The widespread adoption of the IHRA definition of anti-semitism and the internalisation of its norms has set in motion a simplistic definitional logic for dealing with social problems that has impoverished discussions of racism and prejudice more generally, across Britain and beyond. It has encouraged a focus on words over substance. Erasing Palestine tells the story of how this has happened, with a focus on internal politics within Britain over the course of the past several years. In order to do so, it tells a much longer story, about the history of antisemitism since the beginning of the twentieth century. This is also a story about Palestine, a chronicle of the erasure of the violence against the Palestinian people, and a story about free speech, and why it matters to Palestinian freedom.

The Routledge Handbook of Translation and Activism provides an accessible, diverse and ground-breaking overview of literary, cultural, and political translation across a range of activist contexts. As the first extended collection to offer perspectives on translation and activism from a global perspective, this handbook includes case studies and histories of oppressed and marginalised people from over twenty different languages. The contributions will make visible the role of translation in promoting and enabling social change, in promoting equality, in fighting discrimination, in supporting human rights, and in challenging autocracy and injustice across the Middle East, Africa, Latin America, East Asia, the US and Europe. With a substantial introduction, thirty-one chapters, and an extensive bibliography, this Handbook is an indispensable resource for all activists, translators, students and researchers of translation and activism within translation and interpreting studies.

Through a series of insightful and sophisticated readings, this book reveals the worldliness of premodern Persian poetry. It traces the political role of poetry in shaping the prison poem genre (habsiyyat) across 12th-century Central, South and West Asia. Bringing theorists as wide ranging as Kantorowicz, Benjamin and Adorno into conversation with classical Persian poetics, this book offers an unprecedented account of prison poetry before modernity, and of premodern Persianate culture within the framework of world literature and global politics.

The first English-language study of the Persian prison poem Develops a new approach to genre, based on the political status of the prison poem Offers an unprecedented account of the interrelations of poetry and power in pre-modern literature Sheds new light on Muslim Christian relations by documenting the multi-confessional orientation of many prison poems Relates the trajectory of the prison poem genre in pre-modern poetics to Iranian literary modernism, including the prison poems of Muhammad Taqi Bahar Through a series of insightful and sophisticated readings, this book reveals the worldliness of premodern Persian poetry. It traces the political role of poetry in shaping the prison poem genre (habsiyyat) across 12th-century Central, South and West Asia. The emergence of the genre is indebted to the increasing importance of the poet, who came into increasing conflict with Ghaznavid and Saljuq sovereigns as the genre developed. Uniting the polarities of perpetuity and contingency, the poet's body became the medium for the prison poem's oppositional poetics. Bringing theorists as wide ranging as Kantorowicz, Benjamin and Adorno into conversation with classical Persian poetics, this book offers an unprecedented account of prison poetry before modernity, and of premodern Persianate culture within the framework of world literature and global politics.

In this volume are three stories by Vazha-Pshavela, a giant of modern Georgian literature, along with one of the epic poems for which he became renowned, All have been translated into English here for the first time. In "The Death of Bagrat Zakharych," a highly sardonic account of the sudden demise of a chancellery official, Vazha-Pshavela's ironic sense reaches its fullest pitch. The story invites comparison to classic works such as Melville's "Bartleby, the Scrivener" and Tolstoy's "The Death of Ivan Ilyich." "Memories: A Christmas Tale" tells of a boy who returns from boarding school to his village for the winter holiday. As he reconnects with his family, an anxiety-filled hunting expedition with his uncle changes his perspective on life. "Batura's Sword" features an enchanted weapon that haunts the people of Pshavi following the death of its owner. This transfixing story of honor on the battlefield evokes the magic of the Caucasus mountains. Finally, "Gogotur and Apshina," one of Vazha-Pshavela's many legendary epic poems, is a moving rumination on the themes of military glory and courage. It was singled out for translation into Russian three times by three great poets (Osip Mandelstam, Marina Tsvetaeva, and Nikolay Zabolotsky).