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Share in fifty years of magic with this wonderful audio collection of five classic stories. Celebrate the very special anniversary of The Tiger Who Came to Tea and share in fifty years of magic with this wonderful audio collection of five classic stories from the inimitable Judith Kerr. Includes: • The Tiger Who Came to Tea • The Great Granny Gang • One Night in the Zoo • The Crocodile Under the Bed • Katinka’s Tail. With music and sound effects written especially for an incredible listening experience. Read by Geraldine McEwan, Phyllida Law & Susan Sheridan with an approximate running time of thirty minutes.
Martial-arts superstar Jet Li stars in this action-packed adventure as Danny, a slave raised by a gangster (Bob Hoskins) to be a violent fighting machine and compete at illegal gladiator-style fight clubs. When Danny has a chance encounter with a blind piano tuner (Morgan Freeman), he experiences true kindness for the first time - and escapes from the underworld to live with the piano tuner and his family. But the mob won't give up its prized pupil so easily, and Danny must fight to protect his new family and shed his old life.
`My future mother-in-law burst into tears when she heard her son was to marry an actress. There's still something disturbing, I grant you, about the word "actress". If an MP or some other outstanding person plays fast and loose with an actress the world is unsurprised. She is certainly no better than she should be, and probably French...' As well as being a mother (to the actresses Sophie and Emma Thompson) and a devoted carer to her own mother and mother-in-law, Phyllida Law is also a distinguished actress, and Dead Now Of Course is the tale of her early acting career. As a young member of a travelling company, Phyllida learned to cope with whatever was thrown at her, from making her own false eyelashes to battling flammable costumes and rogue cockroaches. We find her in Mrs Miller's digs, which were shared with a boozy monkey bought from Harrods, an Afghan hound known as the `the flying duster', several hens and various children. Filled with funny, charming anecdotes, Dead Now Of Course paints a fascinating picture of life in the theatre - and at the heart of the story is an enchanting account of Phyllida's courtship with her future husband, the actor and writer Eric Thompson.
Japanese animated feature from Studio Ghibli based on the 1952 children's novel 'The Borrowers' by Mary Norton. The Clock family, each only a few centimetres tall, live peacefully under the floorboards of a house in the Tokyo suburbs inhabited by the elderly Sadoko (voice of Phyllida Law). In order to survive, the Clocks borrow everything they need from their human host in such tiny amounts that they go virtually unnoticed. But their existence comes under threat when fearless 14-year-old Arrietty Clock (Saoirse Ronan) is spotted by Sadoko's sickly 12-year-old nephew Shô (Tom Holland).
Drama starring Ed Harris. It is 1824 and Beethoven (Harris) is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer finish in time for the scheduled first performance - otherwise the orchestra will have no music to play. Enter Anna Holtz (Diane Kruger), a young conservatory student and aspiring composer. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her.
Alan Rickman directs and co-writes this bittersweet drama, which pairs real-life mother and daughter Phyllida Law and Emma Thompson. Following the death of her husband, Frances (Thompson) meets with her mother (Law) in a Scottish seaside town. As they attempt to repair their own, damaged relationship, their lives become linked to those of two young boys, a teenage couple, and a pair of elderly women whose sole pleasure in life is attending funerals.
Stephen Fry plays Peter, the owner of a stately home, who gathers together his friends from University on New Year's Eve. It has been 10 years since they all gathered together for the last performance of their musical comedy review and things and people have changed. Their differences begin to affect the celebrations. A British version of 'The Big Chill'.
Bafta-winning TV adaptation of the classic children's novel by Clive King. Barney (Thomas Sangster) is a shy ten-year-old who's spending the summer holidays with his grandparents. One day, while out walking, he is chased by the village bullies and tumbles down an overgrown quarry. There, on the quarry floor, he encounters an apparently humanoid figure with thick shaggy hair and two bright eyes. This creature turns out to be Stig (Robert Tannion), a caveman who is hundreds of thousands of years old. Gradually he and Barney learn to communicate with other. Together they forage through the rubbish dump at the bottom of the quarry, using the things the villagers throw away to improve Stig's cave. So begins a very special friendship, and a tale which has charmed children and adults alike ever since it was first published in 1963.
