This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it.

This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it.

124 short excerpts using a mixture of treble, alto, tenor and bass clefs and various common transpositions. The book concentrates on diatonic harmonic study (including diminished sevenths) and harmonic counterpoint in up to three parts. The exercises train students to take in many staves at once, to see where the principal melody is, to understand harmonies and modulations, to read various clefs, and transpose as necessary.

What keeps a reader curious? It's the story. You might have a dazzling prose voice and plausible characters, but if they don't do anything, the reader is likely to lose interest. So where do you find story ideas? How do you make them into a captivating read? What's your personal vision? Do you know what genre you are best suited to write? What is literary fiction and how do you write that? How will you give your book depth without seeming preachy or bringing the plot to a standstill? What are the hidden structural patterns that ply the reader's emotions, regardless of your genre or style? How can you use them with originality? How should you begin and end? What should go in the middle? Where should you play your best twists - and what should they be? How can you write each scene so it holds the reader's curiosity? If you want to write a story that breaks with convention but still keeps readers riveted, how do you do it? Whatever type of novel you want to write, this book will show you, in down-to-earth tutorials, games and brainstorming exercises. Use it before you write and when revising, to diagnose your story's strengths and weaknesses. If you've had feedback from critique partners and editors, use it to decode what's really wrong - instead of what they think might be. Most of all, use it to find out where you already have spellbinding plot material. Discover where your best ideas are hiding and how to tell stories with drama, depth and heart.

'Marvellous, powerful, beautiful' KIJ JOHNSON, multi-times winner of the HUGO AND NEBULA AWARDS 'Beautifully written, meaningful, top-drawer storytelling. An extraordinary novel in the tradition of great old-school literary science fiction like Atwood and Bradbury' - LEAGUE OF EXTRAORDINARY AUTHORS Misty woods; abandoned towns; secrets in the landscape; a forbidden life by night; the scent of bygone days; a past that lies below the surface; and a door in a dream that seems to hold the answers. Paftoo is a 'bod'; made to serve. He is a groundsman in the last remaining countryside estate, once known as Harkaway Hall and now a theme park. Paftoo holds scattered memories of the old days but they are regularly deleted to keep him productive. When he starts to have dreams of the Lost Lands past, Paftoo is thrown into a nightly battle for his memories, his soul and his cherished connection with Lifeform Three. Includes an appendix of suggested questions for reading groups. 'I really didn't want this book to end; it's that good' - BUILD ANOTHER BOOKCASE

'Taut plotting and sharp storytelling' 'Absolutely gripping story' 'Classy, stylish writing, a profound tale in page-turning fashion. Unreservedly recommended.' 'A strange and stubborn book, visual and visceral, original and odd...will stay with you long after finishing its final pages' - For Books' Sake If your life now is another person's past...What echoes do you leave in their soul? Could they be the answers you need now? It's a question Carol never expected to face. She's a gifted musician who needs nothing more than her piano and certainly doesn't believe she's lived before. But forced by injury to stop playing, she fears her life may be over. Enter her soulmate Andreq: healer, liar, fraud and loyal friend. Is he her future incarnation or a psychological figment? And can his story help her discover how to live now? A novel in the vein of The Time Traveller's Wife, Vertigo and The Gargoyle, My Memories of a Future Life is much more than a 'who was I' tale. It's a provocative study of the shadows we don't know are driving our lives, from our own pasts and from the people with us right now. An examination of what we believe, what we create and how we scare and heal each other. Above all, it's the story of how one lost soul searches for where she now belongs. 'I was always fascinated by tales of regression to past lives, ' says the author Roz Morris. 'I thought, what if instead of going to the past, someone went to a future life? Who would do that? Why? What would they find? 'I began to delve into the world of the classical musician. Musical scores are exacting and dictatorial - you play a note for perhaps a sixth of a second and not only that, there are instructions for how to feel - expressivo, amoroso. It's as if you don't play a piece of classical music; you channel the spirit of the composer. And I thought, what if she couldn't do it any more? And then, what if I threw her together with someone who could trap the part of her that responded so completely to music?'

How do you create characters who keep readers hooked? How do you write the opposite sex? Teenagers? Believable relationships? Historical characters? Enigmatic characters? Plausible antagonists and chilling villains? How do you understand a character whose life is totally unlike your own? How do you write characters for dystopias? How do you make dialogue sing? When can you let the reader intuit what the characters are feeling and when should you spell it out? Roz Morris is a bestselling ghostwriter and book doctor, and a literary author in her own right. Her titles have sold more than 4 million copies worldwide. She has mined 20 years' worth of writing, editing and critiquing experience to create this book. It contains all the pitfalls and sticky points for writers, laid out as a set of discussions that are easy to dip into. And it wouldn't be a Nail Your Novel book without a good dose of games, exercises and questionnaires to help you populate a novel from scratch. Whether you write a straightforward story-based genre or literary fiction, this book will show you how to create people who enthrall readers - and make you want to tell stories.

By bestselling ghostwriter and book doctor with a top London literary consultancy This book is used by award-winning authors and university creative writing departments. 'A how-to-write book that actually DOES tell you how' 'There are shedloads of books on how to write novels, and a lot of them are longer and considerably less useful' 'I wish I'd had this book a long time ago' 'The author has a proven track record as a writer of fiction, as opposed to writers of "how to write" books' Are you writing a novel? Do you want to make sure you finish? Will you get lost and fizzle out? Will you spend more time reading about how to write than actually getting the words down? Most manuals on novel-writing will make you read hundreds of pages about character arcs, inciting incidents, heroes' journeys. It's great to know that - but while you're reading about it you're not writing your book. And what these books don't tell you is how to use this learning and get the job done. Nail Your Novel is a writing buddy - and mentor - in a book. In 10 easy steps it will tell you: *how to shape your big idea and make a novel out of it *how to do your research and how to use it *how to organise your time *how to plot and build characters *when you're going to hit problems and what to do about them *how to write on the days you don't feel inspired *how to reread what you've written and polish it. Along the way, Thumbnail Notes give tutorials about storytelling and storycraft - strictly when you need them. The author has written nearly a dozen novels that have made it into print - and this is how she did it. You don't even need to read the whole book before you get started. You read a section, then do as it says. And, once you're finally satisfied, Nail Your Novel will tell you how to sell it to publishers and agents. A FULL index means you can find what you want, when you want it. You've dreamed of writing a novel. Don't procrastinate with another theory book. Don't launch in, get stuck and throw your hard work in a drawer. Nail your novel.