This book constitutes the refereed proceedings of the 4th International Workshop on Reversible Computation, RC 2012, held in Copenhagen, Denmark, in July 2012. The 19 contributions presented in this volume were carefully reviewed and selected from 46 submissions. The papers cover theoretical considerations, reversible software and reversible hardware, and physical realizations and applications in quantum computing.

Generative Programming and Component Engineering (GPCE) is a leading - searchconferenceonautomaticprogrammingandcomponentengineering.These approaches to software engineering have the potential to revolutionize software development as automation and components revolutionized manufacturing. The conference brings together researchers and practitioners interested in adva- ing automation for software development. It is also a premier forum for cro- fertilization between the programming language and software engineering - search communities. GPCEaroseasajointconference, mergingthepriorconferenceonGenerative and Component-Based Software Engineering (GCSE) and the Workshop on - mantics, Applications, andImplementationofProgramGeneration(SAIG). The proceedingsofthepreviousGPCEconferenceswerepublishedintheLNCSseries of Springer as volumes2487,2830, and 3286.In 2005 GPCE wasco-locatedwith the International Conference on Functional Programming (ICFP) and the s- posium on Trends in Functional Programming (TFP), re?ecting the vigorous interaction between the functional programming and generative programming research communities. GPCE and ICFP are both sponsored by the Association for Computing Machinery. The quality and breadth of the papers submitted to GPCE 2005 was impr- sive. All 86 papers, including 5 papers for tool demonstrations, were rigorously reviewed by 17 highly quali?ed Program Committee members. The members of the Program Committee ?rst provided in-depth individual reviews of the s- mitted papers, and then debated the merits of the papers through an extended electronicProgramCommitteemeeting.After much(friendly) argument,25r- ular papers and 2 tool demonstration papers were selected for publication. The ProgramCommittee provided extensive technical feedback to the authors of the submittedpapers.Theconferenceprogramwascomplementedwiththreeinvited talks, three extended tutorials, and three all-day worksh

Partial Evaluation has reached a point where theory and techniques have matured, substantial systems have been developed, and realistic applications can benefit from partial evaluation.
This book is based on the International Seminar on Partial Evaluation held in Dagstuhl Castle, Germany in February 1996. The 24 strictly refereed full papers included evaluate the progress achieved in the field during the last decade. Also included is a detailed preface by the volume editors and a subject index. All in all, this book competently reports the state of the art and future perspectives in partial evaluation and is thus compulsory reading for anybody interested in the area.

What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bok, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter. Brave, energetic and fresh, Biting the Error tells a whole new story about narrative. Biting the Error is edited by Mary Burger, Robert Gluck, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.

The collected essays of the cofounder of the New Narrative movement, on theory, identity, poetry, and muses from Kathy Acker to Georges Bataille. I read and wrote to invoke what seemed impossible-relation itself-in order to take part in a world that ceaselessly makes itself up, to "wake up" to the world, to recognize the world, to be convinced that the world exists, to take revenge on the world for not existing. -from Communal Nude Since cofounding San Francisco's influential New Narrative circle in 1979, Robert Gluck has been one of America's finest prose stylists of innovative fiction, bending narrative into the service of autobiography, politics, and gay writing. This collection brings together for the first time Gluck's nonfiction, a revelatory body of work that anchors his writing practice. Gluck's essays explore the ways that storytelling and selfhood are mutually embedded cultural forms, cohering a fractured social reality where generating narrative means generating identity means generating community. "I'd laugh at (make art from) any version of self," Gluck writes, "I write about these forms-that are myself-to dispense with them, to demonstrate how they disintegrate before the world, the body." For any body-or text-to know itself, it must first see how it sees the world, and understand itself as writing. Gluck's essays affirm this radical narratorial precept in rich spirals of reading, self-reflection, anecdote, escapade, and "metatext." These texts span the author's career and his creative affinities-from lost manifestos theorizing the poetics of New Narrative; to encomia for literary and philosophic muses (Kathy Acker, the HOW(ever) poets, Frank O'Hara, Georges Bataille, and others); to narrative journalism, book reviews, criticism, and public talks. Many of the texts are culled from obscure little magazines and ephemeral online sources; others have never been published. As lucid as story, as lush as theory, and as irresistible as gossip, Gluck's essays are the quintessence of New Narrative theory in practice.