My mother-in-law Annie lived with us for 17 years and was picture-book perfect. It took a while before the family realised that Annie was increasingly (as she would put it) 'Mutt and Jeff'. So Phyllida began to write out the day's gossip at the kitchen table, putting her notes by Annie's bed before going to hers. One night as her husband wandered off to bed he muttered darkly that she spent so much time each evening writing to Annie she could have written a book. 'And illustrated it ' Here it is. It is a book full of the delights of a warm and loving household. Of Boot the Cat being sick after over-indulging in spiders; the hunt for cleaning products from the dawn of time; persistently and mysteriously malfunctioning hearing aids; an unusual and potentially hilarious use for a clove of garlic; and the sad disappearance of coconut logs from the local sweetshop. It's about the special place at the heart of a home held by a woman born in another age. Who polished the brass when it was 'looking red at her'. Who still bore a scar from being hit by her employer when, as a young woman, she was in service. Who could turn the heel of a sock and the collar of a shirt, and make rock-cakes, bread pudding and breast of lamb with barley."
A Nineties adaptation of Leo Tolstoy's 19th century romantic, merry-go-round set in Moscow. At its centre stands Anna Karenina (Sophie Marceau), caught between her husband (James Fox) and lover, Count Vronsky (Sean Bean). When she falls pregnant, she decides to dissolve her marriage and wed Vronsky, but true happiness proves elusive.
Japanese animated feature from Studio Ghibli based on the 1952 children's novel 'The Borrowers' by Mary Norton. The Clock family, each only a few centimetres tall, live peacefully under the floorboards of a house in the Tokyo suburbs inhabited by the elderly Sadoko (voice of Phyllida Law). In order to survive, the Clocks borrow everything they need from their human host in such tiny amounts that they go virtually unnoticed. But their existence comes under threat when fearless 14-year-old Arrietty Clock (Saoirse Ronan) is spotted by Sadoko's sickly 12-year-old nephew Shô (Tom Holland).
Japanese animated feature from Studio Ghibli based on the 1952 children's novel 'The Borrowers' by Mary Norton. The Clock family, each only a few centimetres tall, live peacefully under the floorboards of a house in the Tokyo suburbs inhabited by the elderly Sadoko (voice of Phyllida Law). In order to survive, the Clocks borrow everything they need from their human host in such tiny amounts that they go virtually unnoticed. But their existence comes under threat when fearless 14-year-old Arrietty Clock (Saoirse Ronan) is spotted by Sadoko's sickly 12-year-old nephew Shô (Tom Holland).
Box set featuring nine action movies. In 'Skinheads' (1989) a group of Los Angeles neo-nazis are forced to move to North California when one of them shoots a black man. When they arrive in the small town they continue on their path of hatred, harrassment and destruction until they come across two resilient college kids determined to stop the skinheads' reign of violence. When a Hollywood film crew travel to shoot on an isolated desert location they are attacked by CIA-backed mercenaries. At first the film people fight back using their special effects equipment, but as the carnage mounts they sustain heavy losses, and soon the director's daughter is the only one still alive. She then teams up with one of the embittered mercenaries to better her chances of surviving. 'Hiroshima' (1990) paints a dramatic account of the race to develop the atomic bomb, the ethics and politics behind it, and the events which led to its use at the end of World War 2. In 'Emperor' (1988), Tony (Alex D'Andrea) is a Bronx street hustler, an old-fashioned, low-level operator who finds himself forced off his turf by vicious crime boss Falco (Anthony Gioia). Teaming up with an ex-con and sultry songstress, he learns a few things about the way of the world and makes an attempt to get back on the right side of the wrong side of the tracks - taking the fight back to Falco. In 'South Bronx' (1985), two young children are being brutally exploited as their foster home moonlights as the headquarters for one of the city's largest pornography rings. Amazingly, the two children escape to the streets, where they enlist the help of an undercover cop (Mario Van Peebles) and his partner to capture the porn king and his accomplices. In 'The Swap' (1969) Robert DeNiro plays Sammy Nicoletti, an adult film director who is murdered. His brother Vito (Anthony Charnota) vows to find the killer and avenge Sammy's death. When Vito is released from prison he begins his own investigation, encountering deceit and blackmail. The final days of Sammy's life unfold from a party on Long Island back to the big city. As Vito draws nearer to the truth, his own life hangs precariously in the balance. In 'Death Collector' (1975) it's 'all in the family' for a young, streetwise hood as he becomes a collector for the mob. He quickly rises, run by rung, up the ladder of the underworld in this violent crime saga. Blaxploitation legend Fred 'The Hammer' Williamson stars in 'Black Cobra' (1987). When fashion photographer Elys Trumbo (Eva Grimaldi) sees one of her neighbours being murdered by a member of the Black Cobras, a psychopathic motorcycle gang, she manages to catch the killer's face on film. The Cobras' leader comes after her, but luckily tough police sergeant Malone (Williamson) has been appointed to protect her. In 'Born To Win' (1971), George Segal stars as as an ex-hairdresser who struggles to support his expensive drug habit and to avoid arrest, turns 'narc', informing on his fellow junkies. Eventually Segal's sense of self-hatred threatens to overwhelm him. In 'Revenge' (1988), the gun-crazy right-wing terrorist group 'Strike Force' have set their sights on the deadly NK-2, which is a very large weapon indeed, and will do everything in their power to get hold of it. Vietnam vet Jason Shepherd (Roger Rodd) is approached with the job of tracking down these vicious killers and preventing them from doing any more damage. He accepts the job, but when the group gun down two of his most loyal friends, it suddenly becomes personal.
