the Nobel Prize. A prominent opponent of the Ceausescu regime, Blandiana became known for her daring, outspoken poems as well as for her courageous defence of ethical values. Over the years, her works have become the symbol of an ethical consciousness that refuses to be silenced by a totalitarian government. This new translation by Viorica Patea and Paul Scott Derrick combines her two collections, The Sun of Hereafter (2000) and Ebb of the Senses (2004), both written after the fall of the Iron Curtain while Blandiana was actively and selflessly involved in the public sphere as President of the Civic Alliance (1990-2001), a non-political organisation that made possible Romania's integration into the European Union. These two books mark a turning point in Blandiana's poetic evolution: they lead towards a new conception of poetry as a reflection on being that culminates in My Native Land A4 (first published in Romania in 2010 and published in English by Bloodaxe in 2014). After 1989, the motifs of her poetry remain the same but they acquire a more universal dimension. For Blandiana, the writer is less a creator than a witness of the world she inhabits. She believes that poetry records the experience of one's time and insists that it is 'not a series of events, but a sequence of visions'. Blandiana's poetry oscillates between the sensual perception of the world and a nostalgia for transcendence. Enigmatic definitions alternate with a series of coded questions charged with melancholic gravity. In fact, her poetry could be seen as a quest for definitions reached through a series of questions. Her poems describe the degradation of humanistic values and the different ways in which the individual is threatened. They express a yearning for a state of primordial purity and an awareness of destructive forces which the self must confront.

The New Interpreter s Handbook of Preaching is a major reference tool for preaching, with articles on every facet of Christian sermon preparation and delivery. This resource is both scholarly and practical. It focuses on the most distinctive feature and greatest strength of homiletics as a discipline: It is rooted in interdisciplinary scholarship and it develops theory geared to practice. Its theory arises out of the study of both excellent preaching past and present and actual sermon preparation and composition. When theory and practice critique each other, it is possible to produce guidelines that assist greater excellence and economy in preaching the gospel. Excellence in standards is an area in which homiletics needs to grow, and this project will be both a means to encourage and develop it. A guiding question throughout will be, Will it preach? The answers will be offered in the sense that here is something that works well, rather than here is something to try.

Preachers will turn to this resource with the expectation that they will find scholarly treatment of topics, brief bibliographies of relevant key books and articles, along with practical methodological suggestions for preachers to employ. The contributors are homileticians, preachers, and writers in various disciplines who are committed to the pulpit through practice."

Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions: What is the role of consciousness in the creative process? How does the audience for a work for art influence its creation? How can creativity emerge through childhood pretending? Do great works of literature give us insight into human nature? Can a computer program really be creative? How do we define creativity in the first place? Is it a virtue? What is the difference between creativity in science and art? Can creativity be taught? The new essays that comprise The Philosophy of Creativity take up these and other key questions and, in doing so, illustrate the value of interdisciplinary exchange. Written by leading philosophers and psychologists involved in studying creativity, the essays integrate philosophical insights with empirical research.

Paul Scott's epic study of British India in its final years has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence. Book one, The Jewel in the Crown, describes the doomed love between an English girl and an Indian boy, Daphne Manners and Hari Kumar. This affair touches the lives of other characters in three subsequent books, most of them unknown to Hari and Daphne but involved in the larger social and political conflicts which destroy the lovers. On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author's capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.

Paul Scott's epic study of British India in its final years has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence. Book one, The Jewel in the Crown, describes the doomed love between an English girl and an Indian boy, Daphne Manners and Hari Kumar. This affair touches the lives of other characters in three subsequent books, most of them unknown to Hari and Daphne but involved in the larger social and political conflicts which destroy the lovers. On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author's capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.

Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions: What is the role of consciousness in the creative process? How does the audience for a work for art influence its creation? How can creativity emerge through childhood pretending? Do great works of literature give us insight into human nature? Can a computer program really be creative? How do we define creativity in the first place? Is it a virtue? What is the difference between creativity in science and art? Can creativity be taught? The new essays that comprise The Philosophy of Creativity take up these and other key questions and, in doing so, illustrate the value of interdisciplinary exchange. Written by leading philosophers and psychologists involved in studying creativity, the essays integrate philosophical insights with empirical research.