Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

South Georgia is rich in wildlife and spectacular scenery, and it is a prime destination spot on most Antarctic tours. This beautifully illustrated field guide depicts the birds, mammals, insects, flowering plants, and other vegetation found in this unique part of the world. It features 368 full-color photographs of more than 180 species, including 65 species of birds, 20 species of sea mammals, nearly 60 species of insects, and more than 40 species of flowering and nonflowering plants. Detailed species accounts describe key identification features, with information on status, behavior, threats, and distribution. This one-of-a-kind photographic guide also includes introductory chapters on South Georgia's geography, climate, ecology, and conservation. * Features 368 photos of more than 180 species * Covers birds, sea mammals, insects, and plants * Provides detailed species accounts * Includes chapters on geography, climate, ecology, and conservation * The only photographic field guide to focus specifically on South Georgia

This is the second volume of the Clarendon edition of Robert Burton's The Anatomy of Melancholy, containing the text and textual apparatus for `The Second Partition'. A third volume of text and two volumes of commentary will follow. In `The Second Partition', Burton treats the spectrum of cures for melancholy, generally following the organization and analysis of symptoms and causes of the disorder as presented in `The First Partition'. Here is found Burton's remarkable synthesis of cultural geography and climatic influences on temperament in the `Digression of the Ayre' and his long excursion in the consolatio tradition. The final two sections of the partition present remedies from physics and surgery.

'The best book ever written' Nicholas Lezard, Guardian Robert Burton's labyrinthine, beguiling, playful masterpiece is his attempt to 'anatomize and cut up' every aspect of the condition of melancholy, from which he had suffered throughout his life. Ranging over beauty, digestion, the planets, alcohol, goblins, kissing, poetry and the restorative power of books, among many other things, The Anatomy of Melancholy has fascinated figures from Samuel Johnson to Jorge Luis Borges since the seventeenth century, and remains an incomparable examination of the human condition in all its flawed, endless variety. Edited with an introduction by Angus Gowland

One of the major documents of modern European civilization, Robert Burton's astounding compendium, a survey of melancholy in all its myriad forms, has invited nothing but superlatives since its publication in the seventeenth century. Lewellyn Powys called it "the greatest work of prose of the greatest period of English prose-writing," while the celebrated surgeon William Osler declared it the greatest of medical treatises. And Dr. Johnson, Boswell reports, said it was the only book that he rose early in the morning to read with pleasure. In this surprisingly compact and elegant new edition, Burton's spectacular verbal labyrinth is sure to delight, instruct, and divert today's readers as much as it has those of the past four centuries.