'My future mother-in-law burst into tears when she heard her son was to marry an actress. There's still something disturbing, I grant you, about the word "actress". If an MP or some other outstanding person plays fast and loose with an actress the world is unsurprised. She is certainly no better than she should be, and probably French...' As well as being a mother (to the actresses Sophie and Emma Thompson) and a devoted carer to her own mother and mother-in-law, Phyllida Law is also a distinguished actress, and Dead Now Of Course is the tale of her early acting career. As a young member of a travelling company, Phyllida learned to cope with whatever was thrown at her, from making her own false eyelashes to battling flammable costumes and rogue cockroaches. We find her in Mrs Miller's digs, which were shared with a boozy monkey bought from Harrods, an Afghan hound known as the 'the flying duster', several hens and various children. Filled with funny, charming anecdotes, Dead Now Of Course paints a fascinating picture of life in the theatre - and at the heart of the story is an enchanting account of Phyllida's courtship with her future husband, the actor and writer Eric Thompson.
The charming, funny successor to the hugely popular 'Notes to my Mother-in-Law', from the inimitable Phyllida Law. When her Uncle Arthur dies, actress Phyllida Law returns to the tiny Scottish village of Ardentinny to look after her ma, Mego. Mego's always been deliciously dotty. She once put a new packet of tights in the fridge (and the bacon in her sock drawer). But Mego's older now and becoming ever more muddled. So Phyllida devotes herself to looking after Mego, but not without the help of friends, local villagers, and her two daughters, actresses Emma and Sophie Thompson: pulling together, they maintain order in the cottage, find Delia on the telly and keep Mego's spirits up-with a G&T if all else fails. Somehow, Phyllida even manages to slip away on acting jaunts in Glasgow and Italy. Running through Phyllida's account of Mego's final months are the anecdotes, memories and legends that form the fabric of every family. Phyllida's account captures the warmth and tenderness of two generations of daughters brought together to care for their much-loved mother and grandmother.
A single-volume edition of two hugely charming and funny memoirs of family life - `Notes to my Mother-in-Law' and `How Many Camels Are There in Holland?' - by the inimitable Phyllida Law. Phyllida Law's treasured mother-in-law Annie was the lynchpin of the entire family, so when they realised she was growing ever more deaf the only solution was for Phyllida to note down all the day's gossip for Annie to read. When her own mother Mego - always deliciously dotty - was diagnosed with dementia late in her life, Phyllida devoted herself to Mego's care, on hand to keep the cottage tidy and prepare a medicinal G&T. And all the while Phyllida had to manage her busy acting career and bring up her own daughters, the actresses Emma and Sophie Thompson. Complete with wonderful new material from Phyllida, Emma and Sophie, this single-volume edition of Phyllida Laws's two enchanting memoirs of family life - `Notes to my Mother-in-Law' and `How Many Camels Are There in Holland?' - is a tender and sweetly comic story of mothers, daughters, a malfunctioning hearing aid and a most peculiar question about camels ...
'My mother-in-law Annie lived with us for 17 years and was picture-book perfect.' It took a while before the family realised that Annie was increasingly (as she would put it) 'Mutt and Jeff'. So Phyllida began to write out the day's gossip at the kitchen table, putting her notes by Annie's bed before going to hers. One night as heer husband wandered off to bed he muttering darkly that she spent so much time each evening writing to Annie she could have written a book. 'And illustrated it!' Here it is. It is a book full of the delights of a warm and loving household. Of Boot the Cat being sick after over-indulging in spiders; the hunt for cleaning products from the dawn of time; persistently and mysteriously malfunctioning hearing aids; an unusual and potentially hilarious use for a clove of garlic; and the sad disappearance of coconut logs from the local sweetshop. It's about the special place at the heart of a home held by a woman born in another age. Who polished the brass when it was 'looking red at her'. Who still bore a scar on her hands from being hit by her employer when, as a young woman, she was in service. Who could turn the heel of a sock and the collar of a shirt, and make rock-cakes, bread pudding and breast of lamb with barley.
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